Género o formato televisivo, una miniserie

LONELY AT THE TOP effets sonores [EN] #2 Wendelien van Oldenborgh

15.0318.05.08

Lecture/Audience/Camera is a project by Dutch artist Wendelien van Oldenborgh produced at the Museum van Hedendaagse Kunst Antwerpen [MuHKA] during March and April 2008. It features a series of lecture situations organised by the artist which will become the basis for an experimental film. Taking place over approximately eight weeks, this project will involve the production process as well as the public presentation of a new work.

Continuing a format already employed by the artist in earlier works, Van

Oldenborgh will use the idea of a ‘film production’ to stage a series of performative events, proposing the museum as a location and the participants delivering lectures and the audience as the cast. Lectures will be delivered by an artist, a curator/critic and an art historian - who will all expand on the conventions of the lecture format.

Lecture/Audience/Camera will be at the 5th and 6th floor above MuHKAFE where the LONELY AT THE TOP sound effects programme takes place. These spaces will function as set, auditorium, studio and viewing space, as material shot during the lectures at the 6th floor, will be screened at the 5th floor for the duration of the project. The completed film will be screened at MuHKA during the autumn of 2008. Lecture/Audience/Camera is the first component of KEYWORDS/BEHAVIOUR [a lecture series at MuHKA in which artists, designers, theorists and others reflect on the term behaviour] and it expands this lecture series along more explicitly performative lines. LECTURES SAT 15.03.08 4.30pm TANJA WIDMANN/model SUN 13.04.08 4.30pm DAVID DIBOSA/respondent SUN 27.04.08 4.30pm RICARDO BASBAUM/score ____

> with the collaboration of Bauke Knottnerus [host], Sébastian Koeppel [camera], Ludo Engels [sound], Miguel Sosa [guitarist], Sigrid Volders [make-up], Ulrike Koeppinger [model 15.03.08], Suely Rolnik [text 27.04.08], fabrics_interseason [styling 15.03.08], Marga Weimans [styling13.04.08]

> supported by the Mondriaan Foundation and CBK Rotterdam

MuHKA présente

Dr. David Dibosa is an art historian and theorist based in London. He has written extensively on art and cultural difference for a wide variety of outlets, ranging from the Times Literary Supplement to The Morning Star. His other published writing in- cludes, ‘Fatal distraction: art-writing and looking at art’ in the book Put About: a criti- cal anthology on independent publishing [2004], and ‘How to Speak Borders’ in the Turkish journal Toplumbilim [2007]. He is a co-investigator for Tate Encounters, an AHRC funded research project, which investigates issues of migration and national identity in British art. David Dibosa trained as a curator, after receiving a degree from the University of Cambridge and was awarded his PhD in Art History from the University of London. He is currently Senior Lecturer in Fine Art Theory at Wimble- don College of Art, University of the Arts, London.

Ricardo Basbaumis an artists and writer based in Rio de Janeiro whose work often investigates the social dimension of cultural production. Recent solo exhibition and projects include re-projecting [Casco, Utrecht, 2008] and la société du spectacle [& NBP] [kunstraum lakeside, Klagenfurt, 2007] as well as participing in documenta 12 [Kassel, 2007] and Imagine Action [Lisson Gallery, London, 2007]. Basbaum co- curated On Difference #2 [Kunstverein Stuttgart, 2006] and pogovarjanja/conversa- tions/conversas [with Bojana Piskur, Skuc Gallery, Ljubljana, 2006]. His published writing includes a contribution to Art after conceptual art [Ed. Alexander Alberro and Sabeth Buchmann, Generali Foundation, MIT Press, 2006] and he teaches at the Instituto de Artes, Universidade do Estado do Rio de Janeiro.

Wendelien van Oldenborgh is an artist based in Rotterdam, whose practice ex- plores social relations through an investigation of gesture in the public sphere. Oldenborgh often uses the format of a film shoot, collaborating with participants in different scenarios, to co-produce a script and orientate the work towards its final outcome. Recent projects include Maurits Script [Casco, Utrecht, 2006] A C_B__ Sound Track Stage [Museum Boijmans Van Beuningen, Rotterdam, 2006] The Basis For A Song [produced for Die Regierung Witte de With, Rotterdam 2005] and the project website www.acertainbrazilianness.net, [2005]. Van Oldenborgh has also exhibited at Apexart New York, MAMAM Recife, Konstfack Stockholm, MAK Wenen, Künstlerhaus Stuttgart, Art3 Valence and EAST Norwich. She is currently working on a film entitled No False Echoes which will be shown as part of B[com]ing Dutch [van Abbe Museum, Eindhoven, 2008] and Maurits Film [a co-production with MAMAM, Recife and Capacete, Rio de Janeiro, 2008].

Tanja Widmann is an artist, curator, critic and lecturer based in Vienna. As a writer she is a regular contributor to Texte zur Kunst and Springerin.

