Guiado

Balazs, Bela, Theory of the Film, Dobson, London, 1952; reprinted Dover, New York, 1970

'The Close-Up' and 'The Face of Man' reprinted in Mast, Gerald and Cohen, Marshall (eds.), Film Theory and Criticism.

Basinger, Jeanine, 'Ten That Got Away', in Kay, Karyn and Peary, Gerald (eds.), Women and the Cinema, E. P. Dutton, New York, 1977, pp. 61-72.

Baxter, John, Hollywood in the Thirties, Zwemmer, London, A. S. Barnes, New York, 1968.

The Cinema of John Ford, Zwemmer, London; A. S. Barnes, New York, 1971.

Hollywood in the Sixties, Tantivy, London; A. S. Barnes, New York, 1972.

Bettetini, Gianfranco, The Language and Technique of Film (trans. David Osmond-Smith), Mouton, The Hague, 1973.

Brady, Robert, A., 'The Problem of Monopoly', in Watkins, Gordon S. (ed.), The Motion Picture Industry, Annals of the American Academy of Political and Social Science, vol. 254, November 1947, pp. 125-36.

Branigan, Edward, 'Formal Permutations of the Point-of-View Shot', Screen, vol.

16, no. 3, Autumn 1975, pp. 54-64.

Brewster, Ben, 'Justine by the Marquis de Sade', Edinburgh International Film Fes-tival News, 1976.

Buscombe, Edward, 'The Idea of Genre in the American Cinema', Screen, vol. 11, no. 2, pp. 3 3 ^ 5 .

Butler, Ivan, The Making of a Feature Film, Penguin, London, 1971.

Camper, Fred,'Dishonored by Josef von Sternberg', Cinema (Cambridge), no. 8, pp. 16-18.

Caughie, John (ed.), Theories of Authorship, Routledge/British Film Institute, London, 1981.

Cowie, Elizabeth, 'Woman as Sign', m/f, no. 1, pp. 49-63.

Dyer, Richard, 'The Way We Were', Movie, no. 22, pp. 30-3.

'Entertainment and Utopia', Movie, no. 24, pp. 2-13.

'Stereotyping', in Dyer, Richard (ed.), Gays and Film, British Film Institute, London, 1977, pp. 27-39.

Elsaesser, Thomas, 'Why Hollywood', Monogram, no. 1, April 1971, pp. 4-10.

'Tales of Sound and Fury', Monogram, no. 4, pp. 2-15.

Fell, John L., Film and the Narrative Tradition, University of Oklahoma Press, Nor-man, 1974.

Field, Alice Evans, Hollywood USA, from Script to Screen, Vantage Press, New York, 1952.

Geraghty, Christine, 'Alice Doesn't Live Here Anymore', Movie, no. 22, pp. 39-42.

Gledhill, Christine, 'Whose Choice?: Teaching Films about Abortion', Screen Edu-cation, no. 24, Autumn 1977, pp. 35-45.

Gow, Gordon, Hollywood in the Fifties, Zwemmer, London; A. S. Barnes, New York, 1971.

Harrild, Tony,'Killer Elite: Emotion Expression', Film Form, vol. 1, no. 2,1977, pp.

51-66.

Harvey, Sylvia, May '68 and Film Culture, British Film Institute, London, 1978.

Higham, Charles and Greenberg, Joel, Hollywood in the Forties, Zwemmer, London; A. S. Barnes, New York, 1968.

Kay, Karyn and Peary, Gerald (eds.), Women and the Cinema, E. P. Dutton, New York, 1977.

Kitses, Jim, Horizon West, Thames and Hudson, London, 1969.

Knight, Arthur, The Liveliest Art, Macmillan, New York, 1957; Muller, London, 1959.

Kracauer, Siegfried, 'National Types as Hollywood Presents Them', Public Opinion Quarterly, 13, 1949, pp. 53-72.

Theory of Film. Oxford University Press, New York, 1965.

Kuleshov, Lev, Kuleshov on Film (ed. Ronald Levaco), University of California Press, Berkeley, Los Angeles, and London, 1974.

Mast, Gerald and Cohen, Marshall (eds.), Film Theory and Criticism, Oxford Uni-versity Press, New York, 1974.

McArthur, Colin, Underworld USA, Seeker and Warburg, London, 1972.

MacCabe, Colin, 'Realism and the Cinema: Notes on Some Brechtian Theses', Screen, vol. 15, no. 2, Summer 1974, pp. 7-27.

'Theory and Film: Principles of Realism and Pleasure', Screen, vol. 17, no. 3, Autumn 1976, pp. 7-27.

Mellors, Bob, Clint Eastwood Loves Jeff Bridges True, Quantum Jump Publications, London, 1978.

