Los «heroicos furores»

Albers, J. (1963). Interaction of Colour. New Haven & New York, Yale University Press.

Anderson, J. (1982). Tirra Lirra by the River. Melbourne, Penguin.

Fonsmark, A.(Director), Wivel, M. (Curator). (1998).Vilhelm Hammershoi 1864 - 1916 Danish Painter of Solitude and Light. New York, Solomon R. Guggenhein Foundation.

Armstrong, C. & Zegher, C. Ed. (2006). Women Artists at the Millenium. Cambridge, Mass. & London, October Books, MIT Press.

Arnold, R. A. (2001). Fashion, Desire and Anxiety. London & New York, I.B. Taurus.

Bachelard, G. (1994). The Poetics of Space, The Classic Look at How We Experience Intimate Places. Massachusetts, Beacon Press.

Barnes, J. (2003). "Contained Eloquence." Modern Painters 16(Autumn): 76- 85.

Barthes, R. (1981). Camera Lucida, Reflections on Photography. New York, Hill and Wang.

Bassin, D., Honey, M., Kaplan, M.M., Ed. (1994). Representations of Motherhood. New Haven & London, Yale University Press.

Bell, J. (1999). What is Painting? Representation and Modern Art. London, Thames & Hudson.

Benjamin, J. (1995). Like Subjects, Love Objects, Essays on Recognition and Sexual Difference. New Haven and London, Yale University Press. Benjamin, R. (1998). “A New Modernist Hero.” Emily Kame Kngwarrye,

Alhalkere, Paintings from Utopia. Brisbane, Queensland Art Gallery. Benn, M. (1998). Madonna and Child. London, Jonathon Cape.

Berger, J. (1972). Ways of Seeing. London, British Broadcasting Company & Penguin Books.

Bird, J., Ed. (2003). Other Worlds, The Art of Nancy Spero and Kiki Smith. London, Reaktion Books Ltd.

Bird, J., Issa J.K, Lotringer, S. (1996). Nancy Spero. London, Phaidon Press. Bogue, R. (1989). Deleuze and Guattari. London &New York, Routledge.

Bond, A. (1997). Body. Melbourne, Bookmen Press & The Art Gallery of New South Wales.

Borzello, F. (1998). Seeing Ourselves, Women's Self-Portraits . London, Thames and Hudson.

Borzello, F. (2000). A World of Our Own, Women as Artists. London, Thames and Hudson.

Boulous Walker, M. (1998). Philosophy and the Maternal Body, Reading Silence. London, Routledge.

Bourriaud, N. (2002). Relational Aesthetics. Paris, Les Presses du Reel. Brand, P. Z. (2000). Beauty Matters. Bloomington, Indianana Press. Brilliant, R. (1991). Portraiture. London, Reaktion Books.

Brookes, W. (2004). Visual Virtuosity - Comtemporary Quatrattura Painting, An Allegory of the Portrait. Hobart, University of Tasmania. Masters. Broude, N. & Garrard M.D. (1982). Art History: Questioning the Litany. New

York, Harper & Row.

Bullard, J. (1976). Mary Cassatt, Oils and Pastels. New York, Watson Guptill Publications.

Burke, C., Schor N., Whitford M., Ed. (1994). Engaging with Iragaray Feminist Philosophy and Modern Thought. New York, Columbia University Press.

Byatt, A. S. (2003). Portraits in Fiction. London, Catto and Windus.

Carr, D. W. (2007). Velasquez. London, National Gallery Company and Yale University Press.

Carter, P. (1996). Hossein Valamanesh. Sydney, Craftsmen House.

Cavallero, D. & Warwick, A., Ed. (1998). Fashioning the Frame, Boundaries, Dress and Body . Oxford, Berg.

Cavallero, D. & Warwick, A. (1998). Defining Dress - Dress as object, meaning and identity. Manchester, Manchester University Press. Cheetham, M. A., Holly M., Moxey, K., Ed. (1998). The Subjects of Art

History, Historical Objects in Contemporary Perspective. New York, Cambridge University Press.

Cogeval, G. (2002). Vuillard, Master of the Intimate Interior. London, Thames and Hudson.

National Gallery of Art, Washington, Yale University Press, The Montreal Museum of Art

Craik, J. (1994). The Face of Fashion. London & New York, Routledge. Croutier, A. L. (1992). Taking the Waters: Spirit, Art, Sensuality. New York,

Abbeville Publishing Group.

