• No se han encontrado resultados

Words and Music by Brandon Flowers, Dave Keuning, Mark Stoermer and Ronnie Vannucci

Copyright © 2006 UNIVERSAL MUSIC PUBLISHING LTD.

from The Killers - Sam’s Town



1.



2.





Tune down 1/2 step:

(low to high) Eb-Ab-Db-Gb-Bb-Eb

Gtr. 1 (dist.)

* Riff A

Bm

f

*Chord symbols reflect implied harmony.

 

Ah.

**

 End Riff A

**Fade in



Gtr. 1: w/ Riff A

Bm

  

***

***Chord symbols reflect overall harmony.

G

F#sus4 G F#sus4

When 1.



ev Verse

Gtr. 1: w/ Riff A (2 times)

Bm

’ry

- -bod - y else re - frained, my un -cle Jon-ny did co - caine.

G F#sus4

He’s con

-

vinced Bm

him-self right in his brain that it helps to take a - way the pain.

G

Hey, F#sus4

Jon

-

                        

4 0

4 0

4 0

4 0

4 0

4 2

4 3

4 5

4 0

4 2

4 3

4 50

4 50

4 50

4 50

4 50

4 3

4 2

4 3

4 2

4 3

4 2

 

 

                        

40 40

40 40

40 42

43 45

40 42

43 45 0

45 0

45 0

45 0

45 0

43 42

43 42

43 42

   

                      

                       



Interlude

Gtr. 1: w/ Riff A

Bm

ny.

- 

G

Hey, what you say, F#sus4

Jon - ny? 2.I



wan Verse

Gtr. 1: w/ Riff A (2 times)

Bm

na

- go out to - night, come a lit - tle clos -er to the cit - y lights.

G F#sus4

Lev - i

-

ta Bm

tion

- ain’t your on - ly friend, lev - i - ta -tion com-in’ back a - gain.

G F#sus4

You feel the



burn Pre-Chorus

Gtr. 1: w/ Riff A (2 times)

G

in’

- in your bod y’s- core,

F#sus4

it’s a yearn Em7

ing

- that you can’t ig - nore. And I



Gtr. 2 (dist.) Riff B

f 8v a



wan Bm

na

- go out to - night. S, s, s, su

AsusÊ

per

- -man and hold on tight. And he’s con

-8v a

           

                       

                      

                       

                              

16 17 14

16 17 15 14 16

17 14

16 17 15

14 16

17 14

16 17 15

16 15 17 14

16 17 15

16 15

                      

                             

15 17 14

16 17 15

14 16

17 14

16 17 15

14 16

17 14

16 17 15

16 15 17 14

16 17 15 14



vinced G

him - self right in his brain

AsusÊ

that it



Gtr. 2 8v a



Gtr. 1

Riff C End Riff C



helps Chorus

Dsus2

to take a way D,9/C#

- the pain.

Gtr. 2 tacet

Bm7

Hey, D5/A

Jon G5

ny.

-Asus4

Hey, what you say, Jon -ny?



Gtr. 2 8v a

End Riff B

  



*Gtrs. 1 & 3 Rhy. Fig. 1

let ring let ring let ring let ring let ring

End Rhy. Fig. 1

*Gtr. 3 (dist.), played f. Composite arrangement



Interlude

Gtr. 1: w/ Riff A Gtr. 3 tacet

Bm

 

G F#sus4

My 3.

          

               

16

17 14

16 17 15

16 15 17 14

16 17 15

16 15

                       

40 40

40 40

40 42

43 45

40 42

43 45 0

45 0

45 0

45 0

45 0

43 42

43 42

40

                       

15

                 

 

 

  















02 30

2 0230 2

4 X230

2 4 X230

2 2 X2

3 2

2 X23

2 0 02

3 2

0 02

3 2

X3003 0

X3003 0

X3003 0

X3003 0 00

0 22 3

0 22 3

0 22 3

0 22 3

0 22 3

0 22 3

0 22 3

0 22 3

       



ap Verse

Gtr. 1: w/ Riff A (2 times)

Bm

pe

- -tite ain’t got no heart, I said my ap - pe -tite ain’t got no heart.

G F#sus4

Shock-in’



peo Bm

ple

- when you feel that pull. Shock ’em, drop ’em when you know it’s full.

