Hidrografía

Manuscripts

Barnes, Djuna, ‘For theses twelve reasons sainted’ c. 1928, Djuna Barnes papers, Special collections, University of Maryland Libraries, digital.lib.umd.edu/image?

pid=umd:111034 Accessed 13/3/2017

---, ‘Depiction of zodiac’ c. 1928, Djuna Barnes papers, Special collections, University of Maryland Libraries, digital.lib.umd.edu/image?pid=umd:111024 Accessed 13/3/2017

---, Letter to Wolfgang Hildersheimer, Djuna Barnes papers, Special Collections, University of Maryland Libraries, Series II, Box 8, Folder 28 (1969)

---, ‘November’ c. 1928, Djuna Barnes papers, Special collections, University of Maryland Libraries, digital.lib.umd.edu/image?pid=umd:111055 Accessed 13/3/2017 ---, ‘Pasteup of double page spread from ‘Playgoers Almanac’’, c. February 1931, Djuna Barnes papers, Special collections, University of Maryland Libraries, digital.lib.umd.edu/image?pid=umd:111311 Accessed 13/3/2017

---, ‘Sweet May illustration’ c. 1928, Djuna Barnes papers, Special collections, University of Maryland Libraries, digital.lib.umd.edu/image?pid=umd:68770

Accessed 13/3/2017

Ellis, Havelock, British Library Department of Manuscripts, No. ADD70524, Havelock Ellis Papers, letter from Ellis to Symonds, 15th April 1887

---, British Library Department of Manuscripts, No. ADD70524, Havelock Ellis Papers, letter from Ellis to Symonds, 18th June 1892

---, British Library Department of Manuscripts, No. ADD70524, Havelock Ellis Papers, letter from Ellis to Symonds, 3rd January 1893

Gillespie, Nancy Elizabeth, The Ecstatic Woman and the Grotesque: A New Lacanian Subject in the Work of Djuna Barnes and Mina Loy (doctoral thesis, University of Sussex, 2008)

Goya, Francisco, Los Caprichos, Glasgow University Library Special Collections Department, special.lib.gla.ac.uk/exhibns/month/aug2006.html Accessed 02/12/2018 Loy, Mina, ‘Goy Israels’, undated, Beinecke Rare Book and Manuscript Library, discover.odai.yale.edu/ydc/Record/3549078 Accessed 07/12/2018

192 Primary material

Barnes, Djuna, (writing as Lydia Steptoe), ‘Naming the Rose: How to make so-called

“unsafe” things, safe for the home’, Shadowland 2:8 (Mar-Aug 1923), pp. 26 & 70 ---, ‘Djuna Barnes Probes the Souls of Jungle Folk at the Hippodrome’, New York ed. Alyce Barry (Los Angeles: Sun & Moon Press, 1989), pp. 190-197

---, A Book (New York: Boni and Liveright, 1923)

---, A Night Among the Horses and Other Stories (New York: Liveright, 1929) ---, At the Roots of the Stars: The Short Plays, ed. Douglas Messerli (Los Angeles:

Sun & Moon Press, 1995)

---, ‘Becoming Intimate with the Bohemians’ New York ed. Alyce Barry (London:

Virago), pp. 233-245

---, Collected Poems with Notes Toward the Memoirs ed. Phillip Herring and Osías Stutman (Wisconsin: The University of Wisconsin Press, 2005)

---, ‘Creatures in an Alphabet’, Collected Poems With Notes Toward the Memoirs ed. Phillip Herring & Osías Stutman (Wisconsin: The University of Wisconsin Press:

2005), pp. 140-144

---, ‘Diamond Jim Brady’, Interviews ed. Alyce Barry (LA: Sun & Moon Press, 1985), pp. 57-66

---, ‘Greenwich Village As It Is’, New York ed. Alyce Barry (London: Virago), pp. 223-232

---, ‘How it Feels to be Forcibly Fed’ New York ed. Alyce Barry (London: Virago, 1989), pp. 174-179