Morse, David, 'The American Cinema: A Critical Statement', Monogram, no. 1, April 1971, pp. 2-4.

Neale, Steve, 'New Hollywood Cinema', Screen, vol. 17, no. 2, Summer 1976, pp.

117-22.

Genre, British Film Institute, London, 1980.

Nichols, Bill (ed.), Movies and Methods, University of California Press, Berkeley, Los Angeles, and London, 1976.

Nowell-Smith, Geoffrey, Visconti, Seeker and Warburg, London, 1967; revised 1973.

O'Dell, Paul, Griffith and the Rise of Hollywood, Zwemmer, London; A. S. Barnes, New York, 1970.

Panofsky, Erwin, 'Style and Medium in the Motion Picture', Bulletin of the De-partment of Art and Archaeology (Princeton), 1934; reprinted in Mast, Gerald and Cohen, Marshall (eds.), Film Theory and Criticism.

Pines, Jim, Blacks in Films, Studio Vista, London, 1975.

Place, J. A. and Peterson, L. S., 'Some Visual Motifs of Film Noir, Film Comment, vol. 10, no. 1, January-February 1974, pp. 30-5; reprinted in Nichols, Bill (ed.), Movies and Methods, University of California Press, Berkeley, Los Angeles, and London, 1976, pp. 325-38.

Pollock, Griselda, 'What's Wrong with Images of Women?', Screen Education, no.

24, Autumn 1977, pp. 25-33.

Robinson, David, Hollywood in the Twenties, Zwemmer, London; A. S. Barnes, New York, 1968.

Slide, Anthony, Early American Cinema, Zwemmer, London; A. S. Barnes, New York, 1970.

Thompson, John O., 'Screen Acting and the Commutation Test', Screen, vol. 19, no.

2, Summer 1978, pp. 55-69.

Vardac, A. Nicholas, From Stage to Screen: Theatrical Method from Garrick to Grif-fith, Harvard University Press, Cambridge MA, 1949.

Viviani, Christian, 'Sans Metro ni Mayer: les productions Samuel Goldwyn entre 1929 et 1959', Positif, no. 178, February 1976, pp. 41-8.

Wollen, Peter, Signs and Meaning in the Cinema, Seeker and Warburg, London, 1969; reprinted with new conclusion, 1973.

'North by Northwest: A Morphological Analysis', Film Form, vol. 1, no. 1, 1976, pp. 19-34.

Wood, Robin, Personal Views, Gordon Fraser, London, 1976.

5 Miscellaneous

Adlam, Diana et al., 'Psychology, Ideology and the Human Subject', Ideology and Consciousness, no. 1, May 1977, pp. 5-56.

Baran, Paul A. and Sweezy, Paul M., Monopoly Capital, Monthly Review Press, New York, 1966; Penguin, London, 1968.

Barthes, Roland, S/Z, Seuil, Paris, 1970; (trans. Richard Miller), Hill and Wang, New York, 1974.

Beauvoir, Simone de, Le Deuxieme Sexe, Gallimard, Paris, 1949; (trans. H. M.

Parshley), Cape, London, 1953; Penguin, London, 1971.

Birdwhistell, Ray L., Kinesics and Context, Allen Lane, London, 1971.

Brecht, Bertolt, Brecht on Theatre (ed. John Willett), Methuen, London, 1964.

Bremond, Claude, 'Le Message narratif, Communications 4, 1964, pp. 4—32.

'La Logique des possibles narratifs', Communications 8, 1966.

Brooks, Cleanth and Warren, Robert Penn, Understanding Fiction, Appleton-Cen-tury-Crofts, New York, 1959.

Brown, John Russell, Effective Theatre, Hutchinson, London, 1968.

Brownmiller, Susan, Against Our Will, Seeker and Warburg, London, 1975.

Burke, Kenneth, A Grammar of Motives, Prentice-Hall, New York, 1945.

Burniston, Steve and Weedon, Chris, 'Ideology, Subjectivity and the Artistic Text', Working Papers in Cultural Studies (Birmingham), no. 10,1977,pp.203- 33.

Centre for Contemporary Cultural Studies, On Ideology, Hutchinson, London, 1978 (reprint of Working Papers in Cultural Studies, 10).

Chatman, Seymour, 'The Structure of Fiction', University Review (Kansas City), Spring 1971, pp. 199-214.

'On the Formalist-Structuralist Theory of Character', Journal of Literary Se-mantics, no. 1, 1972, pp. 57-79.

Cole, Toby and Chinoy, Helen Krich (eds.), Actors on Acting, Crown, New York, 1970.

Coquelin, Benoit Constant, L'Artdu comedien, Paris, 1894; reprinted (trans. Elsie Fogerty), George Allen and Unwin, London, 1972.