Csikszentmihalyi, M. (1996). Creativity: Flow and the Psychology of Discovery and Invention. New York, Harper.

Farr, D. (1999). Francis Bacon, A Retrospective Exhibition. New York, Harry N. Abrams, Inc. in association with the Trust for Museum Exhibitions. Damasio, A. R. (1994). Descartes' Error, Emotion, Reason and the Human

Brain. New York, Picador.

Damasio, A. R. (1999). The Feeling of What Happens, Body and Emotion in the Making of Consciousness. New York, Harcourt Brace & Co. de Certeau, M., Giard, L., Mayol, P. Eds. (1998). Practice of Everyday Life,

Living and Cooking. Minneappolis, University of Minnesota Press. de Lauretis, T. (1987). Technologies of Gender: Essays on Theory, Film and

Fiction. London, Macmillan.

Deepwell, K. (1998). Women Artists and Modernism. Manchester & New York, Manchester University Press.

Delany M. & McFarlane, K. (2006). Angela Brennan, Every Morning I Wake Up on the Wrong Side of Capitalism. Melbourne, Monash University of Art.

Deleuze, G. (1990). Expressionism in Philosophy: Spinoza. New York, Zone Books.

Deleuze, G. (2003). Francis Bacon the Logic of Sensation. London, Continuum.

Delphy, C., Ed. (1981). New French Feminisms: An Anthology. Brighton, Harvester.

Duby, G. a. M., P (1992). Power and Beauty, Images of Women in Art. London, Taurio Park Books.

Duncan, C. (1973). "Virility and Male Domination in Early Twentieth Century Vanguard Art." Art Forum: 30-39. December, 1973.

Eliot, T. S. (1963). Collected Poems, 1909-1962. London, Faber and Faber Limited.

Erikson, E. (1963). Childhood and Society. New York, W.W. Norton. Gage, J. (1999). Colour and Meaning, Art, Science and Symbolism. London,

Thames & Hudson.

Gallery, H. (1998). Addressing the Century, 100 Years of Art and Fashion. London, Hayward Gallery Publishing.

Garrett, D., Ed. (1996). The Cambridge Companion to Spinoza. Cambridge, Cambridge University Press.

Gates, M. (2006). Vivienne Binns. Hobart, co-published The Tasmanian Museum and Art Gallery & The University of Tasmania.

Gibson, S. B. P. C., Ed. (2000). Fashion Cultures, Theories, Explorations and Analysis. London and New York, Routledge, Taylor Francis Group. Gombrich, E. H. The Story of Art, Tenth Edition. London, Phaidon.

Gray, A. (1996). George Lambert, Art and Artifice, 1873-1930. Sydney, An Art and Australia Book and Craftsmen House.

Gregory, R. L., Ed. (1987). Oxford Companion to the Mind. Oxford, Oxford University Press.

Grenier, C. (2005). Big Bang, Creation and Destruction in 20th Century Art. Paris, Pompidou Centre.

Griffin, S. (2001). The Book of the Courtesans, A Catalogue of Their Virtues. Kent, Macmillan.

Hartmann, J. & Messer-Davidow, E. (1991). (En)gendering Knowledge: Feminist in Academe. Knoxville, University of Tennessee Press. Heilbrun, C. (1979). Reinventing Womanhood. New York & London,

W.W.Norton & Co.

Heller, N. (1997). Women Artists. New York, London, Paris, Abbeville Press Publishers.

Hess, T. & Baker, E. (1973). Art and Sexual Politics. New York & London, Collier Macmillan.

Higonnet, A. (1998). Pictures of Innocence The History and Crisis of Ideal Childhood. London, Thames and Hudson.

Hills. Patricia, K., Donald, Lippard, Lucy, Roth, Moira, Tichner Lisa, Ed. (1984). May Stevens, Ordinary - Extraordinary, A Summation 1977- 1984. New York, The Ram Press.

Vintage Book, Random House.

Hollander, A. (1993). Seeing Through Clothes. Los Angeles, University of California Press.

Holt, D., Ed. (1997). Emily Kngwarrye's Paintings. Sydney, Craftsman House. Honour, H. Fleming, J. (1995). A World History of Art, Fourth Edition.