Recent projects as an artist include Lectureperformancenight [Hebbel am Ufer, Ber- lin 2007] Blueblacksliding constellations und weiss [Kunstverein, Bonn, 2007] and Shandyismus Autorschaft als Genre [Secession, Vienna, 2007]. Widmann has co – cu- rated several exhibitions including Dass die Körper sprechen, auch das wissen wir seit langem [The Generali Foundation, Vienna, 2004] Blick A, Blick B. Jahresausstel- lung 2005/6 des Salzburger Kunstvereins. [Salzburger Kunstverein, Salzburg, 2006] and the upcoming performance event Sieh mal B: NICHTS ist aufregend. NICHTS ist sexy. NICHTS ist nicht peinlich [Mumok, Vienna, 2008].

MuHKA présente

INFORMATION & CV

Wendelien van Oldenborgh °1962 in Rotterdam, NL

Education and scholarships

1982-1986 BA Degree in Goldsmiths’ College, University of London, UK 1989-1990 Étudiante invitée ENSBA, Paris, FR

1990-2000 Antwerp, BE

2001-2003 Stipendium Künstlerhaus Stuttgart, DE

Upcoming

2008 Lecture/Audience/Camera, in MuHKA, Antwerp, BE

Its full of holes,it’s full of holes in Herz:rasen, Künstlerhaus Wien, AT A C_B__ Sound Track Stage in HAPPENING, NAi Rotterdam, NL Maurits Script, Plug-in #39, Van Abbemuseum, Eindhoven, NL Studio. Rotterdam... in W129 Amsterdam, NL

New production No False Echoes voor Be[com]ing Dutch exhibition, Van Abbe Museum, Eindhoven, NL

Presentations

2007 A Certain Brazilianness, Caucus Be[com]ing Dutch, Van Abbemuseum, Eindhoven, NL

Maurits Script, Brazil screenings: Capacete, Rio de Janeiro en MAMAM, Recife, BR

Maurits Script, in De Vreemdeling, Manifestatie rond de 17de eeuwse filosoof Pierre Bayle, CBK/Tent. en bioscoop Lantaren/ Venster, Rotterdam, NL

Maurits Script, ApexArt, New York, US

Maurits Script, in: Picturing Knowledge, Konstfack, Stockholm, SE as part of the Radical Thinking Film serie [organized by Marysia Lewandowska]

2006 Maurits Script Casco, Office for Art Design and Theory, Utrecht, NL [solo] A C_B__ Sound Track Stage, in: Cut For Purpose, Museum Boijmans Van Beuningen, Rotterdam

2005 The Basis For A Song, in: Be What You Want But Stay Where You Are, Witte de With Center For Contemporary Art, Rotterdam, NL

[organized by Ruth Noack en Roger Buergel] STADTLUFT V_5, Stroom Den Haag, NL [solo] 2003 [STADTLUFT V_4], in: Passages, Art3 Valence, FR

2002 [STADTLUFT V_3], in: >redirect, Künstlerhaus Stuttgart, DE, Haus.0 program [Fareed Armaly]

2002 Studio. Rotterdam...in: CAT project, MAK, Vienna, AT [STADTLUFT V_2], in: Fiat Lux, Romanes 2002, Melle , FR

2001 Spuren der Inszenierung, Künstlerhaus Stuttgart, DE, Haus.0 program [Fareed Armaly] [with Harun Farocki and Olaf Metzel]

2001 STADT LUFT, Villa Steinbeck, Musée des Beaux Arts, Mulhouse, FR [solo] [Dans le désordre / si possible] in: Turbulence 01, Theatre de Maillon, Strasbourg, FR [with Beat Streuli, Eric Hatan, Erwin Wurm]

2000 EAST 2000, Norwich Gallery, UK [catalogue] TéléNICC, Brussel, BE [catalogues]

1999 It’s full of holes, it’s full of holes, Faux Mouvement, Metz [solo] Demarches, Leuven, BE [catalogue]

Maninsack, Cinema Nova, Brussel, BE

1998 Splitsing, World Wide Video Festival, Amsterdam, NL Marknaden, World Trade Cente, Stockholm, SE [catalogue]

MuHKA présente

1997 Cord, Galerie Salle de Bains, Rotterdam, NL [solo]

Procustus’ Bed, Villa Alckmaar, Rotterdam, NL [catalogue] presentation, Jordaenshuis, Antwerp, BE [solo, catalogue] Horizontal, Museu da República, Rio de Janeiro , BR [solo] 1996 St Anna, Junge Hunde Festival, Antwerp, BE

1995 On Tender Hooks, Cultural Centre Rix, Antwerp, BE [solo] Animali Domestici, Group show in private house, Antwerp, BE 1994 Framework and invitation, Outdoor installation on Neeltje Jans, NL 1993 The Manilva Report, Galeria Magda Belloti, Algeciras, ES[solo] Lectures

2007 Lectures and workshops Maurits Script, FAAP en Universidade de Sao Paulo, BR

2006 Lecture about recent work in Radical Thinking Film in Konstfack, Stockholm, SE

Contribution DARE symposium on critical methodologies, Utrecht, NL MAHKU in coorperation with Casco and Centraal Museum Utrecht, NL With a.o. Daniel van der Velden, Florian Pumhosl, Stefan Dillemuth and Martin Beck.

