4. Análisis y resultados de la encuesta
4.2. Bloque 2
Who's That Boy?
Who's
that boy? And who did he come
Who's that boy? He's hand some- to be - gin with
7
in with? Who's that boy?
Who's that boy? No doubt a young go get ter- Who's that boy?
12
Who's that boy? Who's that boy? I'd like to know him
Who's that boy? Who's that boy?
16
bet - ter Who's that boy? Who's that boy?
mp
Who's that boy? There has to be a sto -ry Who's that boy?
20
mp
Who's that boy? Who's that boy?
44 44
&###
CUE: SEGUE FROM ENTR'ACTE
3
FEMALE ENSEMBLE∑
&### LORD BELLINGHAM: Robbie. Can I have a word?
&
‹ ###
&### SOLO FEMALE
ALL
¢
pec-ted Who's that boy? Who's that boy?
30
Who's that boy? He's clear-ly well con - nec-ted Who's that boy?
Who's that boy?
34
Who's that boy?
mf
James. Is everything OK? MARILYN (cont'd): William? What's going on?
3
WILLIAM: I intend to find out.
∑
¢
Who's that boy? And why the strange re
-63
ac - tion Who's that boy? And what is the at
-67
He's just our lit - tle bro ther- Cos our 71
trac - tion Who's that boy?
Dad got mar ried- to his mo ther
DANA: He's looking at me again. Oh please. Could he be more obvious.
3
&
‹ b
3
&b
CLODAGH: Get over yourself, it's me he's oggling. All these politicians like a bit on the side.
3
&
‹ b
DANA: That James Prince is fit. WAITER: Stuffed olive? CLODAGH: Did he? Lucky Olive.
. . . . . . .> .> . . . . . . .> .>
&
‹ b ∑
WILLIAM
&
‹ b CLODAGH (to DANA): It's Robbie!
&b ∑ ∑
CLODAGH & DANA
&
‹ b DANA: What's he doing here?
∑
&b WILLIAM: So what's he doing . . . what are you doing here? Security!
4
CLODAGH: I wouldn't do that if I were you.
œ œ œ œ œ œ œ œ œ œœ œœ
°
full of crash ing- bores The first sign of fresh tal-ent and they're beat ing- down the doors Like 86
full of crash ing- bores The first sign of fresh tal-ent and they're beat ing- down the doors Like
bees a - round the hon - ey Like moths a - round the flame They
89
bees a - round the hon - ey Like moths a - round the flame They
chase af - ter the young blood though no - one knows his name
91
chase af - ter the young blood though no - one knows his name No - one knows his
No - one knows his name
¢
-ma - tic Who's that boy? Who's that
108
ma - tic Who's that boy? Who's that
boy?
5
MALE ENSEMBLE&
ROBBIE is on the terrace. Having just taken his phone out ot make a call he is interrupted by the arival of LORD BELLINGHAM.
- . . . .
&
‹ ∑ ∑
? - .
LORD B: Robbie? Is everything alright? You don't seem yourself ROBBIE: No, I'm fine . . . I'm fine.
. . . - . .
? LORD B: You seemed nervous infront of James Prince, it's not like you, he's a mayoral candidate not royalty.
. . - . . . .
125
-LORD B: You don't have to do that. The apartment's upstairs. Why don't you go and have a lie down in my room.
. . . . - . . . .
? - .
ROBBIE: No George, I think it's better if I go.
LORD B: Wait a minute, Doctor Reid's here, he can have a look at you.
ROBBIE: No, George, I want to go.
. . . - . . . .
?
-LORD B: This is a big night for me. Actually for you and me. Us.
ROBBIE: Us?
LORD B: Like I said in the note, which you clearly received judging by the Prada suit you're wearing.
I thought I'd made my feelings very clear.
. . . . - . . . .
?
-ROBBIE: Yes you did, George, and about that . . . I'm not sure we're quite in the same place...
. . . . - . .
? LORD B: I see. But you took the thousand pounds, and you went on a shopping spree. ROBBIE: George . . .
. . - . . . .
?
(1st x): LORD B: No, Robbie, you see that's how it works. All the gifts, all the dinners, the money, the suit you're wearing, (2nd x): JAMES: Robbie, what are you doing here? WILLIAM: I'm sure there must be a very simple explanation...
- . . . . - . . . .
°
an-swer Who's that boy? Who's
f
Who's that boy?
mp boy
mf
Who's that boy?
? - (2nd x): ROBBIE runs off. WILLIAM: James, there are guests to be attended to. Lord Bellingham are ye you coming?
. . . . - . . . .
? - . . (2nd x): LORD B: Hmm? Yes, of course.
(1st x): WILLIAM: Whoa, whoa, whoa. Lord Bellingham, I'm not interrupting anything, am I?
. . - . . . .
?
(VISUAL CUE OUT OF VAMP — MARILYN PICKS UP PHONE)
. . . .
&b ∑ GIRLS
&
°
Who's that boy? So cute I want to bite him
180
Who's that boy? So cute I want to bite him
ff
Who's that boy I thought I saw a scuf fle- Who's that boy Who's caus ing- the ker -184
ff
Who's that boy I thought I saw a scuf fle- Who's that boy Who's caus ing- the ker
-fuf fle?- Who's that boy? Who's that boy? Who's that boy?
188
fuf fle?- Who's that boy? Who's that boy? Who's that boy?
&b n
Once
find out That that's not how it is
mp
They don't make glass
Shuffle q. = 52 6
slip pers- It's no great sur - prise If they make glass slip pers
-14
CUE: JAMES: I can't take this. Jesus Christ. What have I done?
ROBBIE: James! James!
ROBBIE
And he thought the whole world was his Was-n't ver - y old when he came to
find out That that's not how it is
mp oh 50
Oh Oh Oh
59
Yeah Yeah Yeah Once
f
u pon- a time there was just a 66
lit-tle boy And he thought the whole world was his Was n't- ve-ry old when he came to 70
find out That that's not how it is
mp
They don't make glass slip pers
-poco rall. Slower q. = 52
74
It's no great sur - prise If they make glass slip -pers
79
They don't have my size Hap-py ev - er af - ters Al - ways turn out
Rock it out 83
How can you go wrong with hon - est? How can you go
FADE ON CUE DURING REPEAT 33
44
54
54 44
&##
CUE: MARILYN: James. I don't want to hear it and this is certainly
not something I wish to discuss in front of him. I'll see you at home. Pathetic.
(MARILYN leaves the office.) MARILYN: Oh God.
∑ MARILYN
&##
&##
&## 3 3 3 3 3
&## A phone rings in MARILYN'S bag.
4
We recognise it as ROBBIE's ringtone. MARILYN: What on earth . . . ? (She searches in her bag.) MARILYN: I don't believe this. (She answers.)
&## MARILYN: Hello? (Robbie?) No but this is his phone. (So who are you?)
&##
MARILYN (cont'd): My name's Marilyn Platt.
(Well what are you doing with Robbie's phone?)
&## MARILYN: I'm sorry? No I will not return his fucking phone.
œ œ œ œ œ œ œ œ œ ‰ œj œ œ œ œ