G F#sus4

I feel the



burn Pre-Chorus

Gtr. 1: w/ Riff A (2 times) Gtr. 2: w/ Riff B

G

in’

- in my bod-y’s core,

F#sus4

it’s a yearn Em7

ing

- that you can’t ig - nore. Now I



got Bm

ta

- go out to - night. Hey, Jon-ny, I got faith

AsusÊ

in ya, man, I mean it. It’s gon-na be 3



al - right. And he’s

con

vinced Gtr. 1: w/ Riff C

G

- him - self right in his brain

AsusÊ

that it



helps Chorus

Gtrs. 1 & 3: w/ Rhy. Fig. 1 (3 times)

Dsus2

to take a way D,9/C#

- the pain.

Bm7

Hey, D5/A

Jon G5

ny.

-Asus4

Hey, what you say, Jon - ny?

Dsus2

(Tell us what’s D,9/C#

go - in’ on.

Bm7

Feels like ev D5/A

’ry

- -thing’s wrong.

G5Asus4

Hey, what you say, Jon -ny?

                        

                          



            

             

                        

                   

                      

  

                       



Dsus2

If the fu D,9/C#

ture

- is real,

Bm7

Jon-ny, you’ve D5/A

got to heal.)

G5Asus4

Hey, what you say, Jon- ny?



Outro

Gtr. 1: w/ Riff A (1 3/4 times)

Bm

 

G

F#sus4



*Gtr. 4

Bm

mf 8v a

*Kbyd. arr. for gtr.



Gtr. 4 tacet

G F#sus4

When ev

Bm

’ry

- -bod - y else re - frained, my



Gtr. 1

let ring



un B5/F#

cle

- Jon - ny did

E5

co - caine.

D6(no3rd) C#m7(no3rd)

poco rit.

B5





let ring let ring let ring let ring poco rit.

  

                        

  

             

17 19 17

20 19 20 19

19 19 17 19

19

               

               

   

   

   

45 0

45 0

45 0

45 0

45 0

43 42

43 42

43 0

2

4 0

4 2

4 0

4 2

4 0

4 2

4 0

4

         

                

4 4 0

4

2 4 0

4

0 4 0

4 4

4 0

4 2

Moderately fast q = 140

Bones

Words and Music by Brandon Flowers, Dave Keuning, Mark Stoermer and Ronnie Vannucci

Copyright © 2006 UNIVERSAL MUSIC PUBLISHING LTD.

from The Killers - Sam’s Town







Intro

(Come µ

with me.)

1 3 1 2 1

Bm7

2 1 3

Amaj7

3 4 2

E

1 3 4 1 1 1

F#m

1 1 1

Dmaj7



*Gtr. 1

 

f

*Synth. arr. for gtr.

Gtr. 2 (dist.)

Amaj7

mf

Bm7 F#m E



Gtr. 1

Dmaj7 E

(cont. in notation)

   

We

1. took a



let ring

















  

  

17 14

17

                          

         

14 17 14

17

14

17 14

17

                     

 

   

    

         

14 17 14 17 17 14

17

16



back Verse

* Gtr. 1 tacet

C#m7

road, we’re gon - na look

Dmaj7

at the stars. We took a back

Bm7

road in my car.



Gtr. 2

P.M. P.M. P.M. P.M. P.M.

*Chord symbols reflect overall harmony.

 C#7

- we’ll hold hands.

C#7



the thun -der speaks Dmaj7

for the sky, and on the cold

G#m7b5

C#7 Dmaj7

And on the

my bones

F#m

 E

on your

Dmaj9



same:

C#7 Dmaj7

(Wait till to mor

them when

Bm7

the dead

C#7

comes call

Dmaj9



from C#7

this fright.

Dmaj9

But they can



my bones

F#m E

on your

Dmaj9



my skin

F#m



 E

on your

Dmaj9



had C#/E#

a lov - er.

Nev E

er

- had soul.

I nev

B7

er

- had soul.

   

  



Nev Asus2

er

- had a good

And I time.

nev -er had C#m7

a good time.

Nev D

er

- got told.)

And I nev-er 3

   

  



got E

told.

 

Don’t you wan-na

 

let ring





come Chorus

Gtr. 2 tacet

A

with me? Don’t you wan -na feel

Bm7

my bones

F#m E

on



*Gtr. 3

Rhy. Fig. 1

*Synth. arr. for gtr.

