A m s t e r & A m s t e r P r o

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Texto completo

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A m s t e r

&

A m s t e r P r o

A refined typeface family including 5 weights of

roman & cursive all fully equipped with OpenType sorts,

ornaments, and two sets of illuminated capitals.

*

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Amster

A refined type family

A

A

Blanca

Roman, Cursive, smallcaps, sc cursive

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Amster

A versatile type family

Rhythm

Singularity

Tyylikäs

El oficio de tipógrafo

Les détails qui font la différence

einfaldleikinn er erfiðast að fá

rafinovaný

A highly versatile typeface

Contemporary Design!

Modern Typographic Art

Energy

Polski typografem

La Lira Popular

amster pro Blanca 37 pts amster pro itálica Blanca 74 pts

amster pro itálica súpernegra 71 pts

amster pro gris 29 pts

amster pro gris 24 pts

amster súpernegra 115 pts

amster pro fina 95 pts

amster pro Blanca 49 pts

amster pro Blanca 33 pts

amster pro súpernegra 25 pts

amster pro gris 105 pts

amster pro gris 51 pts

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Preguntas de astronomía

contrarrestadas

¿Qué cuerpos son mas brillantes Del celeste firmamento? Sus nombres dame a saber Vos con tu conocimiento. Deseo el tener historia Con el mas autorizado, Sobre lo que está elevado, De improviso i de memoria. Para cantar la victoria Entre ls mas estudiosos, Pongo estos temas curiosos, I dígame mi contrario: Del sistema planetario

¿Qué cuerpos son mas brillosos? Suelo ser mui pregunton Cuando encuentro algun letrado; Pero aunque sea historiado No me sabrá dar razon. Tambien soi gran reparon Con el que tiene talento. Si encumbras tu pensamiento A donde están los cometas, ¿Quá tantos son los planetas Del celeste firmamento? De Vénus si te detallo Su espesor i gravedad, Con toda la moralidad Te pinto del sol un rayo. Para poder dar el fallo Es necesario tener La ciencia de Leverrier I así no quedar de cómico. Con tu aparato astronómico Sus nombres dame a saber.

Astrea, Juno i Acuario, Saturno, el Can, conocidos, Digo que están divididos En primario i secundario; Tauro, Leo i Sajitario Pasan jiarndo violento En las ráfagas del viento Sin dejar huella ni rastro. Nómbrame astro por astro Vos con tu conocimiento.

Buffalo

Buech�ner fun�nel (bük�nẽr). = Büchner Funnel (see

funnel, Ilust.).

||bue�nas no�ches (bwā�näs nō�chās). [Sp.] Good night. ||bue�nas tar�des (tär�dās). [Sp.] Good afternoon. ||bue�no (bwā�nō), interj. [Sp.] Good; very well; all right.

Bue�nos Ai�res (bwā�nōs ī�rās) a. Capital of Argentina. b. Figuratively, the government of Argentina.

||bue�nos dí�as (dē�äs). [Sp.] good day; good morning.

bu�fa·gin (bū�fajĭn), n. [Bufo agua + –in.] Biochem. A

crystal-line principle C18H24O4 isolated from the tropical toad

Bufo agua, and like digitalin in its action.

buff (bŭf; boof), v. i. [Imitative. Cf. puff.] To burst out, as

into laughter; to stammer; stutter. Obs. exc. Dial.

buff (bŭf) n. Nonsense; idle talk. Scot.

buff (bŭf) n. [Formely buffe buff, buffalo, fr. F. buffle

bu-falo. See buffalo; cf. buffle.] 1. A buffalo, or of the ox. Obs. 2. A sort of superior leather prepared with a velvety or fuzzy finish from the skin of the buffalo, or the ox, elk, etc. and dressed with the oil, like cham-ois. 3. A military coat made of buff leather. 4. The bare skin; as, to trip to the buff. Colloq. 5. A color. yellow-ish red-yellow in hue, of medium saturation and high brilliance. It is redder and lower saturation and higher brilliance than yellow ocher and redder and of higher saturation of chamois. Cf. color.

