CAPITULO V. CONCLUSIONES Y RECOMENDACIONES
3. Estrategias de de gestión de
Hulst, C. van “La Storia della Devozione a Gesu Bambino nelle Immagini Plastic he Isolate.”
Antonianum 19 [1944): 33-54.
Idel, Moshe. Golem: Jewish M agical and M ystical Traditions on the Artificial Anthropoid.
Albany, NY: SUNY, 1990.
Kempe, Margery. Book of Margery Kempe. Trans. B.A. Windeatt. London: Penguin Books, 1985.
Kessler, Herbert L. and Gerhard W olf [eds.). The Holy Face and the Paradox of Representation.
Bologna: Nuova Alfa Editoriale, 1996.
Kitzinger, Ernst. “The Cult o f Images in the Age Before Iconoclasm.” Dumbarton Oaks Papers 8
[1954]: 85-150-
Il Culto delle Immagini: L ’Arte Bizantina dal Cristianesimo delle Origini alVlconoclastia. Trans. R. Garroni. Florence: La Nuova Italia, 1992. Klapisch-Zuber, Christiane. “Holy Dolls: Play and Piety in Florence in the Quattrocento.”
Women, Family and Ritual in Renaissance Italy. Trans. L. Cochrane. Chicago: University of Chicago Press, 1985.
Knapp, Bettina L. The Prometheus Syndrome. Troy, N ew York: The W hitston Publishing
Company, 1979.
Kris, E. and Kurz, O. Legend, Myth, and Magic in the Image of the Artist: A Historical
Experiment. Trans. A. Laing and L.M. Newman. N ew Haven and London: Yale University Press, 1979.
Kubler, George. “Sacred Mountains in Europe and America.” Christianity and the Renaissance: Image and Religious Imagination in the Quattrocento. Eds. T. Verdon and J. Henderson [Syracuse, 1990], 413-41.
Lanza, D. and O. Longo. (eds.). Il Meraviglioso e il Verosimile. Firenze: Olschki Leo, 1989.
Latour, Bruno. Petite Réflection sur le Culte Moderne de Dieux Faitiches. Paris: Empêcheurs de
Penser en Rond, 1996.
“A Few Steps toward an Anthropology o f the Iconoclastic Gesture.” Sic: Science In Context 10, 1 [1997): 63-83.
Lecky, W.E.H. History of the Rise and Influence of the Spirit of Rationalism in Europe. 2 vols.
London: Longman, 1865.
Legner, Anton. Reliquien in Kunst und Kult: zwischen Antike und Aufklarung. Darmstadt:
Wissenschaftliche Buchgesellschaft, 1995.
Leivick, Halper. “The Golem: A Dramatic Poem in Eight Scenes.” The Dybbuk and other Great
Yiddish Plays: Five Gems of the Yiddish Theater, including The Golem, G od of Vengeance and Green Fields. Trans, and ed. J.C. Landis. N ew York, Toronto, London: Bantam books, 1966, 217-356.
Llewillyn, Nigel. The A rt of Death: Visual Culture in the English Death Ritual, C .1 5 0 0 -C .1 8 0 0 .
London: Reaktion Books, 1991.
Lobrichon, Guy. “Le Corps Reliquaire.” Le Reste 2, Traverses 12 [1978): 55-58.
Mango, Cyril. “Antique Statuary and the Byzantine Beholder.” Dumbarton Oaks Papers 17
[1963): 55-75-
(Ed. and trans.) The A rt of the Byzantine Empire ^12-145^: Sources and
Documents. N ew Jersey: Prentice Hall, 1972.
Marrow, James. Passion Iconography in Northern European A rt of the Late M iddle Ages and
Early Renaissance: A Study of the Transformation of Sacred Metaphor into Descriptive Narrative. Kortrijk: Van Ghemmert Publishing company, 1979.
McDonald, J.I.H. The Resurrection: Narrative and Belief. London: SPCK, 1989.
M cNiven, Timothy J. “Fear and Gender in Greek Art.” Reading the Body: Representations and Remains in the Archaeological Record. Ed. Alison E. Rautman. Philadelphia: University of Pennsylvania Press, 2000, 124-131.
M editations on the Life of Christ: A n Illustrated Manuscript from the Fourteenth Century. Trans. I. Ragusa. Princeton: Princeton University Press, 1977.
Michalski, Sergiusz. The Reformation and the Visual Arts: The Protestant Image Question in
Miles, G. (éd.). “Pygmalion.” Classical Mythology in English Literature: A Critical Anthology. London: Routledge, 1999, 332-449.
Miller, J.H. Versions of Pygmalion. Cambridge: Harvard University Press, 1990.
Morgan, David. Visual Piety: A History and Theory of Popular Religious Images. Berkeley, Los
Angeles and London: University o f California Press, 1998.
Murray, C. “Art and the Early Church.” Journal of Theological Studies 28 (1977): 303-345.
Nichols, A. The A rt of the God Incarnate: Theology and Image in Christian Tradition.
London: Darton, Longman and Todd, 1980.
Nochlin, Linda. The Body in Pieces: The Fragment as a Metaphor of Modernity. London:
Thames and Hudson, 1994.
Os, Henk von. The A rt of Devotion 7300-1500. London: Merrell Holberton Publishers, 1994.
The Power of Memory. Baarn: D e Prom Publishers, 1999.
Ousterhout, R., and Brubaker, L. (eds.). The Sacred Image: East and West. Urbana & Chicago:
University o f Illinois Press, 1995.
Panofsky, Erwin. Tomb Sculpture: Its Changing Aspects from Ancient Egypt to Bernini. London:
Thames and Hudson, 1964.
Pelikan, J. Imago Dei: The Byzantine Apologia for Icons. N ew Jersey: Princeton University
Press, 1990.