---, ‘How the Villagers Amuse Themselves’, New York ed. Alyce Barry (London:

Virago), pp. 246-252

---, ‘I Could Never Be Lonely Without a Husband, Says Lillian Russell’, Interviews ed. Alyce Barry (LA: Sun & Moon Press, 1985), pp. 47-56

---, Interviews ed. Alyce Barry (LA: Sun & Moon Press, 1985)

---, ‘James Joyce’, Interviews ed. Alyce Barry (LA: Sun & Moon Press, 1985), pp. 288-296

---, ‘Jess Willard Says Girls Will Be Boxing for a Living Soon’, Interviews ed.

Alyce Barry (LA: Sun & Moon Press, 1985), pp. 136-144

---, New York ed. Alyce Barry (Los Angeles: Sun & Moon Press, 1989)

193 ---, Nightwood (London: Faber & Faber 2007)

---, Nightwood [&] Ladies Almanack (New York: New Directions, 1937)

---, ‘Nothing Amuses Coco Chanel After Midnight’, Interviews ed. Alyce Barry (LA: Sun & Moon Press, 1985), pp. 376-382

---, ‘Ruth Roye, Greates “Nut” in Vaudeville’, Interviews ed. Alyce Barry (LA:

Sun & Moon Press, 1985), pp. 145-151

---, Ryder (Champaign and London: Dalkey Archive Press, 1990) ---, The Antiphon (Kobenhavn & LA: Green Integer, 2000)

---, The Book of Repulsive Women and other poems ed. Rebecca Loncraine (Manchester: Carcanet Press, 2003)

---, ‘The Girl and the Gorilla’, New York ed. Alyce Barry (London: Virago, 1989), pp. 180-184

---, The Lydia Steptoe Stories (London: Faber & Faber, 2019)

---, ‘The Wild Aguglia and Her Monkeys’, Interviews ed. Alyce Barry (LA: Sun

& Moon Press, 1985), pp. 19-23

---, ‘Three From the Earth’, A Night Among the Horses (New York: Horace Liveright, 1929)

---, ‘What Do You See, Madam?’, Collected Stories ed. Phillip Herring (LA: Sun

& Moon Press, 1996), pp. 56-63

---, ‘Yes, the Vernon Castles Have a Home and They Occasionally Tango Past It’, Interviews ed. Alyce Barry (LA: Sun & Moon Press, 1985), pp. 24-28

---, ‘Yvette Guilbert’, Interviews ed. Alyce Barry (LA: Sun & Moon Press, 1985), pp. 263-271

Secondary material

Adams, Carol J., The Sexual Politics of Meat: A Feminist-Vegetarian Critical Theory (New York & London: The Continuum International Publishing Group, 2010)

Ahmed, Sara, Queer Phenomenology: Orientation, Objects, Others (North Carolina:

Duke University Press, 2006)

Allen, Carolyn, ‘The Erotics of Nora’s Narrative in Djuna Barnes’s “Nightwood”’, Signs 19:1 (Autumn 1993), pp. 177-200

194 Bakhtin, Mikhail, Rabelais and His World ed. Helene Iswolsky (Bloomington: Indiana University Press, 1984)

Barney, Natalie Clifford, Women Lovers: Or Third Woman ed. & trans. Chelsea Ray (Wisconsin: University of Wisconsin Press, 2016)

Bateman, Benjamin, The Modernist Art of Queer Survival (Oxford: Oxford University Press, 2017)

Beauvoir, Simone de, ‘Myth and Reality’ in Modern Criticism and Theory: A Reader ed. David Lodge and Nigel Wood (Oxon and New York: Routledge, 2013)

---, The Second Sex trans. H. M. Parshley (London: Vintage, 1997)

Bell, Michael, Primitivism ed. John D. Jump (Methuen & Co Ltd: London, 1972) Benstock, Shari, Women of the Left Bank: Paris 1900-1940 (Austin: University of Texas Press, 2008)

Bergson, Henri, Time and Free Will: An Essay on the Immediate Data of Consciousness trans. F. L. Pogson (New York: The MacMillan Company, 1913)

