El folclor y el patrimonio frente a la hibridación y la globalización en la música colombiana. Tensiones tradicionalistas vs. Modernizadoras: políticas culturales, poder e identidad

El folclor y el patrimonio

frente a la hibridación y la globalización

en la música colombiana.

Tensiones tradicionalistas

vs. modernizadoras: políticas culturales,

poder e identidad

Darío Blanco Arboleda

Docente e investigador, Departamento de Antropología Facultad de Ciencias Sociales y Humanas

Universidad de Antioquia

Dirección electrónica: darioblanco1@gmail.com

Blanco Arboleda, Darío (2013). “El folclor y el patrimonio frente a la hibrida-ción y la globalizahibrida-ción en la música colombiana. Tensiones tradicionalistas vs

PRGHUQL]DGRUDVSROtWLFDVFXOWXUDOHVSRGHUHLGHQWLGDG´(QBoletín de An-tropología. Universidad de Antioquia, Medellín, Vol. 28, N.o _{45, pp. 180-211.} 7H[WRUHFLELGRDSUREDFLyQ¿QDO

Resumen.El presente artículo busca discutir y evidenciar cómo se han solucionado las tensiones entre tradición-folclor-patrimonio y modernidad-hibridaciones-globalización, sobre el escenario de la música colombiana y cómo afecta su función principal que es la de brindar identidad a las personas y a las comunidades. En esta relación compleja, cruzada por variables de poder, por discursos y acciones de personas y comunidades que creen y construyen sus vidas en torno a estos conceptos, se dan grandes disputas, contradicciones, desplazamientos y negociaciones.

Palabras clave: música colombiana, folclor, patrimonio, tradición, autenticidad, hibridación, bam-buco, política cultural, poder, hegemonía.

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and globalization of Colombian music. Tensions

between tradition and modernization: cultural politics, power and identity

Abstract.This article seeks to discuss and make evident how the tensions between tradition-folk-heritage and modernity-hybridizations-mass-media on colombian music scene have been solved and how this solution affects their main function which is to provide identity to people and communities. Within this complex relationship, crossed by power variables, by speeches and actions of individuals and communities to create and build their lives around these concepts, there are major disputes, con-tradictions, shifts and negotiations.

Keywords: colombian music, folklore, heritage, tradition, authenticity, hybridization, bambuco, cultural policy, power, hegemony.

Introducción

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El Plan Nacional de Músicas para la Convivencia (PNMC). El arte instrumentalizado para la paz

La música vive en cada habitante de nuestro país, un mensaje de convivencia a través de ella, será escuchado por todos

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El Gran Concierto Nacional, ritual para la construcción de la comunidad imaginada

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El patrimonio como eufemismo del folclor

Cuanto más cambia algo, más se parece a lo mismo.

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Conclusiones —¡Un patrimonio comunicativo!— ¿Hacia una tardomodernidad tradicionalista?

El medio de comunicación amor no es en sí mismo un sentimiento, sino un código de comunicación, de acuerdo con cuyas reglas se expresan, se forman o se simulan determinados sentimientos

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