That’s the way it’s supposed to be. The players come and go, but the music lives on.”
Chet Atkins, Grammy-Winning Guitarist and Producer
SESSION 8: Advanced Fingerstyle Pop Fingerstyle, Merle Travis, and Advanced Fingerstyle Techniques
POP FINGERSTYLE
Pop Open String Chords: E5 Form Family
Pop Open String Chords: F#m11 Form Family
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Pop Open String Chords: G Triads with Open G Family
Pop Open String Chords: Major 2 Chords
Pop Open String Chords: Minor 11 Chords
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Pop Fingerstyle Progression 1
Pop Fingerstyle Progression 2
Pop Fingerstyle Progression 3
POP FINGERSTYLE PROGRESSIONS
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Exercise 1: The Bass Line
Exercise 2: Adding Chords Over Bass Line
Exercise 3: Alternating Chords and Bass Line
MERLE TRAVIS TECHNIQUE
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Exercise 4: Arpeggiating the Chords
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Exercise 5: Adding Syncopation and Chromatic Bass Line
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Exercise 6: Add Moving Melody
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E Major 6ths Open String Pull-offs in Eighths
E Major 6ths Open String Pull-offs in Triplets
PULL-OFFS TO OPEN STRINGS
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E Major 6ths Open String Pull-offs in Sixteenths
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Phil Keaggy Chord Stretches
WARM-UP EXERCISE
E Minor 6ths Open String Pull-offs in Sixteenths
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Track 30
“THE ENTERTAINER”
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“THE ENTERTAINER”
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“THE ENTERTAINER”
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Track 31
CHORDS IN E PROGRESSION
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Track 32
“HOW GREAT THOU ART”
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“HOW GREAT THOU ART”
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“HOW GREAT THOU ART”
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Track 33
“PAULETTE”
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“PAULETTE”
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“PAULETTE”
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“PAULETTE”
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“PAULETTE”
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“PAULETTE”
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Phil Keaggy Chord Stretches (Goal Tempo Half Notes/66bpm)
Improving Your Skill Exercises
• Pop Fingerstyle Progressions 1–3
• Merle Travis Exercises 1–4
• Pull-offs to Open Strings Exercises o E Major Scale in 6ths
o E Major 6ths Open String Pull-offs in Eighths o E Major 6ths Open String Pull-offs in Triplets o E Major 6ths Open String Pull-offs in Sixteenths o Play same exercises in A Major
Songs
• “The Entertainer” (Goal Tempo: Eighth=120)
Improvise Using the Pop Chords and Pull-offs to Open Strings
Phil Keaggy Chord Stretches
Improving Your Skill Exercises
• Chords in E Progression (Goal Tempo 80bpm)
• Merle Travis Exercises 1–6
Songs
• Review “The Entertainer”
• “How Great Thou Art”
• “Paulette” (Goal Tempo 134bpm)
30 Minute Beginning Practice Routine
30 Minute Advanced Practice Routine
SUGGESTED PRACTICE ROUTINES
Credits
All music and arrangements by Steve Krenz unless otherwise notated.
Director
McPherson Steel String Guitar www.McPhersonGuitars.com Gibson J-45 Steel String Guitar www.Gibson.com
Gibson L5 Jazz Archtop Guitar www.Gibson.com Gibson ES 335 Semi-Hollowbody Guitar www.Gibson.com Yamaha Nylon String Classical Guitar http://usa.yamaha.com
Fishman Aura Spectrum DI www.Fishman.com
LR Baggs Pickups www.LRBaggs.com
Georgels Guitar Cables www.GeorgeLs.com
Polytone Jazz Amp www.polytoneamps.com
Thanks
I am profoundly thankful to the Lord for the opportunity to be a part of this amazing endeavor of teaching people how to play guitar and make music. I am daily humbled and honored to be able to help so many people make the music that is inside of them. I pray that this course will be a blessing to those who learn from it as well as to those of us who have labored to provide
it—illuminate the ideas within it so that great music is made.
This fingerstyle course was several years in the making, going through numerous forms until it ended up being what you see here. I am quite pleased of all that made it on the video and in this book. There is hardly any aspect of my fingerstyle playing that
is not, in some way, touched on in this course. This course is, quite literally, a life’s work of my approach to fingerstyle guitar.
Thanks to my wonderful wife for her persistent belief and encouragement that I could come to Nashville and be a “guitar player.”
Thanks to my amazingly talented boys. I thoroughly enjoy watching you become the men you are supposed to be. Thanks to my parents for all those years of guitar lessons and to the best guitar teacher I ever knew—Johnny Frisco.
Thanks to all my coworkers at Legacy Learning Systems and their commitment to put out quality educational materials. Thanks, especially, to Emily Garman and Paul Williams for endless, frustrating hours of editing and, once again, dealing with my numerous
strengths and weaknesses—you are a joy to work with.
A special thanks to Gabriel Smith, my co-laborer in this work. Your friendship, support of my efforts, and heart for education have truly brought “dreams within reach” for countless people all over the world. I sincerely hope we have many more opportunities to
work together.
Thanks to Phil Keaggy, Pierre Bensusan, and Thom Bresh for your graciousness, humor, and insight in sharing during the inter-views as part of our live lessons.
A final thank you to the amazing friends that are part of our Learn & Master Guitar family, discussion board, and live lessons. Your
support, encouragement, and thirst for learning are a daily inspiration to me.
