Categorías de estudio

Abbott, Edwin. Flatland : A Romance of Many Dimensions. 6th rev. ed. New York: Dover, 1952.

Allen, Richard, and Arts Council of Great Britain. Systems : Arts Council 1972-3. London: Arts Council of Great Britain, 1972.

Arianrhod, Robyn. Einstein's Heroes. St Lucia: University of Queensland Press, 2003.

Axsom, Richard H., Phylis Floyd, and American Federation of Arts. The Prints of Ellsworth Kelly : A Catalogue

Raisonne, 1949-1985. 1st ed. New York: Hudson Hills Press in association with the American Federation of Arts, 1987. Bann, Stephen, and Arts Council of Great Britain.

Constructive Context : An Exhibition Selected from the Arts Council Collection. London: The Council, 1978.

Boehm, Gottfried, Ellsworth Kelly, and Viola Weigel.

Ellsworth Kelly: In-between Spaces - Works 1956-2002. Basel: Hantje Catz Publishers, 2002.

Brettell, Richard R. Modern Art 1851-1929. Oxford New York: Oxford University Press, 1999.

Bronowski, J., and British Broadcasting Corporation. The Ascent of Man. London: British Broadcasting Corporation, 1973.

Bucher, François, and Josef Albers. Josef Albers : Despite Straight Lines : An Analysis of His Graphic Constructions. New Haven: Yale University Press, 1977.

Casebere, James, et al. Model Culture : James Casebere, Photographs 1975-1996. San Francisco: The Friends of Photography in collaboration with Galleria Galliani Genoa and Lisson Gallery London, 1996.

Casebere, James, Walker Art Center., and Museum of Contemporary Art (Chicago Ill). Cross-References : Sculpture into Photography : James Casebere, Bruce Charlesworth, Bernard Faucon, Ron O'donnell, Sandy Skoglund, Boyd Webb. Minneapolis, MN: Walker Art Center, 1987.

Causey, Andrew. Sculpture since 1945. Oxford New York: Oxford University Press, 1998.

Curtis, Penelope. Sculpture 1900-1945: After Rodin. Oxford New York: Oxford University Press, 1999.

Datalogic Communication Division. Reading between the Lines: Bar Code Basics. Bologna: Datalogic S.p.A, 1998. Delft, Pieter van and Botermans, Jack. Creative Puzzles of the World. London: Cassell, 1978.

Department of Labor and Immigration. Practical Geometry - Solid Geometry 1. Basic Trade Manual. Canberra: Australian Government Publishing Service, 1975.

---. Practical Geometry - Solid Geometry 2. Basic Trade Manual. Canberra: Australian Government Publishing Service, 1975.

Duve, Thierry de. The Definitively Unfinished Marcel Duchamp. Halifax, N.S.: Nova Scotia College of Art and Design, 1991.

Edwards, Deborah. Robert Klippel. Sydney: Art Gallery of New South Wales in association with the exhibition of Robert Klippel at the Art Gallery of New South Wales, 2002. Elsen, Albert E., and Auguste Rodin. In Rodin's Studio : A Photographic Record of Sculpture in the Making. Oxford: Phaidon Press, 1980.

Escher, MC. M C Escher: The Graphic Work. Introduced and Explained by the Artist. Trans. John E Brigham. Cologne: Taschen, 2001.

Foresta, Merry A. Perpetual Motif : The Art of Man Ray. 1st ed. Washington, D.C.: National Museum of American Art Smithsonian Institution, 1988.

Foster, Hal. The Anti-Aesthetic : Essays on Postmodern Culture. 1st ed. Port Townsend, Wash.: Bay Press, 1983. ---. The Return of the Real : The Avant-Garde at the End of the Century. Cambridge, Mass.: MIT Press, 1996.

Garrels, Gary, et al. Sol Lewitt: A Retrospective. Yale University Press in association with the San Francisco Museum of Modern Art, 2000.

Garvey, Gregory P. "The Split-Brain Human Computer User Interface." Leonardo Vol. 35.No. 3 (2002).

Geist, Sidney. Brancusi : A Study of the Sculpture. New York: Grossman, 1968.

Gerstner, Karl. The Forms of Color : The Interaction of Visual Elements. Cambridge, Mass.: MIT Press, 1986. Gimferrer, Pere. The Roots of Miro. Trans. Elaine Fradley. 1997 English ed. Cologne: Konemann, 1993.

Godfrey, Mark. "Mark Godfrey on Photography and Sculpture." Art Forum February (2005): 147-53.