Berman, Avis, ‘City Lights: Urban Perceptions of Night’, Night Vision: Nocturnes in American Art, 1860-1960 ed. Joachim Homann (Prestel, Munich, London, New York:

Delmonico Books, 2015), pp. 86-95

Berni, Christine, ‘‘A Nose-Length into the Matter’: Sexology and Lesbian Desire in Djuna Barnes’s “Ladies Alamanack”’, Frontiers: A Journal of Women Studies 20:3 (1999), pp. 83-107

Blake, William, Songs of Innocence and Experience (Liverpool: printed by Blake, 1923)

Bombaci, Nancy, Freaks in Late Modernist American Culture: Nathanael West, Djuna Barnes, Tod Browning, and Carson McCullers (Oxford: Peter Lang Publishing Inc, 2005)

Broe, Mary Lynn, ‘The Outsider among the Expatriates: Djuna Barnes’ Satire on the Ladies of the Almanack’, Silence and Power: A Reevaluation of Djuna Barnes ed.

Mary Lynn Broe (Carbondale and Edwardsville: Southern Illinois University Press, 1991)

Bronfen, Elizabeth, Night Passages: Philosophy, Literature, and Film (New York:

Columbia University Press, 2008)

Bruno, Guido, ‘Fleurs du Mal à la Mode de New York—An Interview with Djuna Barnes by Guido Bruno’, Interviews ed. Alyce Barry (LA: Sun & Moon Press, 1985), pp. 383-388

195 Butler, Judith, Undergoing Gender (New York and London: Routledge, 2004)

Caselli, Daniela, Improper Modernism: Djuna Barnes’s Bewildering Corpus (Surrey:

Ashgate, 2009)

Chadwick, Whitney, Amazons in the Drawing Room: The Art of Romaine Brooks (Berkeley: University of California Press, 2000)

Childs, Peter, Modernism: The New Critical Idiom (London: Routledge, 2007) Chisholm, Dianne, ‘Obscene Modernism: Eros Noir and the Profane Illumination of Djuna Barnes’ American Literature 69:1 (March 1997), pp. 167-206

Chu, Patricia E., Race, Nationalism and the State in British and American Modernism (Cambridge: Cambridge University Press, 2006)

Clark, John, The Modern Satiric Grotesque and Its Traditions (Kentucky: The University Press of Kentucky, 1991)

Connelly, Frances S., The Grotesque in Western Art and Culture: Image at Play (Cambridge: Cambridge University Press, 2012)

Cull, Nicholas J., et al, Propaganda and Mass Persuasion: A Historical Encyclopaedia, 1500 to the Present (California: ABC-CLIO, 2003)

Darwin, Charles, On the Origin of the Species: By Means of Natural Selection, 6^th edition (New Zealand: The Floating Press, 2009)

---, The Descent of Man and Selection in Relation to Sex (New York and London:

Merrill and Baker, 1874)

Doolittle, Hilda, HERmione (London: Virago Press, 1984)

Draper, Jr., John W., ‘The Opium Eater’, Exotics, Bruno Chap Books Volume II ed.

Guido Bruno (New York, 1915)

Eliassen, Meredith, ‘The Meat in a Humbug Sandwich: The Irony of Want in California Gold Rush Music’, This is the Sound of Irony: Music, Politics and Popular Culture, ed. Katherine L. Turner (London & New York: Routledge, 2016), pp. 17-30

Eliot, T. S., ‘Burnt Norton’, Collected Poems: 1909-1962 (London: Faber, 1963) Ellis, Havelock and John Addington Symonds, Sexual Inversion, ed. Ivan Crozier (Hampshire: Palgrave Macmillan, 2007)

Ellis, Havelock, Sex in Relation to Society (London: WM. Heinemann, 1945)

---, The Archetypes and the Collective Unconscious trans. RFC Hull (New York:

Princeton University Press, 1990)

196 ---, The Dance of Life (London: Constable and Company Ltd, 1937)

