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3. SEMINALIDAD PACHASOFICA DEL ESTAR-SIENDO ABAYAYALENSE

3.3 De la preeminencia del estar a los principios fundamentales de la racionalidad andina: El

3.3.1 El arjé andino: otra actitud hacia lo que es

The acts of counter-framing that are highlighted throughout this project are but a tiny portion of the vast amount of counter-framing practiced by Black people across the United States. Future research should examine the acts of counter-framing performed by different groups of Black people across the United States and around the globe. As there are many cultural similarities across the diaspora (Collins 2000), it is my guess that there will also be many similarities in the counter-framing strategies throughout the diaspora as well. There are also many people writing on the ways in which Black people navigate the oppressions they face without using the language of the white racial frame. Much of this work could exist already, without utilizing the language of “counter-framing.” It is important that we, as academics, not attempt to reinvent the wheel. Instead, we should focus on including the knowledge production that is already done—perhaps by people who have historically been excluded from these white academic spaces—and insist that this work has academic value.

As counter-framing occurs as a conversation with the white racial frame, further research should be done to determine the ways in which the white racial frame is impacted, changed, and damaged by counter-framing attacks. Further, it would be interesting to examine the ways in which the white racial frame resists and reacts to acts of counter-framing. The

dialogical nature of these two competing overarching frames absolutely needs further examination.

Personally, I am very interested in the ways in which the young Black women and queer Black men in Atlanta employ counter-frames. Many of these people are also my creator-friends, and I know that they engage in acts of resistance daily in a similar effort to protect their spirits and bodies from the oppression imparted by the white racial frame. I also see how they are excluded from receiving many of the supports offered by the creative community here, yet often continue to pour support into all creators here in this community. I have a feeling there is an even more nuanced, brilliant, beautiful form of resistance manifesting itself in these

individuals and I would love to explore that further.

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