'The Dual Personality of the Actor', in Cole, Toby and Chinoy, Helen Krich (eds.), Actors on Acting.

Culler, Jonathan, Structuralist Poetics, Routledge and Kegan Paul, London, 1975.

Dawson, S. W., Drama and the Dramatic, Methuen, London, 1970.

Delsarte, Francois, see Stebbins, Genevieve.

Diderot, Denis, Le Paradoxe sur le comedien, Santelet, Paris, 1830; reprinted (trans.

W. H. Pollock), Chatto, London, 1883; in Green, F. C. (ed.), Diderot's Writings on the Theatre, Cambridge University Press, 1936.

Ellman, Mary, Thinking About Women, Harcourt Brace Jovanovich, New York, 1970; reprinted Virago, London.

Fast, Julius, Body Language, M. Evans, New York, 1970; Pocket Books, 1971.

Forster, E. M., Aspects of the Novel, Edward Arnold, London, 1927; Penguin, London, 1962.

Frye, Northrop, An Anatomy of Criticism, Princeton University Press, 1957.

Galbraith, J. K., The Affluent Society, Hamish Hamilton, London, 1958.

Goffman, Erving, The Presentation of Self in Everyday Life, Social Sciences Re-search Centre (Edinburgh), Monograph no. 2, 1956; Doubleday, New York, 1959; Allen Lane the Penguin Press, London, 1969; Penguin, 1971.

Hall, Stuart, 'Encoding and Decoding in the Television Discourse', Occasional Paper no. 7, Centre for Contemporary Cultural Studies, University of Birming-ham, reprinted (revised) in Hall, Stuart, Reproducing Ideologies, Macmillan, London.

'Culture, the Media and the "Ideological Effect"', in Curran, James, Gurevitch, Michael and Wollacott, Janet (eds.), Mass Communication and Society, Edward Arnold, London 1977, pp. 315-48.

'Some Problems with the Ideology/Subject Couplet', Ideology and Conscious-ness, no. 3, Spring 1978, pp. 113-21; with response, pp. 122-7.

Hall, Stuart, Lumley, Bob and McLennan, Gregor, 'Politics and Ideology', Gram-sci', Working Paper in Cultural Studies (Birmingham), no. 10, pp. 77-105.

'Politics and Ideology, Working Papers in Cultural Studies, no. 11, pp. 176-97.

Harvey, W. J., Character and the Novel, Chatto and Windus, London, 1965.

Hawthorn, Jeremy, Identity and Relationship, Lawrence and Wishart, London, 1973.

Holland, Norman N„ The Dynamics of Literary Response, Oxford University Press, 1968; W. W. Norton, New York, 1975.

Ideology and Consciousness, nos. 1, 2, 3, continuing.

Irigary, Luce, 'Women's Exile', Ideology and Consciousness, no. 1, May 1977, pp.

62-76; introduction by Diana Adlam and Couze Venn, pp. 57-61.

Kirby, E. T, 'The Delsarte Method: Three Frontiers of Actor Training', TDR: The Drama Review, vol. 16, no. 1 (T-53), March 1972, pp. 55-69.

Kristeva, Julia, 'Signifying Practice and Mode of Production', Edinburgh 76 Maga-zine, no. 1, 1976, pp. 64-76.

Lovell, Terry, 'The Social Relations of Cultural Production: The Absent Centre of a New Discourse', unpublished.

Lowenthal, Leo, Literature and the Image of Man, Beacon Press, Boston, 1957.

Lukacs, Georg, 'The Intellectual Physiognomy of Literary Characters', in Baxandall, Lee (ed.), Radical Perspectives in the Arts, Penguin, London, 1972, pp. 89-141.

Der Historische Roman, Aufbau-Verlag, Berlin, 1955; (trans. Hannah and Stan-ley Mitchell), Merlin Press, London, 1962.

Macherey, Pierre, Pour une theorie de la production litteraire, Maspero, Paris, 1966;

(trans.) A Theory of Literary Production, Routledge and Kegan Paul, London, 1978.

Marcuse, Herbert, One-Dimensional Man, Beacon Press, Boston, 1964.

Marx, Karl and Engels, Friedrich, On Literature and Art (eds. Lee Baxandall and Stefan Morawski), International General, New York, 1973.

Maslow, Abraham H„ Motivation and Personality, Harper Row, New York, 1970.

Mattick, Paul, Critique of Marcuse: One-Dimensional Man in Class Society, Merlin Press, London, 1972.

McArthur, Colin, Television and History, British Film Institute, London, 1978.

McCarthy, Mary, 'Characters in Fiction', in On the Contrary, Noonday Press, New York, 1962.