London, Laurence King Publishing.

Humphrey, P., Ed. (2004). The Cambridge Companion to Giovanni Bellini. Cambridge, Cambridge University Press.

Iragaray, L. (1994). Thinking the Difference, For a Peaceful Revolution. New York, Routledge.

Issacs, J. (1988). The Gentle Arts, 200 Years of Australian Women's Domestic & Decorative Arts. Willoughby, NSW, Lansdowne Press.

Balzwick, Francis, M. & McGonagle, D. (1987). Nancy Spero. Edinburgh, ICA, Fruitmarket Gallery, Orchard Gallery, Foyle Arts Project. Jaffe, D. (2003). Titian. London, National Gallery Company and Yale

University Press.

Kaplan, E. A. (1992). Motherhood and Representation, The Mother in Popular Culture and Melodrama. London, Routledge.

Kendall, R. P., G., Ed. (1992). Dealing With Degas, Representations of Women and The Politics of Vision. New York, Universe.

Kendall, R. P., G. (1996). Degas Backstage. London, Thames and Hudson. Kent, S. & Moreau, J. (1985 & 1990). Women's Images of Men. London,

Pandora.

Kieran M. & Lopez, D.M. (2007). Knowing Art, Essays in Aesthetics and Epistemology. London, Springer & Netherlands & University College London.

Koop, S. (1996). "The Failures of Modernism and the Painting of Angela Brennan." Art and Australia 34 (no. 2, Summer).

Krauss, R. (1994). The Optical Unconscious. Cambridge, Mass., October Books, MIT Press.

Krell, A. (1996). Manet. London, Thames and Hudson.

Kristeva, J. (1977). About Chinese Women. London, Marion Boyars Publishers.

and Art. Oxford, Basil Blackwell.

Lurie, A. (1992). The Language of Clothes. London, Bloomsbury.

Broude N. & Garrard, M.D. (1994). The Power of Feminist Art, The American Movement of the 1970s, History and Impact. New York, Harry N. Abrams.

Macey, D. (2000). The Penguin Dictionary of Critical Theory. London, Penguin Books.

Marchesseau, D. (1996). Suzanne Valadon. Martigny, Suisse, Fondation Pierre Gianadda.

Marsh, A. (2000). Telling tales: the child in contemporary photography. Melbourne, Monash University Gallery.

Marsh, A. (2006). Pat Brassington: this is not a photograph. Hobart Tasmania, Quintus Publishing, University of Tasmania.

Masiello, M., Ed. (1995). Identity and Alterity, Figures of the Body, 1895/1995. Venice, Marsilio Editori s.p.a.

McCann, E. (2007). Desert Flower. Weekend Australian Magazine. April 21- 22.

McCarthy, D. (1998). The Nude in American Painting. Cambridge & New York, Cambridge University Press.

McDonald, H. (2001). Erotic Ambiguities, The Female Nude in Art. London, Routledge.

McFarlane, K. (2004). The Line Between Us: The Maternal Relation in Contemporary Photography. Melbourne, Monash University Museum of Art.

Meares, R. (1992). The Metaphor of Play: on Self, the Secret and the Borderline. Melbourne, Hill of Content.

Meskimmon, M. (1996). The Art of Reflection, Women's Self-Portraiture in the Twentieth Century. London, Scarlet Press.

Moi, T., Ed. (1986). The Kristeva Reader. Oxford, Blackwell Publishing. Moore, C. (1994). Dissonance, Feminism and the Arts 1970 -1990. Sydney,

Allen and Unwin in association with Artspace.

Kent, S. & Morrow, J. (1990). Women's Images of Men. London, Pandora. Mosely, R. (2002). "trousers and tiaras: Audrey Hepburn, a woman star."

Mullins, C. (2006). Painting People the state of art. London, Thames and Hudson.

Nelson, R. (2006). “Pressure on the Poetic: the Politics of the Next Reverie in the Studio”. ACUADS Conference Proceedings.

Neu, J. (1978). Emotion, Thought and Therapy. London, Routledge & Kegan Paul.

Nochlin, L. (1994). The Body in Pieces, The Fragment as a Metaphor for Modernity. London, Thames & Hudson.

Nochlin, L. (1999). Representing Women. London, Thames & Hudson.

