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DOS MITOS DEL JOVEN TEATRO

In document Mitologías (1957) (página 60-62)

The complex flower garden is one of three species-rich garden types. These 16

gardens were scattered around seven of the 13 suburbs surveyed, within a range of

original vegetation types, including heathy-woodland/forest, dry sclerophyll

woodland/forest and grassy woodland. Rainfall ranged between 532 mm and 650

The gardens averaged 213 species (Table 3.4) with the range being 122 to 364

species. Two gardens had over 300 species, with the lowest number of species being

122, 126, and 129. The majority of gardens had between 170 species and 250

species.

Five species in this garden type showed total fidelity (Table 3.3, Appendix 2), and

did not occur in other garden types. These species were Eucomis comosa (50%), Ixia maculata (31%), Coreopsis lanceolata, Ficus benjamina, and Verbena officinalis (all 25%). Other species that showed marginal fidelity included Verbena hybrida,

Diascia barberae, Sparaxis tricolor, Helleborus foetidus and Heuchera micrantha

var. diversicolor ‘purpurea’. Three species were both highly constant and highly faithful to this type: Anenome hupehensis and Cymbidium spp. (69%), and

Penstemon spp.(63%). Nine species showed both moderate constancy and a medium degree of fidelity. Some of these included Scabiosa caucasica, Aquilegia caerulea, Ageratum houstonianum, and Penstemon barbatus (56%). Twenty-four species were highly constant (>69%), but not faithful to the type. These included: Rosa spp. and

Azalea indica (94%); Hydrangea macrophylla, Aquilegia vulgaris, Agapanthus praecox, Lobelia erinus, Tanacetum parthenium, Viola x wittrockiana, Camellia japonica, and Rhododendron spp. (all >80%). The constancy of Hydrangea, Camellia and Rhododendron correlates with the high constancy of the same species in the ‘gardenesque’ type described by Zagorski et al. (2004).

Herbaceous perennials (28%) and evergreen shrubs (25%) were the most speciose

life forms (Table 3.3), contributing to the species richness and abundance of this

type. Other frequent life forms were evergreen trees (7%), bulbous perennials (6%),

evergreen perennials (6%) and deciduous shrubs (5%). Some of the more common

elliptica (25%), among a few conifers. Twelve species of culinary herbs were present (1%), as well as a number of ferns (3%).

These gardens were rich in exotics (80%), with species originating from all parts of

the globe, but in particular the northern hemisphere. The most common origin of

species was Asia (19%). Despite 16 percent of total species in this garden type

originating in Australia, this percentage was the lowest for species of Australian

origin of all seven types. Other species originated from Eurasia (12%), South Africa

(8%) and South America (7%). Eight percent originated in the Mediterranean, seven

percent came from Europe and four percent were cosmopolitan. Tasmanian natives

represented three percent of the total species in this garden type, and apart from the

Vegetable garden type, the percentage of ‘rare or threatened’ species was the lowest

of the garden types.

Structurally, over half of the gardens took the form of a ‘traditional’ Australian

garden, stereotypical of gardens created on rectangular quarter acre suburban blocks

(see Interlude) and reflecting the ‘Great Australian Dream’ (Boyd, 1987; Davison,

1995; Horne, 1966; Daniels and Kirkpatrick, 2006; Duruz 1995; Holmes, 2000;

Kemeny 1981; Seddon, 1997; Taylor et al., 2005; Timms, 2006). Most of these gardens had border beds that abutted onto the fence and that also surrounded the

house. Some had garden beds in the middle of lawns, often of various shapes and

some extensive in area. The border beds tended to be wide, up to two metres if not

more, with ample space to support the proliferation of flowering plants, particularly

perennials. Vegetable beds were boxed, distinct, often raised above the normal

ground level. Some gardens had lawns that were maintained, others had lawns as

token gestures and were allowed to die back in summer; two gardeners were in the

evergreen shrubs – described as specimen plants in horticulture – occupied central

spaces in these lawns. Deciduous exotic species of shrubs and trees created a visual

display both in springtime with prolific flowering and in autumn with leaf

colouration. Garden layers consisted of annuals and perennials to one metre, medium

to tall shrubs, interspersed between small trees. Terracing was an important hard

landscape feature as some of these gardens were on steep slopes23. Structurally these

gardens were similar to the ones described by Zagorski et al. (2004) as ‘gardenesque’.

Structurally, the remaining gardens in this type took on the form of a ‘cottage

garden’. Rambling, a profusion of textures, scents and colour, random in their mix of

species, these gardens differed from the gardenesque style. With no apparent borders

or beds these gardens were a mosaic of annuals, perennials, herbs and vegetables

with shrubs poking out above the smaller plants and a canopy of small trees

providing shade and protection. Paths, marked and unmarked meandered through the

garden, enabling the visitor or the gardener to indulge and surround themselves in

both verdancy and a kaleidoscope of colour. These gardens were devoid of lawns;

instead there were pebbled and mulched areas, and in two cases extensive areas of

painted concrete (Figure C, photo essay). Some retaining walls were used as supports

for training and creeping plants.

Most of the gardens in this type, with their profusion of colour nearly the whole year

round, reflected the desire and love of the gardener for flowers. For Raie her garden

represented my idyllic dream garden of continual flowers and colour all year round.

23

Hobart is a city situated in a very hilly environment. As such many of the gardens visited were on medium to steep slopes, necessitating some form of retainment of soil and garden beds.

In document Mitologías (1957) (página 60-62)