Faltejskova, Monika, Djuna Barnes, T. S. Eliot and the Gender Dynamics of Modernism: Tracing Nightwood (New York: Routledge, 2010)

Fama, Katherine A., ‘Melancholic Remedies: Djuna Barnes’s Nightwood as Narrative Theory’, Journal of Modern Literature, 37:2 (Winter 2014), pp. 39-58

Fleischer, Georgette, ‘Djuna Barnes and T. S. Eliot: the politics and poetics of Nightwood’, Studies in the Novel 30:3 (1998), pp. 405-437

Ford, Charles A., ‘Homosexual Practices of Institutionalized Females’, The Journal of Abnormal and Social Psychology 23:4 (1929), pp. 442-448

Foucault, Michel, The Will to Knowledge: The History of Sexuality:1 (London:

Penguin, 1998)

Frank, Joseph, The Widening Gyre: Crisis and Mastery in Modern Literature (New Jersey: Rutgers University Press, 1963)

Frazer, J. G., The Golden Bough: A Study in Magic and Religion, vol. 3 (London:

Macmillan, 1911)

Freeman, Elizabeth, Time Binds: Queer Temporalities, Queer Histories (Durham:

Duke University Press, 2010)

Freud, Sigmund, Civilization and its Discontents, ed. James Stratchey (New York: W.

W. Norton & Company, 1962)

---, The Complete Letters of Sigmund Freud to Wilhelm Fliess, 1887-1904, ed.

Jeffrey Moussaieff Masson (Cambridge: Harvard University Press, 1985)

---, The Interpretation of Dreams trans. & ed. James Strachy (New York: Basic Books, 2010)

---, Totem and Taboo: Resemblances between the psychic lives of savages and neurotics (London: George Routledge & Sons, 1919)

Freytag-Loringhoven, Elsa von, Body Sweats ed. Irene Gammel and Suzanne Zelazo (Massachusetts: MIT, 2011)

Galvin, Mary E., Queer Poetics: Five Modernist Women Writers (Connecticut and London: Greenwood Press, 1999)

Gilman, Charlotte Perkins, Women and Economics: A Study of the Economic Relation Between Men and Women as a Factor in Social Evolution, ed. Michael Kimmel &

Amy Aronson (Berkeley, LA, London: University of California Press, 1998)

197 Glavey, Brian, The Wallflower Avant-Garde: Modernism, Sexuality, and Queer Ekphrasis (Oxford: Oxford University Press, 2015)

Goody, Alex, Modernist Articulations: A Cultural Study of Djuna Barnes, Mina Loy and Gertrude Stein (Hampshire & NY, Palgrave Macmillan, 2007)

---, Technology, Literature and Culture (Cambridge: Polity Press, 2011)

---, ‘“The dance of the intelligence”?: Dancing Bodies in Mina Loy’, Tulsa Studies in Women's Literature, 37:1, (Spring 2018), pp. 131-156

Greenberg, Clement, Clement Greenberg: Late Writings ed. Robert Morgan (Minneapolis & London: University of Minnesota Press, 2003)

Hardie, Melissa Jane, ‘Repulsive Modernism: Djuna Barnes’ “The Book of Repulsive Women”’, Journal of Modern Literature 29:1 (Autumn 2005), pp. 118-132

Harrison, Jane, Ancient Art and Ritual (Wiltshire: Moonraker Press, 1913)

Heap, Chad, Slumming: Sexual and Racial Encounters in American Nightlife, 1885-1940 (Chicago: University of Chicago Press, 2008)

Hegel, G. W., Phenomenology of Spirit trans. A. V. Miller (Oxford: Oxford University Press, 1977)

Heise, Thomas, Urban Underworlds: A Geography of Twentieth-Century American Literature and Culture (New Brunswick, New Jersey, and London: Rutgers University Press, 2011)

Heisler, Aaron Yale, ‘Literary Memory and the Moment of Modern Music’, Modernism/modernity 19:4, (November 2012), pp. 693-715

