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FAS APOPTOSIS INHIBITORY MOLECULE 1

ABBREVIATIONS

2. FAS APOPTOSIS INHIBITORY MOLECULE 1

Neglecting Showell’s analyses, and abusing Marko Ro-din’s determinations, there are people who have made it their mission to discredit 528 and my works in this field.

Tesla’s inventions, you might recall, were likewise discred- ited and suppressed by the same petrochemical-pharmaceuti-cal corporations that advanced A=440Hz standard tuning and the nuclear weapons industry.(26)

Recently, deceptively, and maliciously, Jamie Buturff and

Tyler Thurmond produced a “The Cosmic 432, Part 2,” You-1. CXLII

Tube clip to lamely discourage the use of 528Hz frequency in music and healing, and discredit determinations by Rodin and Showell in math and my conclusions in this book. Their as-sertions created confusion and dissonance in the community of musical-mathematics researchers, and sourced skepticism the emerging science of creationism. Their unfair criticisms, however, and downright fraudulent demonstrations that pur- posely and maliciously neglected 528 permutations within Ro-din’s 285 family number group, were solidly scorned by a team of experts, whose rebuke has been published on i528Tunes.

com for the world to consider.

The scholars noted an eerie similarity between Buturff and Thurmond’s propaganda, and the lies issued to charater-assassinate John Lennon as a target of J. Edgar Hoover’s COINTELPRO.

Today, at the time of this writing, agents determined to have worked for the CIA and FBI in counter-intelligence propaganda on behalf of BigPharma and the energy cartel, have been mak-ing similarly stupid assaults on 528 and my credibility over the Internet. Thankfully, the truth always surfaces, and their bogus claims are being solidly rebuked by experts responding independently online.

Buturff and Thurmond used 432 permutations with the orig-inal Solfeggio frequencies, deceitfully omitting 528 in every analysis, to claim the discovery of another “original Solfeg-gio” musical scale. They composed a melodic 432 scale, that could have been similarly done using A=444Hz (C=528Hz), but wasn’t, to fraudulently claim that Dr. Puleo’s certified origi-nal Solfeggio was false, because it is less melodic than their new scale.

Science and common sense, though, proves human hear-ing pales by comparison to most other species, and what some insects and animals find pleasing, humans find annoying.

CXLIII111 Besides this, math does not lie, even when abused by agents of deception.

Buturff and Thurmond abused the works and confidence of mathematician Marko Rodin, among many mathematicians celebrating the discovery of matrix math, and its importance in music. I contacted Rodin to confirm this abuse, and he ad-mitted that he did not endorse Buturff’s math, nor their 432Hz tuning, since this number is not found within Rodin’s family number groups.

In other words, 432Hz is not a Perfect Circle of Sound™

number, nor an ancient Solfeggio frequency. Each of these frequencies, Rodin proved, sources from his simple “infinity pattern” from which he derived his three family group num-bers: 147, 258, and 369. (Move the 1, 2 and 3 one place to the right to derive three of the original six Solfeggio frequencies, 417, 528 and 639.)

Petty jealousy, or industrial espionage, best explains why Buturff and Thurmond would produce a freak fraudulent at-tack on 528, just when the world needs solutions to urgent problems facing humanity and the polluted biosphere that the 528LOVERevolution is advancing along with technologies to harness free energy.

Thankfully, the darkness, in dissonance with LOVE/528, is disappearing as more and more mathematicians, physicists, bioscientists, musicologists, and performing artists, indepen- dently confirm the importance of 528Hz frequency in the en-ergy of life, universal construction, and ecstatic listening.

This knowledge and experience engages metaphysics and the esoteric sciences; and LOVE/528 suppression is crucial for musical (vibrational) cult control by the Illuminati at this critical time in history.

This subversion of 528 discoveries, by Thurmond and Bu-

turff for example, is reminiscent of Tobias’s reporting of sub-1. CXLIV

version in the music industry accomplished through the control of esoteric epistemologies. In this vein, Tobias reported that the Rockefeller Foundation’s and US Navy’s funding for mili-tarizing music, suppressed the bioenergetic fields of discovery and related developments in technology. In this regard, Tobias wrote:

“In the course of this large-scale historical transition in which bioinformatic epistemologies drew from and displaced bioen-ergetic [i.e., biospiritual] ones, . . . [h]istorically, “visual music”

theorists have attributed such attempts at writing sound in magnetic, electrical, electronic, or digital media as indebted to a larger history of “color organs,” alchemy, or Pythagorean or neo-Pythagorean epistemologies. Here, though, we see the tensions in clear detail: at stake is a historical transition be-tween essentially bioenergetic epistemologies after Helmholtz and bioinformatic epistemologies emerging with Turing, Wie-ner, or Shannon.”(8, pp. 91-92)

In other words, the “color” was removed from music and the music industry when the context of the art was institution-alized to mainly serve bioinformatic left brain limited agendas, neglecting the energy of the heart and the creative technology of LOVE/528.

As expected, and evidenced by today’s degenerating so-cial and cultural conditions, Tobias concluded, “the Rockefeller Foundation’s careful project management and coordination,”

contributed to the materialistic versus metaphysical industrial-ization of music in the media.(8)

The U.S. Navy’s Musical Manipulations

Besides the U.S. Navy’s administrative control over the National Public Health Service in America, this branch of the military has always been at the forefront of war research. This

CXLV113 research extends to biological weaponry, virology, genetics.

electro-genetics, DNA recombinomics, technical developments in electronics, communications, signaling, and military intelli-gence bearing on the subject of frequencies, especially those required for producing mass hysteria. Rather than researching electromagnetic and bioacoustic methods of promoting peace- ful coexistence, the Navy has invested in space-based weap-onry, including satellite communications useful in advancing psychotronic warfare for population control. (10, 29)

In short, U.S. Naval Intelligence oversees or administers the most advanced science in the fields of population control, including energy, bioenergy, and communications on behalf of the Illuminati. Nuclear, radiological, biological, chemical, and musical weapons for controlling humanity most profitably and effectively fall within the Navy’s jurisdiction.(10)

Given this history, it is not surprising U.S. Navy celebrity, John Calhoun Deagan, is credited for having allegedly per-suaded the American Federation of Musicians in 1910, at its annual convention, to adopt A=440 standard tuning for orches-tras and bands.(30)

Also, around this time, the Rockefeller and Carnegie Foun-dations began providing grants to support the pseudoscience called “eugenics,” or “racial hygiene,” for profitable population reduction.(29)

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