☞ Combinations in this sense are:

buff-backed buff-colored buff-washed buff-breasted buff-orange, adj. buff-yellow, adj. buff-citrine, adj. buff-tipped

6. A buff stick; also, a sitck faced with cloth, velvet, or

the like, to wish polishing material as applied. 7. An unbranded bull, cow, or steer hide of 45 to 60 pounds.

8. Mach. A buffing wheel. 9. Med. The grayish viscid

substance of the buffy coat. 10. [cap.] pl. Mil. The old 3d regiment of the line in the British Army, now the East Kent Regiment; —popularly so called from the former color of their facings. 11. An enthusiast about going to fires. Slang U. S.

buff (bŭf) adj. Made of or like buff; of the color of buff. buff, v. t.; buffed (bŭft); buff�ing. 1. To polish with a

buff. See 3d buff, 6. 2. To give a buff or velvety surface to (leather); also, to color or stain buff, as willow rods.

3. Hatmaking. = 1st pounce, 1.

buff, n. [OF. buffe. See buffet a blow.] A buffet; a blow

Now Dial., except in the phrase “blindman’s buff.”

buff, adj. [Perh. fr. buff a blow.] Firm; sturdy; — in the

phrase to stand buff.

buff (bŭf; boof), v. i. & i. [See buffet a blow.] a Obs. exc.

Dial. To strike; beat. b To take, or deaden, the shock

(of) as a buffer.

buff (bŭf; boof), n. = buffer, a fellow. Obs.

||buf�fa (bōōf�fä), n. fem.; pl. buffe (–fa). [It See buf-foon.] A woman who sings comic roles in opera.

amster pro Blanca 8/12 pts amster pro fina amster pro gris amster pro negra amster pro súpernegra

From Webster’s New International Dictionary of the English Language. 1956.

Amster Pro Fina & Negra 7/8 pt – 5,5/8 pt Amster Pro Gris & SúperNegra 7/8 pt – 5,5/8 pt

Al fin, yo te he preguntado, Contéstame vos ahora Sin tardanza i sin demora, Sobre lo que te he hablado. Al punto mas elevado Quisiera emprender el vuelo I recorrer sin recelo Yo todo para estudiar, Porque prometo llegar Hasta el sétimo cielo.

Some décimas by Chilean poet Daniel Meneses.

5 1 1

coal (kōk), n. [ME. cole, col, fr. AS. col; akin to D. kool,

OHG. kol, kolo, G. kohle, ON. kol, OIr. gūal. Cf. collie, collier, 1st collop, culm soot.] 1. A piece of glow-ing carbon or thoroughly charred fragment of wood or other combustible substance; an ember or cinder. 2. = charcoal, 1. 3. a A black, or brownish-black, solid, combustible substance formed by the partial descom-position of vegetable matter without free access of air, under the inffluence of moisture and, in many cases, of increased pressure and temperature. A complete series can be traced from the celulose of wood through lignite, or brown coal, or anthracite, or, as a final product, to graphite. The order given is one of decreasing volatil-ity and increasing carbon content. Besides carbon, coal contains hydrogen, oxygen, nitrogen, and sulphur, and also inorganic constituents, which last are left behind as ash when the coal burns. The largest deposit of coal belong to the Carboniferous system, but the coal of the Cretaceous system (Laramie series) is also very exten-sive. In the United States anthracite coal is sorted in certain sizes (except the largest, steamboast, consisting of large lumps) by sieves of different-sized mesh, as fol-lows:

Name of size Will pass Will not pass

throught throught

Broken . . . 4 1/2 in. round mesh. 3 7/16 in. round mesh. Egg . . . 3 7/16 “ “ “ 2 1/2 “ “ “ Stove . . . 2 1/2 “ “ “ 1 9/16 “ “ “ Chestnut . . . 1 9/16 “ “ “ 1 1/16 “ “ “ Pea . . . 1 1/16 “ “ “ 1/2 “ “ “ Buckwheat 1 . . . 1/2 “ “ “ 1/4 “ “ “   ” 2 (Rice) . . 1/4 “ “ “ 3/16 “ “ “   ” 3 (Barley) . 3/16 “ “ “ 3/32–1/16 “ “ “ Bituminous Coal Lump . . . . — “ “ “ 4 “ “ “ Egg . . . 4 “ “ “ 1 1/2 “ “ “ Nut . . . 1 1/2 “ “ “ 3/4 “ “ “ Slack . . . . 3/4 “ “ “ — “ “ “ Finer sizes of anthracite known locally as flaxseed,

mus-tard seed, etc., as also separated. b. pl. Eng. A quantity or

pieces of the mineral broken up for burning; as, a ton of

coals.  c. A particular form of size of mineral coal.

4. The charred residue of distillation left in a retort. ☞ ComBinations and phrases are:

coalbag coal drill coal pulverizer coalbagger coal dump coal-pulverizing, adj. coal barge coal-dumping, adj. coal refiner coal barrow coal dust coal scoop coal basket coal-elevating, adj. coal screen coal-bearing, adj. coal elevator coal screener coalbin coal-eyed coal shaker coal-black, adj. coal-faced coal ship coal-blue, adj. coal-fired coal shovel

@

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Amster

Character set

Amster & Amster pro both include extensive diacritics coverage for more than 200 languages.

(6)

Amster Pro

Character set

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e f g h i � � l � m n o p � � r s t � u � � � � � � � � & * , - � . : ; � � � � � ( ) [ ] � � � / � � � � � � © � � � � � � � � � � � �

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fi � � � � � � � � � � � � � � � � � ŕž � � � � � � � ffl � � � � � � � � � � � � � � � � � � � �

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� � � � � � � � 1 2 3 4 � 6 � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � �

Amster & Amster pro both include extensive diacritics coverage for more than 200 languages.

(7)

Amster pro Itálica

Chara�er set

A � C D E � � � I � � � � � L � � N � � � � R � � � � � � � W � � � a b c d e f � g � h i j � k � l m n o p � r s t u � v � w � x y � a � c � e � �

� i � � � � � � o p � � r s � � u v � � � � A � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � �

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� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � �

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� � � � � � � � � � � � � � � � � 0 � 2 � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � �

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� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � �

� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � �

Amster & Amster pro both include extensive diacritics coverage for more than 200 languages.

(8)

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�ancho ��lve�

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Amster

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�ancho ��l�e�

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all small caps

amster

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case sensiti�e forms

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fi ffl � �

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en �20

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en 320

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en ���

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en ���

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(9)

a�s�er pro i���ica

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

A � C D E � � � I � � L � N � � � R � � � � W � � �

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

amster Pro itálica swash �short�

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

A � � � � � � � � � � � � � � � � � � � � � W X Y Z

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

amster Pro itálica swash + stylistic set 01 �long�

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

� � � � � � � � � � � � � � � � � � � � � V W X Y Z

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

(10)

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Z

Z

Amster �ersal Iluminada

An illuminated alphabet that captures personages

from natural & supranatural stories: animals & farmers,

priests & devils, citizen & drunks, vi�ims & criminals,

all dance together in this wondrous bestiary of le�ers

ideal for creating poetic atmo�heres.

(11)

Amster �ersal Iluminada. A font of carefully illuminated capitals,

inspired in the Lira �opular, printed news sheets that

circulated in the streets of Chile by the end of 19t� century.

(12)

To see the engravings of Lira �opular, visit: http://www.memoriachilena.cl/602/w�-article-94171.html http://www.memoriachilena.cl/602/w�-article-94102.html

Initials inspired by the engravings of the

Lira Popular

b

T

The sole drop cap designed by Mauricio Amster for the text that tells the evolution of poetry in ten verses or décimas (Lira �opular).