Hemingway, Ernest, A Moveable Feast (London: Arrow Books, 2004)

Herring, Philip, Djuna: The Life and Word of Djuna Barnes (New York: Penguin, 1996)

Herring, Scott, Queering the Underworld: Slumming, Literature, and the Undoing of Lesbian and Gay History (Chicago and London: The University of Chicago Press, 2007)

Highet, Gilbert, The Anatomy of Satire (Princeton: Princeton University Press, 1972) Hovanec, Caroline, Animal Subjects: Literature, Zoology, and British Empire (Cambridge: Cambridge University Press, 2018)

Hughes, Langstan, ‘The Negro Artist and the Racial Mountain’, Harlem Renaissance Reader ed. David Levering Lewis (New York: Penguin, 1995), pp. 91-95

198 Husserl, Edmund, Ideas: General Introduction to Pure Phenomenology trans. W. R.

Boyce Gibson (New York: MacMillan, 1972)

---, ‘The Grasping of the Absolute Flow. – Perception in a Fourfold Sense’, On the Phenomenology of the Consciousness of Internal Time (1893-1917) trans. John B.

Brough (Dordrecht, Boston, London: Kluwer Academic Publishers, 1991), pp. 116-118

Huxley, Aldous, The Olive Tree (New York & London: Harper & Brothers, 1937) Jay, Karla, ‘The Outsider among the Expatriates: Djuna Barnes’ Satire on the Ladies of the Almanack’, Silence and Power: A Reevaluation of Djuna Barnes ed. Mary Lynn Broe (Carbondale and Edwardsville: Southern Illinois University Press, 1991)

Jolas, Eugene, The Language of Night (Holland: The Servire Press, 1932)

Jones, Susan, Literature, Modernism, and Dance (Oxford: Oxford University Press, 2013)

Joyce, James, Ulysses (London: Penguin, 2000)

Jung, Carl, Four Archetypes: Mother, Rebirth, Spirit, Trickster (London and New York: Routledge & Kegan Paul, 2003)

Kafka, Franz, The Metamorphosis, trans. Ian Johnston, (Connecticut: Martino Publishing, 2009)

Kavaloski, Joshua, High Modernism: Aestheticism and Performativity in Literature of the 1920s (Cambridge: Cambridge University Press, 2014)

Kayser, Wolfgang, The Grotesque in Art and Literature trans. Ulrich Weisstein (Bloomington: Indiana University Press, 1963)

Kermode, Frank, Romantic Image (London and New York: Taylor & Francis e-Library, 2004)

Kiernan, James, ‘Responsibility in Sexual Perversion’, Chicago Medical Recorder (May 1892), pp. 185-210

---, ‘Insanity: Sexual Perversion’, Detroit Lancet 7:11 May 1884, p. 482

Krafft-Ebing, Richard von, Psychopathia Sexualis: With Especial Reference to Antipathic Sexual Instinct ed. F. J. Rebman (New York: Rebman Company, 1906)

Lawrence, D.H., Birds, Beasts and Flowers (London: Martin Secker, 1923)

Levinas, Emmanuel, Totality and Infinity trans. Alphonso Lingis (Dordrecht: Kluwer Academic Publishers, 1969)

199 Linett, Maren Tova, Modernism, Feminism, and Jewishness (Cambridge: Cambridge University Press, 2007)

Marcus, Jane, Hearts of Darkness: White Women Write Race (New Brunswick, New Jersey, London: Rutgers University Press, 2004)

Martin, Paul, ‘“Mr. Bloom and the Cyclops”: Joyce and Antheil’s Unfinished “Opéra Mécanique”’, Bronze by Gold: The Music of Joyce, ed. Sabastian D. G. Knowles (New York & London: Garland Publishing, 1991), pp. 91-106

McElroy, Bernard, Fiction of the Modern Grotesque (London: The Macmillan Press Ltd, 1989)

McKay, Claude, Complete Poems: Claude McKay, ed. William Maxwell Urbana and Chicago: University of Illinois Press, 2008)