Lecture in debate Over collectieven en hun praktijken by Dirk de Wit, within the exhibition Hyperbolic by Edith Doove in Stuk, Leuven, BE Lecture De observerende en wederkerige blik, Studium Generale Het Verlangen naar de Werkelijkheid, Academy for Art and Design St Joost, Breda – Den Bosch, NL

Presentation Maurits Script at SICA, BR

2005 Presentation publication Stadtluft with lectures by Rainer Oldendorf and Yvonne P. Doderer. Musée d’art Moderne et Contemporain, Strasbourg, FR

Lecture Stadtluft in Stroom The Hague, NL, in dialogue with Wouter Vanstiphout

Lecture about work in Institute de Arte, Universidade de Estade de Rio de Janeiro, BR

A Certain Brazilianness, the Polyphonic Stage for Het Bouwnetwerk, in the parasiet ‘het Beest’, WiMBY! Hoogvliet, NL

2004 A Certain Brazilianness at symposium Anthropofagia Gestern und Morgen, Künstlerhaus Sttuttgart.

2003 Symposium Stadtraum und Öffentlichkeit – zwischen Netzwerk und Fragment at the invitation of Alex Wall, Lehrstuhl für Städtebau und Entwerfen, Universität Karlsruhe, Facultät für Architectur, DE

Selection publications

2007 Contrubution in The Great Method, Casco Issues X, Published by Casco and Revolver Verlag.

Contrubution in ‘WiMBY! Hoogvliet, future past and presence in a New Town. NAI publishers, Rotterdam

Contrubution in mahkuzine, journal of artistic research. MAHKU, Utrecht Contrubution in BK-informatie, tijdschrift voor beeldende kunstenaars. 2005 Contrubution in Entre Pindorama: contemporary Brazilian Art and

Antropofagia. Verlag für Moderne Kunst Nürnberg. ISBN 3-936711-94-1 Fucking Good Art #9 [May 2005] review of Stadtluft by Rob

Hamelijnck

2004 Own publication Stadtluft with contributions of Fareed Armaly, Yvonn P. Doderer, Corinne Gambi and Ruth Noack, published by art3 Valence and Revolver Verlag Frankfurt. ISBN 3-937577-87-4

MuHKA présente

2003 art press 292 [July - August] review of Stadtluft in Passages by Marie de Brugerolle

2002 TAZ [dec] discription of Stadtluft in ‘Netzwerken der Erkentniss’ by Dietrich Heissenbüttel

2001 TAZ [nov] review it’s full of holes, it’s... in In der Schusslinie by Gabriele Hoffmann

2001 article about Stadtluft by Dominique Bannwarth in l’Alsace and by Fabien Texier in Polystyrène [sept].

Interview with Fareed Armaly in NICC Newsletter 9, Antwerp

Relevant

2007: Residentie in FAAP São Paulo. Op uitnodiging van het project

Perambulação door curator Daniela Labra [Rio de Janeiro] en Mirta Demare [Rotterdam]

2006-2007 Shortlisted voor en presentatie van schetsontwerp voor publieke opdracht van Atelier Zuidvleugel, Den Haag.

2005 Presentatie The Basis For A Song in Clup Act, theater Lantaren Het Venster, Rotterdam

2005 Twee korte documentaire films voor DVD van stichting Kunst Onder Andere, Rotterdam

2000 Korte films voor Zipherspaceworks, office for architecture and design, getoond in galerie zum Weissenhof, Stuttgart

1999 ‘door de lens van de jeugd’ Realisatie van tentoonstelling met foto’s van 600 jongeren tussen 13 en 18 jaar, Cinema Roma, Antwerp 1998-1999 Mee opzetten en actief lid van kunstenaars organisatie NICC,

Antwerp

1995 ‘Supposing I Love You and You Also Love Me’ Concept en organisatie van project met tentoonstelling in samenwerking met buitenlandse inwoners van Antwerp, Wereld Culturen Centrum, Zuiderpershius, Antwerp

1990-1993 Initiatief en organisatie tentoonstellingsruimte ‘ONEONONEONONE’ in Antwerp Work in collections Frac Alsace Van Abbemuseum MuHKA présente

LIST OF WORKS

#2 Wendelien van Oldenborgh

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Lecture/Audience/Camera, screening room 2008 [new work]

{courtesy artiste}

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Lecture/Audience/Camera, studio 2008 [new work]

{courtesy artiste}

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Lecture/Audience/Camera, auditorium 2008 [new work]

{courtesy artiste}

IMAGES

#2 Wendelien van Oldenborgh

Wendelien van Oldenborgh, Maurits Script [still], 2006 Wendelien van Oldenborgh, Maurits Script [still], 2006

Texts and visuals can be downloaded at www.muhka.be/press

When publishing, thank you for mentioning www.muhka.be

MuHKA présente

In document El tiempo entre costuras: la novela y su trasvase a una miniserie televisiva. (página 114-121)