6. PROCESO DE TRABAJO
6.2. LAS JOYAS DE PLÁSTICO
6.2.2. PROPUESTA MUSICAL
6.2.2.4. EP, JOYAS DE PLÁSTICO
The use of narrative inquiry provided a natural extension to my quest for understanding the lived experiences of students with a disability during their practice education experience. The emphasis on social construction as an “artifact of communal interchange” (Gergen,1985:266) led me to identify some tangible links between social constructionism and narrative inquiry:
• social constructionism has strong links with narrative inquiry in that it concerns “stories lived and told” (Clandinin and Connelly, 2000:20);;
• the stories are constructed between researcher and research participant (Clandinin and Connelly, 2000);;
• thematic analysis was used as a tool to seek wider patterns in data collected from the research participants.
I constructed a series of composite narratives from each of the four groups of research participants (presented in Chapter 5), the purpose of which was to communicate patterns emerging from the findings to enable their use as an educational tool to enhance the student experience, and to aid the reflective processes of key persons involved in practice education. The idea of
composite narratives was adapted from the work of Blickem and
Priyadharshini (2007) who used patient narratives as a learning tool for the education of healthcare staff in practice. They explain that these narratives were “a composite of many stories and therefore, were neither fully fact nor fully fiction but situated in the realm of plausibility” (2007:624). These allowed a distance from particular respondents (preserving anonymity) and also allowed readers to see at-a-glance, inter-related issues in their
complexity as crafted within the brief narratives. The use of these patient narratives was primarily as a pedagogical tool and enabled healthcare staff to confront the (plausible) experiences of patients and their role as not just
professionals, but as a member of an inter-professional team that needed to work together (Blickem and Priyadharshini, 2007).
The narratives in my study include both minor (participant experiences) and major (themes that cut across several experiences) elements to enable a deeper understanding of the experiences of students with a disability on placement, in addition to drawing upon anecdotal evidence from my role as Visiting Tutor and Practice Education Coordinator. The actual construction of the composite narratives, in other words, the process, the ‘how I did it’ is perhaps best explained by Frank (2000:481) in her research: “None of the characters have an objective existence. They are composites and
constructions – bits and pieces of myself, of the people that I have known in these settings…”. This resonates with how I composed my narratives, based on what I heard directly or indirectly via others (including students, practice educators, visiting tutors and clinical learning environment leads) involved in practice education and also based on wider reading in relation to practice education. Therefore they were not drawn from any one participant and are not verbatim quotes, but adapted by myself to sit in this composite narrative. The actual process of writing the narratives was personally cathartic and creative and facilitated a means of familiarisation and new and deeper understandings of the interview data as well. I also wanted to capture the ‘drama’ of practice education, the impact of what it means to be a student with a disability and facing potential challenges during the practice education experience.
Appendix Q provides examples of narratives written to establish issues raised by each of the four stakeholder groups. Appendix R is an example of a briefer, composite narrative worked up to specifically illustrate difficulties with disclosure. It lends itself for use as a pedagogical tool to open up a conversation about disclosure amongst both students and staff.
An important point emphasised by Clandinin and Connelly (2000:124) is that narrative inquiry involves “re-search”, in other words, repeated searching to enable an in-depth return to the research question as opposed to trying to
solve a problem. This is what I experienced in relation to writing the narratives as it enabled me to return to the field notes time and time again and in doing so, to repeatedly process the research participant’s voiced experience. This not only enabled familiarity with the material but also served to help me understand the stories about lived experiences of students with a disability on placement. Wertz et al. (2011:2) assert that:
The composite first person narrative is a reflective story. It draws a composite picture of the phenomenon emerging from the informants. The composite is not a simple re-telling. It is interpretation by the researcher in several important ways: through her knowledge of the literature regarding the phenomenon under enquiry, through listening and hearing the stories told by the informants, and through her own reflexivity during the process.
Furthermore, Wertz et al. (2011) highlight the first person, in other words, the use of the word ‘I’ to facilitate the phenomenon as a contextual entity.
Brinkmann and Kvale (2015) appear to furnish a similar definition of composite narrative to that of Wertz et al. (2011) except that they use the term “narrative analysis”. Narrative analysis, according to Brinkmann and Kvale (2015:254), is defined thus:
Narrative analysis focuses on the stories told during an interview and works out their structures and their plots. If no stories are told
spontaneously, a coherent narrative may be constructed from the many episodes spread throughout an interview. The analysis may also be a reconstruction of the many tales told by the different subjects into a ‘typical’ narrative as a richer, more condensed and coherent story than the scattered stories of single interviews.
An additional point of note in relation to the use of narratives (Brinkmann and Kvale, 2015) is the need to remain within the vernacular and this is what I attempted to do;; for example, trying to capture the way that a student with a disability might phrase a sentence such as my educator was really horrible. As well, narratives are powerful in that they add a temporal and social dimension with regard to context-setting according to Brinkmann and Kvale (2015). This then captures for the reader a sense of the lived experience of students with a disability during their time on placement. Indeed, Blickem and Priyadharshini (2007) comment on the use of the first person narrative
as eliciting an affective as opposed to a cognitive response which afforded deeper insights into patient experiences of being in hospital. What is also useful is the authors’ claim of the patient narratives in enabling the
healthcare professionals to recognise the interdependent nature of their ‘team’ practice which had not been foregrounded as strongly before.
It seems appropriate to conclude my paradigmatic beliefs thus far with the following quote by Gergen (1985:272-3) which illustrates the importance of being aware that no matter how rigorous my chosen methodology, any quest for the absolute truth to answer my research question will never be fully realised.
By the same token, social constructionism offers no "truth through method." In large degree the sciences have been enchanted by the myth that the assiduous application of rigorous method will yield sound fact as if empirical methodology were some form of meat grinder from which truth could be turned out like so many sausages.
My approach is not of a metaphorical meat-grinder but rather one of
attempting to understand - through interviews, based on narrative inquiry, the worldview of students with a disability in the context of practice education.