Golding, John. Boccioni, Unique Forms of Continuity in Space. Tate Modern Masterpieces. Millbank, London: Tate Gallery, 1985.

Greenberg, Clement, et al. Post Painterly Abstraction. Los Angeles: Printed by the F. Hensen Co., 1964.

Greenberg, Clement, and Joan Miró. Joan Miro. Arno Series of Contemporary Art, ; 25. New York: Arno Press, 1969. Hall, Douglas. Klee. London: Phaidon Press, 1977. Hattstein, Markus, and Peter Delius. Islam: Art and Architecture. Ed. Markus Hattstein and Peter Delius. Cologne: Konemann, 2000.

Hawking, Stephen. The Illustrated a Brief History of Time. Updated and expanded ed. London: Bantam Press, 1996. Henderson, Linda Dalrymple. The Fourth Dimension and Non-Euclidean Geometry in Modern Art. Princeton, N.J.: Princeton University Press, 1983.

Henle, Mary, and Rudolf Arnheim. Vision and Artifact. New York: Springer Pub. Co., 1976.

Hoffman, Donald H. Visual Intelligence: How We Create What We See. New York: W. W. Norton & Co, 1998. Hopkins, David. After Modern Art 1945-2000. Oxford: Oxford University Press, 2000.

Hughes, Robert, and British Broadcasting Corporation. The Shock of the New : Art and the Century of Change. Updated and enlarged 1991 ed. London: British Broadcasting

Corporation, 1980.

Hulsker, J (Ed). The World of Black and White. Amsterdam, 1959.

Johnson, Geraldine A. Sculpture and Photography : Envisioning the Third Dimension. Cambridge: Cambridge University Press, 1998.

Kandinsky, Wassily, and Hilla Rebay. Point and Line to Plane. New York: Dover Publications, 1979.

Kandinsky, Wassily, and Solomon R. Guggenheim Museum.

Kandinsky : Russian and Bauhaus Years, 1915-1933. New York: Solomon R. Guggenheim Museum, 1983.

Klee, Paul. Paul Klee : Notebooks, Volume 1: The Thinking Eye. Documents of Modern Art ; V. 17. 1st English ed. 2 vols. London: Lund Humphries, 1961.

Klee, Paul. Paul Klee : Notebooks, Volume 2: The Nature of Nature. Documents of Modern Art ; V. 17. 1st English ed. 2 vols. London: Lund Humphries, 1961.

Klee, Paul, and Sibyl Moholy-Nagy. Pedagogical Sketchbook. Faber Paperbacks. London: Faber, 1968. Kosinski, Dorothy M., et al. The Artist and the Camera : Degas to Picasso. Dallas, TX: Dallas Museum of Art, 1999. Krauss, Rosalind E. The Originality of the Avant-Garde and Other Modernist Myths. Cambridge, Mass.: MIT Press, 1985. Krauss, Rosalind E., Pace Gallery., and Akron Art Institute.

Grids : Formats and Image in 20th Century Art. New York: Pace Gallery, 1980.

Lanchner, Carolyn, et al. Paul Klee: His Life and Work. Ed. Carolyn Lanchner. Revised ed. New York: Hatje Cantz Publishers, 2001.

Lauter, Marlene, et al. Concrete Art in Europe after 1945: The Peter C Ruppert Collection. Osterfildern-Ruit: Hatze Cantz Publishers, 2002.

Lewis, David, and Constantin Brancusi. Constantin Brancusi. London: Academy Editions, 1974.

Livingstone, Margaret. Vision and Art: The Biology of Seeing. New York: Harry N Abrams Incorporated, 2002. Locher, J. L., and W. F. Veldhuysen. The Magic of M. C. Escher. Thames & Hudson, 2000.

The Macquarie Dictionary. 2nd Revised ed, 1987.

Mangold, Robert, and Amsterdam (Netherlands). Stedelijk Museum. Robert Mangold : Schilderijen 1964-1982 = Robert Mangold : Paintings 1964-1982. Amsterdam: Stedelijk Museum, 1982.

Mangold, Robert, Diane Waldman, and Solomon R. Guggenheim Museum. Robert Mangold. New York: Solomon R. Guggenheim Museum, 1971.

Mankiewicz, Richard. The Story of Mathematics. London: Cassell & Co, 2000.

Moholy-Nagy, László, and Andreas Haus. Moholy-Nagy, Photographs and Photograms. New York: Pantheon Books, 1980.