Ockman, C. (1999). Ingres' Eroticised Bodies - Retracing the Serpentine Line. New Haven & London, Yale University Press.

Parker, R. & Pollock, G. (1981). Old Mistresses: Women, Art and Ideology. London, Pandora Books.

Humphrey, P. Ed. (2004). The Cambridge Companion to Giovannni Bellini. Cambridge, Cambridge University Press.

Pollock, G. (1988). Vision and Difference, Feminism, Femininity and the Histories of Art. London & New York, Routledge.

Pollock, G. (1992). Avant-Garde Gambits 1888-1893 Gender and the Colour of Art History. London, Thames and Hudson.

Pollock, G. (1999). Differencing the Canon, Feminist Desire and the Writing of Art's Histories. London and New York, Routledge.

Pollock, G. (2005). Mary Cassatt. London, Chaucer Press.

Prendeville, B. (2000). Realism in 20th Century Painting. London, Thames and Hudson.

Reed, C., Ed. (1989). Not at Home, The Suppression of Domesticity in Modern Art and Architecture. New York, Thames & Hudson.

Ribeiro, A. (1999). Ingres in Fashion. New Haven & London, Yale University Press.

Robertson, G. (1981). Giovannni Bellini. New York, Hacker Art Books. Rosinsky, T. D. Suzanne Valadon. New York, Universe Publishing. Rubin, J. H. (1997). Courbet. London, Phaidon Press.

Rubin, W., Ed. (1996). Picasso and Portraiture, Representation and Transformation. London, Thames and Hudson.

Theory. New York, Harvester Wheatsheaf.

Sellers, S., Ed. (1994, 2004). The Helene Cixous Reader. New York, Routledge.

Sim, S., Ed. (1999). The Icon Critical Dictionary of Postmodern Thought. Cambridge, Icon Books Ltd.

Simon, M. (1995). Fashion in Art - The Second Empire & Impressionism. London, Schwemmer.

Starr, B. (2002). it's a beautiful day: New Painting in Australia: 2. Melbourne, The Ian Potter Museum of Art & The Art Gallery of New South Wales. Starr, B. (2005). The difference between you and me. Melbourne, Ian Potter

Museum of Art, University of Melbourne.

Stewart, S. (1993). On Longing. Narratives of the Miniature, the Gigantic, the Souvenir, the Collection. London, Duke University Press.

Storr, R. (2002). Gerhardt Richter, Forty Years of Painting. New York, Museum of Modern Art.

Strauss, J. M. D. L. (2002). Carolee Schneeman, Imaging her Erotics, Essays, Interview, Projects. Cambridge, Mass & London, Schutzumschlag. Stuckenbrock, C. Topper, B. (2000). 1000 Masterpieces of European Painting

from 1300 to 1850. Cologne, Koneman.

Terrasse, A. (1999). Bonnard, The Colour of Daily Life. New York, Thames and Hudson.

Tronic, E., Ed. (1979). Social Interaction in Infancy: Affect, Cognition and Communication. Baltimore, John Hopkins University Press.

van Alphen, E. (2005). Art in Mind. Chicago, University of Chicago Press. van Buren, J. S. (1989). The Modernist Madonna, Semiotics of the Maternal

Metaphor. Bloomington & Indianapolis, Indiana University Press. van den Boogerd, D., Bloom, B. & Casadio, M (1999). Marlene Dumas.

London & New York, Phaidon.

Voight, A. (1996). New Visions, New Perspectives, Voices of Australian Women Artists. Sydney, Craftsmen House.

West, S. (2004). Portraiture. Oxford & New York, Oxford University Press. Wheelcock, A. K. J. (1988). Jan Vermeer. London, Thames and hudson. Willats, J. (1997). Art and Representation New Principles in the Analysis of

Wivel, M. (1997). Vilhelm Hammershoi (1864-1916): Danish Painter of Solitude and Light. New York, Solomon R. Guggenheim Foundation. Woodall, J., Ed. (1997). Portraiture, Facing the Subject. Manchester,

Manchester University Press.

Woolf, V. (1975). A Room of One's Own. Middlesex England, Penguin Books. Woolf, V. (1976). Mrs Dalloway. London, Toronto, Sydney, New York, Atriad

Panther Book, Granada.

In document Giovanni – Antiseri – Historia del pensamiento filosofico y cientifico – 2º Volumen (página 153-155)