McLean, Albert F. Jnr, American Vaudeville as Ritual, University of Kentucky Press, 1965.

Morin, Edgar, New Trends in the Study of Mass Communications, Centre for Con-temporary Cultural Studies, University of Birmingham, 1969.

Morley, Dave, 'Reconceptualising the Media Audience', Occasional Paper no. 9, Centre for Contemporary Cultural Studies, University of Birmingham.

Munk, Erika (ed.), Stanislavsky and America, Hill and Wang, New York, 1966.

Paris, Bernard J., A Psychological Approach to Fiction, Indiana University Press, 1974.

Perkins, Tessa, 'Rethinking Stereotypes', in Barrett, Michele, Corrigan, Phil, Kuhn, Annette and Wolff, Janet (eds.), Ideology and Cultural Production, Croom Helm, New York, 1979.

Polhemus, Ted. (ed.), Social Aspects of the Human Body, Penguin, London, 1978.

Price, Martin, 'The Other Self: Thoughts about Character in the Novel', in Mack, Maynard and Gregor, Ian (eds.), Imagined Worlds, Methuen, London, 1968;

reprinted in Burns, Elizabeth and Tom (eds.), Sociology of Literature and Drama, Penguin, London, 1973.

Propp, Vladimir, Morfologiya skazki, Academia, Leningrad, 1928; reprinted (trans.

L. Scott), Morphology of the Folk Tale, Indiana University Publications in Anthropology, Folklore and Linguistics, no. 10, Bloomington; Austin, New York, 1968.

Roach, Mary Ellen and Eicher, Joanne Bubolz (eds.), Dress, Adornment and the Social Order, Wiley, New York, 1965; Chichester, 1970.

Roberts, Brian, 'G. H. Mead: The Theory and Practice of his Social Philosophy', Ideology and Consciousness, no. 2, Autumn 1977, pp. 81-106.

Rockwell, Joan, Fact in Fiction, Routledge and Kegan Paul, London, 1974.

Ruesch, Jurgen and Kees, Weldon, Non-Verbal Communication: Notes on the Visual Perception of Human Relations, University of California Press, Berkeley and Los Angeles, 1956.

Sartre, Jean-Paul, Questions de methode, Gallimard, Paris, 1960; reprinted as Search for a Method (trans. Hazel E. Barnes), Alfred A. Knopf, New York, 1963.

Schechner, Richard with Mintz, Cynthia, 'Kinesics and Performance', TDR: The Drama Review, vol. 17, no. 3 (T-59), September 1973, pp. 102-8.

Scholes, Robert and Kellogg, Robert, The Nature of Narrative, Oxford University Press, New York, 1966.

Stanislavsky, Konstantin, An Actor Prepares (trans. Elizabeth Reynolds Hapgood), Geoffrey Bles, London, 1936.

Stebbins, Genevieve, The Delsarte System of Expression, Edgar S. Werner, New York, 1902; reprinted, Dance Horizons, 1977.

Styan, J. L., The Elements of Drama, Cambridge University Press, 1960.

Drama, Stage and Audience. Cambridge University Press, 1975.

Todorov, Tzvetan, 'Categories of the Literary Narrative', Film Reader, no. 2, pp.

19-37.

Van Laan, Thomas, R, The Idiom of Drama, Cornell University Press, Ithaca, NY, 1970.

Veblen, Thorstein, Theory of the Leisure Class, Macmillan, New York, 1899; Men-tor, 1953; George Allen and Unwin, London, 1925; 1970 (paperback).

Walcutt, Charles C, Man's Changing Mask, University of Minnesota Press, Min-neapolis, 1966.

Walters, Margaret, The Nude Male, Paddington Press, New York and London, 1978.

Watt, Ian, The Rise of the Novel, Chatto and Windus, London, 1957; Penguin, London, 1963.

White, Llewellyn, The American Radio, University of Chicago Press, 1947.

Willett, John, The Theatre of Bertolt Brecht, Methuen, London, 1959.

Williams, Raymond, The Long Revolution, Chatto and Windus, London, 1961;

Penguin, London, 1965.

Television Technology and Cultural Form, Fontana, London, 1974.

Keywords, Fontana, London, 1976.

Wolff, Janet, Hermeneutic Philosophy and the Sociology of Art, Routledge and Kegan Paul, London, 1975.

Women's Studies Group, Centre for Contemporary Cultural Studies, Women Take Issue {WorkingPapers in Cultural Studies, no. 11), Heinemann, London, 1978.

Working Papers in Cultural Studies, nos. 1-10.

SUPPLEMENTARY CHAPTER

In document TRABAJO FIN DE GRADO: (página 58-79)