Monod-Fontaine, Isabelle, et al. The Sculpture of Henri Matisse. London: Arts Council of Great Britain, 1984. Morrison, Kirsty, Karen McVicker, and National Gallery of Australia. National Sculpture Prize & Exhibition 2001. Canberra: National Gallery of Australia, 2001.

National Gallery of Australia., and Macquarie Bank.

National Sculpture Prize & Exhibition 2005. Canberra: National Gallery of Australia, 2005.

Naumann, Francis M., and Marcel Duchamp. Marcel Duchamp : The Art of Making Art in the Age of Mechanical Reproduction. Ghent, New York: Ludion Press ; Distributed by Harry N. Abrams publishers, 1999.

Newman, James R. The World of Mathematics : A Small Library of the Literature of Mathematics from A'h-Mose the Scribe to Albert Einstein. London: Allen and Unwin, 1960. Odberg, Eric, and FD Jones. Machinery's Handbook. Sixteenth ed. New York: The Industrial Press, 1962. O'Doherty, Brian. Inside the White Cube : The Ideology of the Gallery Space. 1st book ed. Santa Monica: Lapis Press, 1986.

Orozco, Gabriel, Ann Temkin, and Philadelphia Museum of Art. Gabriel Orozco : Photogravity. Philadelphia; New York: Philadelphia Museum of Art ; Distributed by D.A.P., 1999. Penrose, Roland, and Man Ray. Man Ray. Boston: New York Graphic Society, 1975.

Perry, John. Spinning Tops and Gyroscopic Motions. New York: Dover Publications, 1957.

Portoghesi, Paolo. Nature and Architecture. Trans. Erika G Young. Milan: Skira Editore, 2000.

Potts, Alex. The Sculptural Imagination : Figurative, Modernist, Minimalist. New Haven: Yale University Press, 2000.

Riley, Bridget, Paul Moorhouse, and Tate Britain (Gallery).

Bridget Riley. London, England: Tate Publishing, 2003. Rosso, Medardo, Luciano Caramel, and Kent Fine Art Inc.

Medardo Rosso : Impressions in Wax and Bronze, 1882- 1906. New York, N.Y.: Kent Fine Art Inc., 1988.

Rosso, Medardo, et al. Medardo Rosso. London: The South Bank Centre, 1994.

Rotzler, Willy, and McCrory Corporation. Constructive Concepts : A History of Constructive Art from Cubism to the Present. Zurich: ABC Edition, 1977.

Schwarz, Arturo, and Marcel Duchamp. The Complete Works of Marcel Duchamp. London: Thames and Hudson, 1969. Shiff, Robert, et al. Robert Mangold. New York: Phaidon Press Inc, 2000.

Short, Robert. Dada & Surrealism. 1994 paperback ed. London: Laurence King Publishing, 1980.

Stevens, Peter S. Handbook of Regular Patterns: An Introduction to Symmetry in Two Dimensions. Cambridge: The MIT Press, 1981.

Stewart, Ian. Flatterland : Like Flatland Only More So. Cambridge, Mass.: Perseus Pub., 2001.

The Barcode Software Center. 1998. Measurement

Equipment Corporation. Available: www.mecsw.com/specs. September 18, 1999.

---. Code 39 Barcode. 1998. Measurement Equipment Corporation. Available:

www.mecsw.com/specs/code_39.html. September 18, 1999. ---. Datamatrix Barcode. 1998. Measurement Equipment Corporation. Available:

www.mecsw.com/specs/datamatrix.html. September 18, 1999.

---. Pdf-417 Barcode. 1998. Measurement Equipment

Corporation. Available: www.mecsw.com/specs/pdf417.html. September 18, 1999.

The Institution of Engineers Australia. Australian

Engineering Drawing Handbook Part 1: Basic Principles and Techniques. Revised 1982 ed. Barton: The Institution of Engineers, Australia, 1982.

Tovey, John. The Technique of Kinetic Art. London: Batsford, 1971.

Upright, Diane, Ellsworth Kelly, and Fort Worth Art

Museum. Ellsworth Kelly : Works on Paper. New York: H.N. Abrams in association with Fort Worth Art Museum, 1987.

Weber, Nicholas Fox, and Josef Albers. The Drawings of Josef Albers. New Haven: Yale University Press, 1984. Whitford, Frank. Bauhaus. World of Art. London: Thames and Hudson, 1984.

Zeki, Semir. Inner Vision : An Exploration of Art and the Brain. Oxford: Oxford University Press, 1999.

Zusne, Leonard. Visual Perception of Form. New York: Academic Press, 1970.