Cover of the book �en Chilean

popular prints designed in 197�

by typographer Mauricio Amster.

(13)
(14)

o pt o pt o pt o Aa A o o pt o pt o pt o pt o pt 4 Aa A o o pt o pt o pt o pt o pt 4 Aa A 2 o pt o pt

How to activate the drop caps in

Amster Versal Iluminada

�evin venía regularmente por la tarde entre las cinco y las seis para atender a la marquesa. Anticipando cada una de sus visitas un gran pá�aro negro se posaba en la base de la ventana y miraba ávidamente hacia el interior de la habitaci�n como

buscando una se�al.

evin venía regularmente por la tarde entre las cinco y las seis para atender a la marquesa. Anticipando cada una de sus visitas un gran pá�aro negro se posaba en la base de la ventana y miraba ávidamente hacia el interior de la habitaci�n como buscando una se�al.

�e

evin venía regularmente por la tarde entre las cinco y las seis para atender a la marquesa. Anticipando cada una de sus visitas un gran pá�aro negro se posaba en la base de la ventana y miraba ávidamente hacia el interior de la habitaci�n como buscando una se�al.

Paragraph palette InDesign

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evin venía regularmente por la tarde entre las cinco y las seis para atender a la marquesa. Anticipando cada una de sus visitas un gran pá�aro negro se posaba en la base de la ventana y por horas miraba ávidamente hacia el interior de la habitaci�n como buscando una se�al, algo que la marquesa más

K

K

evin venía regularmente por la tarde entre las cinco y las seis para atender a la marquesa. Anticipando cada una de sus visitas un gran pá�aro negro se posaba en la base de la ventana y por horas miraba ávidamente hacia el interior de la habitaci�n como buscando una se�al, algo que la marquesa más

K

K

evin venía regularmente por la tarde entre las cinco y las seis para atender a la marquesa. Anticipando cada una de sus visitas un gran pá�aro negro se posaba en la base de la ventana y por horas miraba ávidamente hacia el interior de la habitaci�n como buscando una se�al, algo que la marquesa más

Enter two times the letter you want as Drop Cap.

Select Amster �ersal Iluminada and paint each letter.

Activate the Discretionary

Ligatures, and voil��

(15)

Micha� Dymitr �ra�ewski

Woyciech �dar�y�ski, �ycie i pr�ypadki swoje opisui�cy

„P

oniewa� chcesz tego, abym ci w szczero�ci po-wiedzia�, co s�dz� o tobie, m�y kochany sie-st�e�cze, iako wuy, nie mam p�yczyny, abym ci� oszukiwa�. Szkoda tych pieni�dzy, kt�re ro-dzice twoi �o�yli na to, aby ci p�ewr�cono g�ow�. I bardzo �a-�ui� straty lat twoich m�odych, kt�re na co innego t�eba by�o obr�ci�. Stara�e� si� usilnie o to, aby� by� nieu�ytecznym w kraiu. �este� cudzoziemcem w Polszcze i w osobie twoiey p�y-wioz�e� nam Rzymianina do Warszawy. Wiesz, co si� dzia�o w Troi, a nie wiesz tego, co si� �ci�ga do naszey oyczyzny. Gadasz po �acinie, a nie umiesz oyczystego ��zyka. Nie gani� ia tego, �e� si� po �acinie uczy�, ale zbyteczna troskliwo�� i strata cza-su w nabywaniu �aciny iest zawsze z k�ywd� dla Polaka.

O

O

n vous dira: � Comment �ouer mi si

on ne conna�t pas le nom des notes �

Répondez avec respect: � �e vous

demande pardon. Une note est

dis-tinguée d�une autre par sa forme et par la place

qu�elle occupe� or tout cela se voit. L�oeil �uge de

ces circonstances différentes et si le doigt sait o�

se placer en pareil cas� il n�en faut pas davantage. �

Il n�y a personne qui ne puisse �ouer ut de la main

gauche et en m�me temps mi de la main droite.