Perniola, Mario. “leones. Visions, Simulacres.” Le Simulacre, Traverses 10 (1978): 39-72. “Between Clothing and Nudity.” Fragments for a History of the Human Body. Vol. 2. Eds. M. Feher, R. Naddaff and N. Tazi. N ew York: Zone Books, 1989, 237-65-
Phillip, John. The Reformation of Images: Destruction of A rt in England, 1536-1660. Berkeley,
Los Angeles, London: University o f California Press, 1973.
Pietz, William. “The problem o f the Fetish II: The Origin o f the Fetish.” Res 13 (Spring 1987): 23-45-
Poulsen, Frederik. “Talking, Weeping, and Bleeding Statues: A Chapter in Religious Fraud.” A cta Archaeologica 16 (1945): 178-95.
Praz, Mario. “L’Amore delle Statue.” Eiori Freschi. Milano, 1982, 423-27.
Ragon, Michael. The Space of Death: A Study of Funerary Architecture, Decoration and
Urbanism. Trans. A. Sheridan. Charlotesville: University Press o f Virginia, 1983-
Ringbom, S. “Devotional Images and Imaginative Devotions.” Gazette des Beaux A rts 73
(1969): 159-170-
Rollason, David. Saints and Relics in Anglo-Saxon England. Oxford: Blackwell, 1989.
Rosatk Cianpiero. Narciso e Pigmalione: Illusione e Spettacolo nelle Metamorfosi di Ovidio.
Firenze: Sansoni, 1983.
Rubin, Miri. Corpus Christi: The Eucharist in Late M edieval Culture. Cambridge:
Cambridge University Press, 1991.
“The Eucharist and the Construction o f Medieval Identities.” Culture and History 1350-1600." Essays on English Communities, Identities and Writings. Ed. D. Aers. Brighton: Harvester Press, 1992, 43-64.
Rueda, Ana. Pigmalion y Galatea: Refracciones M odem as de un Mito. Madrid:
S. Francis of Assisi: His Life and Writings as recorded by his Contemporaries. Trans. L.A.R. Sherley-Price, London: Mowbray & Co. ltd., 1959
Scarry, Elaine. The Body in Pain: The Making and Unmaking of the World. Oxford: Oxford
University Press, 1985.
Schlegel, U. “The Christchild as Devotional Image in Medieval Italian Sculpture: A
contribution to Amrogio Lorenzetti Studies.” The A rt Bulletin 52 (1970}: 1-10.
Schmitt, Jean-Claude. “Les Reliques et les Images.” Les Reliques: Objets, Cultes, Symboles. Eds. Bozôky, E. and Helvétius, A.-M. Actes du Colloque International de
l’Universite du Littoral-Côte d’Opale, 4-6 Septembre 1997. Turnhout: Brepols Publishers, 1999, 145-167.
Scot, Reginald. The Discoverie of Witchcraft. N e w York: Dover, 1972.
Serres, Michel. Statues: Le Seconde Livre des Fondations. Paris: Éditions François Bourin, 1987.
Sigal, P.-A. L'Homme et le Miracle dans la France M édiévale (XI-XII siècle). Paris: Les
Éditions du Cerf, 1985.
Snoek, G .J.C. M edieval Piety from Relies to the Eucharist: A Process of M utual Interaction.
Leiden, N e w York, Koln: E.J. Brill, 1995.
Steinberg, Leo. The Sexuality of Christ in Renaissance A rt and in M odem Oblivion. London:
Faber and Faber, 1984.
Tamen, Miguel. Friends of Interpretable Objects. Cambridge and London: Harvard University
Press, 2001.
Taubert, G. and Taubert J. “Mittelalterliche Kruzifixe mit schwenkbaren Armen: Fin Beitrag zur Verwendug von bildwerken in der Liturgie. ” Zeitschrift des Deutschen Vereins fiir Kunstwissenschaft 2^ (1969): 79-121.
Thomas, Keith. Religion and the Decline of Magic: Studies in Popular Beliefs in Sixteenth and
Seventeenth Century England. London: Penguin, 1973.
Vauchez, A. Sainthood in the Later M iddle Ages. Trans. J. Birrell. Cambridge University
Press, Cambridge 1997.
Vernant, J.-P. La Mort dans les Yeux: Figures de I'Autre en Grèce Ancienne. Paris: Hachette,
1985.
Waage, Frederick. “Be Stone N o More: Italian Cinquecento Art and Shakespeare’s Last Plays.” Bucknell Review 25 [1980]: 56-87.
Walter, C. A rt and Ritual of the Byzantine Church. London: Varorium Publications ltd,
1982.
Ward, B. Miracles and the M edieval Mind: Theory, Record and Event 1000-1215.
Philadelphia: University o f Pennsylvania Press, 1982.
Warner, Marina. Monuments and Maidens: The Allegory of the Eemale Form. London: Weidenfield & Nicolson, 1985.
“Waxworks and Wonderlands. ” Visual Display: Culture Beyond Appearances. Eds. L. Cooke and P. Wollen. Seattle: Bay Press, 1995, 179-201.
“Hoc Est Corpus.” No Go to the Bogeyman: Scaring, Lulling and Making Mock. London: Chatto & W indus, 1998, 126-135.
Wirth, Jean. “L'apparition du surnaturel dans l'art du Moyen Age.” L'Image et la production
du sacré. Actes du colloque de Strasbourg 20-21 Janvier ig88. Paris: Méridiens Klincksieck, 1991, 139-164.
L'Image Médiévale. Naissance et Développements [VI-XVsiècles). Paris: Méridiens Klincksieck, 1989.
Ziolkowski, Theodore. Disenchanted Images: A Literary Iconology. Princeton; Princeton University Press, 1977.