     



      



 

 

14 31 2

02 21 00

2 12 02

          



   



 



02 20 0

46 06 0

55 7 7 07

       







    

    

























02 2 10 0

0 0 0 0 0 022100

0 0 0 0 022100

02 2 10 0

02 2 10 0

02 2 10 0

02 2 10 0

02 2 10 0

02 2 10 0

02 2 10 0

02 2 10 0

02 2 10 0

02 2 10 0

02 2 10 0

02 2 10 0

                  

 

  

1109 109

9 1110 10

119 1110

79 99



your D

bones? It’s on ly

E

- nat - u - ral. Don’t you wan -na

 End Rhy. Fig. 1



swim

Gtr. 3: w/ Rhy. Fig. 1

A

with me? Don’t you wan -na feel

Bm7

my skin

F#m E

on

Gtr. 1

Riff A



your D

skin? It’s on ly

E

- nat - u - ral. Don’t you wan -na

 End Riff A



come Gtr. 1: w/ Riff A

Amaj7

with me?

Dmaj7

Don’t you wan - na feel

E

my bones

F#m



Gtr. 2

Rhy. Fig. 2

                  

   

57 77 5

79 99 7

                    

 

        

      

14 12

14

14 12

14

14 12

14

14 12

14

                   

 

        

      

14 12

14

14 12

14

14 12

13

14 12

13

               

       

 

   











 



02 12 0

02 12 0

02 12 0

02 12 0

02 12 0

0 00 0

0 22 2

0 22 2

0 22 2

0 22 2

0 22 2

0 22 2

0 00 0

02 2 10 0

02 2 10 0

02 2 10 0

02 2 10 0

0 00 0

24 4 22 2

poco rit.

poco rit.

 E

on your

Dmaj9

with me.

Dmaj7

my skin

F#m E

on your

Dmaj9

Moderately slow q = 63

My List

Words and Music by Brandon Flowers, Dave Keuning, Mark Stoermer and Ronnie Vannucci

Copyright © 2006 UNIVERSAL MUSIC PUBLISHING LTD.

from The Killers - Sam’s Town



Intro

(Percussion)

µ

(Percussion & bass)

µ(C5)

*Gtr. 1 2 3 1

Am

1 3 4 2

F

3 2 1

C

3 2

G

2 3

Em

mp 8v a

*Synth. arr. for gtr.

Gtr. 1

C Em F C Em

8v a

**Gtr. 2

w/ fingers mp

**Piano arr. for gtr.

F G Am F C G

8v a

   

17

                         

17 15

18 17 15 17 18 17 15

17 17 17 15

18 17 15 17 18 17 15

 

 

 

 

3 0

2 3

3 5

3 0

3 0

2 3

                        

15

17 17 15

17

17 15

18 17 15 17 18 17 15

17 17

16

17

 

 

 

 

3 5

5 7

7 8

3 5

10 12

5 7

C

Em F C

Let

1. me wrap

Verse

* Gtr. 1 tacet

C

my -self a - round Em

you, let you

8v a

*Chord symbols reflect implied harmony.

show F

me how I see.

C

And when you come back in from no

Em

where,

- do you

Gtr. 2

ev F

er

- think of me?

G Am

Your heart

F C

is not a

G

ble.

-

C

Let me show

Em

you how much

F

I care.

C

I

2. need those eyes

let ring

              

            

17 15

18 17 15 17 18 17 15

17

 

 

 

 

3 0

2 3

3 5

3 0

3 2

                    

   

3 3 3 2

                  

     

3 0 2

3

1 0

               

 

 

 

 

3 0

2 3

3 5

3 0

0

Verse C

to tide me o

Em

ver,

- I’ll take your pic

F

ture

- when I go.

C

Gives me 3

let ring let ring let ring

strength and gives me pa

Em

tience,

- but I’ll nev

F

er

- let you know.

G

I got

3

let ring let ring let ring let ring

noth Am

in’

- on you, ba

F

by,

- but I al

C

ways

- said I tried.

G

3

let ring let ring let ring let ring let ring

C

Let me show

Em

you how much

F

I care.

C

But

let ring let ring let ring

                     

   

 

   



 

3

0 1

0 0

20

3

1 1

2 3

1

3 0

0

                     

   

 

   

 

3 0

1 0

0

20

3

1

1 2

3

3

3

2

                   

   

     

 

0

0 1

2

0

1

1

3

3 0

1 3

3

0

             

    

   

3

0 1

0 20

3

1

1 2

3 1

3

some Pre-Chorus

Gtr. 2 tacet

Am

times

- it gets hard, and don’t she know.