Il voit ce qui est écrit et il entend le piano qui le

prononce� quoiqu�il ne puisse dire le nom des sons

qu�il vient d�entendre. Le fait est vrai (…).

�ean-�oseph �acotot

Enseignement universel, �usi�ue

D

D

Q

Q

F

F

d

d

ss

f

f

(16)

o

o

ő

ő

N

N

Ñ

Ñ

E

E

Ė

Ė

h

h

ĥ

ĥ

I

I

Ï

Ï

y

y

a

a

å

å

S

S

Š

Š

L

L

Ĺ

Ĺ

From letter to letter thin�s may happen in this Amster �ersal Iluminada font.

(17)

1 1

102030405060708090

� �

1020304090

� � � � � �

The first set is located in the stylistic set 02 of the

OpenType features, with eight positions:

The second set of copihues is located in the stylistic

set 0� with four

positions:

For appropriate results the leading value should be

always equal to the body size.

The dance of the

‘Copihues’

Amster Pro includes two sets of copihues to create

patterns, borders, frames, and the like. The copihue

is an endemic �ower in Chile. In February 24t� 1977

it was established as a national symbol.

These �owers are inspired by the work that Bram

de Does published in his book �aba �rnament Deel

I � Vorm (from his private press �pectatorpers in the

village of Orvelte, The Netherlands). The possible

combinations are naturally unlimited, we �ust

show here some constructions.

(18)

40

01

03

20

60

07

05

80

60

01

40

07

03

80

05

20

12

21

0780

6005

8007

0560

0120

6005

8007

0340

0720

7512

5486

0340

4315

5637

6278

8421

5671

3453

2812

4678

6553

4371

4621

2887

1188

1848

5154

5544

5615

3847

2152

4678

6523

7841

4156

2387

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0430

1002

3004

0210

0430

2001

4003

0210

0340

2001

4003

0120

0120

8007

6005

0560

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0430

7008

5006

0210

0260

2266

7733

0730

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0560

6005

8007

0780

0260

2726

7363

0730

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0560

8007

6005

0780

0560

2181

4543

0780

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0340

8847

6155

0120

7272

3006

7002

3636

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0340

7008

5006

0120

0340

5006

7008

0120

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12

34

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12

43

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12

56

34

43

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12

65

34

56

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12

78

34

65

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34

78

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34

87

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56

65

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56

87

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56

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21

65

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21

78

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21

87

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Set 1:

Diagonals, units, super-units

(19)

1212

2323

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121212

000004

121202

343404

001202

003404

232320

999998

012095

700898

500695

056098

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323230

909095

043008

600595

800708

021095

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858580

090902

078093

100202

300493

056002

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����

��

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��

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3

2

3

2

5

8

5

8

1

3

1

3

565656

000008

565606

787808

005606

007808

123419

567896

000027

040045

805018

010036

412340

567897

000025

030048

697016

020037

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678560

234101

000063

060072

203054

070081

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234193

000062

050074

491051

080082

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656565

000007

656505

878707

006505

008707

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5

7

5

7

1

3

2

4

6

8

6

8

7

5

8

6

787878

000006

787808

565606

007808

005606

878787

000005

878707

656505

008707

006505

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343434

000002

343404

121202

003404

001202

434343

000001

434303

212101

004303

002101

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5678

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Set 1:

Borders & corners

(20)

1

Set 2:

Vignettes, units, super-units

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Typography is not a science. Typography is an art.

�ans �eter Willberg

(21)

Get the Pro version only at PampaType.com

independent font foundry credits

Amster designed by Francisco Gálvez, Santiago de Chile. Fonts programmed by Guido Ferreyra, and reviewed

by Ale�andro Lo Celso in Córdoba, Argentina.

�any than�s to all �riends & �olleagues who kindly gave their Opinions

during the process.

Figure

Actualización...

Referencias

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