McTaggart, John Ellis, ‘The Unreality of Time’, Mind 17:68 (1908), pp. 457-474 Miller, Tyrus, Late Modernism: Politics, Fiction, and the Arts Between the World Wars (Berkeley, LA, London: University of California Press, 1999)

Milton, John, Paradise Lost (Oxford: Oxford University Press, 2004)

Nietzsche, Friedrich, The Anti-Christ, Ecce Homo, Twilight of the Idols and Other Writings ed. Aaron Ridley and Judith Norman (Cambridge: Cambridge University Press, 2005)

Noel-Smith, Kelly, Freud on Time and Timelessness (London: Palgrave Macmillan, 2016)

Norris, Margot, Beasts of the Modern Imagination: Darwin, Nietzsche, Kafka, Ernst,

& Lawrence (Baltimore and London: John Hopkins University Press, 1985)

North, Michael The Dialect of Modernism: Race, Language, and Twentieth-Century Literature (New York and Oxford: Oxford University Press, 1994)

O’Neal, Hank, Life is painful, nasty and short… in my case it has only been painful and nasty (New York: Paragon, 1990)

Parsons, Deborah, Djuna Barnes (Devon: Northcote House Publishers Ltd, 2003) Phillips, Michelle H., Representations of Childhood in American Modernism (London:

Palgrave Macmillan, 2016)

Pinkerton, Steven, Blasphemous Modernism: The 20th-Century World Made Flesh (Oxford: Oxford University Press, 2017)

Platt, Len, ‘Germanism, the modern and ‘England’ – 1880 – 1930: a literary overview’

in Modernism and Race, ed. Len Platt (Cambridge: Cambridge University Press, 2011), pp. 19-38

200 Plumb, Cheryl J., Djuna Barnes Nightwood: The Original Version and Related Drafts (Illinois: Dalkey Archive, 1995)

Pollack, Rachel, Seventy-Eight Degrees of Wisdom (London: HarperCollins, 1997) Pozorski, Aimee L., ‘Eugenicist Mistress & Ethnic Mother: Mina Loy and Futurism, 1913-1917’, MELUS 30:3 (Fall 2005), pp. 41-69

Rhys, Jean, Good Morning, Midnight (London: Andre Deutsch, 1967)

Rohman, Carrie, Stalking the Subject: Modernism and the Animal (New York:

Columbia University Press, 2009)

Ruskin, John, The Stones of Venice: Volume III – The Fall (New York and Chicago:

National Library Association, 2009)

Russo, Mary, The Female Grotesque: Risk, Excess and Modernity (New York:

Routledge, 1994)

Samovar, Larry A., et al, Intercultural Communication: A Reader (Boston: Cengage Learning, 2015)

Scott, Bonnie Kime, Refiguring Modernism: Postmodern Feminist Readings of Woolf, West and Barnes Vol. 2 (Bloomington and Indianapolis: Indiana University Press, 1995)

Sellers, Susan, Myth and Fairy Tale in Contemporary Women’s Fiction (Hampshire and New York: Palgrave, 2001)

Skow, Lisa, et al, ‘Cultural Patterns of the Maasai’, Intercultural Communication: A Reader, ed. Larry A. Samovar, et al (Boston: Cengage Learning, 2015)

Smyth, Adam, Autobiography in Early Modern England (Cambridge: Cambridge University Press, 2010)

Taylor, Georgina, H.D. and the Public Sphere of Modernist Women Writers 1913-1946: Talking Women (Oxford: Clarendon Press, 2001)

Taylor, Julie, Djuna Barnes and Affective Modernism (Edinburgh: Edinburgh University Press, 2012)

Toulalan, Sarah, et al, The Routledge History of Sex and the Body:1500 to the Present ed. Sarah Toulalan & Kate Fisher (London & New York: Routledge, 2013)

Tyler-Bennett, Deborah, ‘A Foreign Language which You Understand’: The Art and Life of Djuna Barnes 1892-1982 (unpublished doctoral thesis, University of Leicester, 1993)

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