River, escape, clock, material, mirror: the height of fiction television series in the labyrinth of time

The nature and body of drama, our conception, our expectations, what we feel, think, hope, wonder and know about drama and as a result of drama; in short, what we Westerners call

In the “big picture” perspective of the recent years that we have described in Brazil, Spain, Portugal and Puerto Rico there are some similarities and important differences,

In the preparation of this report, the Venice Commission has relied on the comments of its rapporteurs; its recently adopted Report on Respect for Democracy, Human Rights and the Rule

En este capítulo, se introducirá el tratamiento de los problemas de no linealidad del material en general, y en capítulos posteriores, se particularizará todavía más para los

The suitability of the analysis of the social consequences led to by the image that is exhibited in television series on different social groups and issues has proved more

Tenemos entonces varios subdirectores de departamentos grandes con sus edificios, varios jefes de administración, varias conserjerías y numerosas personas que junto con el

Y cuarto, llevar a cabo un análisis literario de todas las obras utópicas y distópicas citadas, ademá, de complementarlo con un análisis audiovisual de algunas de sus

First, we must remember that time travel (specially a trip to the past, or a two-way trip) would only be possible in the block universe. In the presentist alternative,