*Gtr. 3 (dist.)

f

*Two gtrs. arr. for one.

Gtr. 2

Interlude

Rhy. Fig. 1

Dm7/C Cmaj7 F/C G/C F6 Cmaj7/E F/A G

End Rhy. Fig. 1

**Two gtrs. arr. for one.

Don’t Chorus

Gang Vocals:

Gtrs. 2 & 3: w/ Rhy. Figs. 1 & 1A (3 times) Gtr. 4: w/ Rhy. Fig. 1B

Dm7/C

give the ghost

Cmaj7

up, just clench

F/C

your fist.

G/C

You should - a known

F6

by now

Cmaj7/E

you were on

F/A

my list.

G

Don’t Dm7/C

give the ghost Cmaj7

up, just clench F/C

your fist.

G/C

You should-a known

(Don’t give the ghost up.

Gtr. 4

F6

by now

Cmaj7/E

you were on

F/A

my list.

G

Voc. Fig. 1

Should -a known by now, should -a known by now.)

Don’t Dm7/C

give the ghost Cmaj7

up, just clench

F/C

your fist.

G/C

You should-a known

(Don’t give

End Voc. Fig. 1

the ghost up. You should-a known

       

      

   

                       

108 108

108 108

108 35

108 108

108 108

108 35

108 108

108 108

108 35

108 108

108

108 X57 7 X9



 

     

 

 

 

 

 

  

 

 

 

 











X 8

10 X

8 10

10 12

8 10

7 X9

7 X9

8 10

7 9

X57

X57 7 9

5 7

X35

X35 X35

X35

       

      

     



 

                       



8 10

8 10

8 10

8 10

8 10

3 5

8 10

8 10

8 10

8 10

8 10

3 5

8 10

8 10

8 10

8 10

8 10

3 5

8 10

8 10

8 10

8 10 X57

X79

Bkgd. Voc.: w/ Voc. Fig. 1

F6

by now

Cmaj7/E

you were on.

F/A G

by now you were on my list.)

Gtr. 5 (dist.)

mp

1 1 1/2

Gtr. 4

Gtr. 3

Bridge

Gtr. 4 tacet

Am F C G

When your heart is not a - ble,

Gtr. 2 8v a

Gtr. 5

 1 1 1

              













 

  

10 10

 

 

 

  

 

 

 

 











X8 10

X8 10

10 12

8 10

7X 9

X79 8 10

7 9

X57

X57 7 9

5 7

X35

X35 X35

X35

                        

           

                               

17 17

20 20 19 19

20 18 18 20 20 19 19

18 18 17 17 20 20 19 19

17

19 19

20 20 19 19 19 19

      

8

8 8 8 8

10 10 10 0

Am F C G

and your prayers, they’re not fa - bles.

8v a

1 1/2 1 1/2

C Em F Am

Let me show

*Male & Female:

you,

(Let me show you,

let me show you,

let me show

8v a

 

*Female voice sung in octave written, doubled by male voice sung one octave below.

 1 1

                      

                 

                               

17 17

20 20 19 19

20 18 18 20 20 19 19

18 18 17 17 20 20 19 19

17 19 19

20 20 19 19 19 19

           

5

7 5 8 8 7 7 7 10 8

                             

    

 

 

   

 

 

                               

17 17

20 20 19 19

20 17 17 20 20 19 19

20 20 18 18 20 20 19 19 20 20

17 17

20 20 19 19 20 20

              

8

9 8 7

8 8 8 8

7

8 5

7 8 8

C Em F C

(cont. in notation)

you.)

let me show you how much I care. Oh.

Gtr. 2 divisi Gtr. 1 8v a

1 1 1

Gtr. 1

Gtr. 5 divisi

*

Gtr. 2 tacet

C Em F C

Gtr. 5 tacet

Gtr. 1

Em

8v a

*Applies to Gtr. 1 only.

Gtr. 3

fdbk.

F C

8v a   

C5



 

                 







            

                     

17 17

20 20 19 19

20 17 17 20 20 19 19

20 1514 15

1514 13

1514 15

1717

17 17

          

7

8 5 7

8

7 5 8

7 5

7

                          

7 17 15

18 17 15 17 18 17 15

17 17

17

17 15

18 17 15 17 18 17 15

 

 



32 0 10

32 0 10

 

17

 

 

 

 



3 20 10

Intro

Moderately fast q = 140

Documento similar