Identificación de riesgos

The Association of Moving Image Archivists. (n.d.). Retrieved March 21, 2018, from https://amianet.org/about/governance

Bastron, B. (2013). Preserving Film Preservation in the Digital Era. SLIS Student Research Journal, 2(2), 59–72. Retrieved from

https://auth.lib.unc.edu/ezproxy_auth.php?url=http://search.ebscohost.com/login.asp x?direct=true&db=lls&AN=85782999&site=ehost-live&scope=site

Boyda, J. (2013). On Loss in the 21st Century: Digital Decay and the Archive. The Spectator, 33(2), 6–10. Retrieved from

http://libproxy.lib.unc.edu/login?url=http://search.proquest.com/docview/137455224 6?accountid=14244

Cave, D. (2008). “ Born Digital ”— Raised An Orphan? The Moving Image, 8(1), 0–13. http://doi.org/10.1353/mov.0.0002

Chute, T. G. (2002). What ’s in a Name ? Outreach vs . Basic Services : A Survey of College and University Archivists. Journal of Archival Organization, 1(2), 5–40. https://doi.org/10.1300/J201v01n02

Conrad, S. (2012, January). Analog, The Sequel: An Analysis of Current Film Archiving Practice And Hesitance To Embrace Digital Presrvation. Archival Issues: Journal of the Midwest Archives Conference. Retrieved from

https://auth.lib.unc.edu/ezproxy_auth.php?url=http://search.ebscohost.com/login.asp x?direct=true&db=lls&AN=85706746&site=ehost-live&scope=site

The Digital Dilemma. Strategic Issues in Archiving and Accessing Digital Motion Picture Materials. (2008). Retrieved from http://www.oscars.org/science-

technology/council/projects/digitaldilemma/

FIAF. (2008). Code of Ethics Code d ’ éthique Código de ética

FIAF Technical Commission preservation best practice. (2010). Journal of Film Preservation, 83(83), 34–36.

The Film Preservation Guide: The Basics for Archives, Libraries, and Museums. (2004).

Fossati, G. (2009). From Grain to Pixel. Retrieved from

http://books.google.com/books?id=f0XRBAajCkMC&printsec=frontcover&dq=fr om+grain+to+pixel&hl=en&ei=ul3RTrXZLYWqiQKT16DHCw&sa=X&oi=boo k_result&ct=result&resnum=1&ved=0CC8Q6AEwAA#v=onepage&q=from grain to pixel&f=false

Francis, D. (2002). Challenges of Film Archiving in the 21st Century. Journal of Film Preservation, (65), 18–23. Retrieved from

http://libproxy.lib.unc.edu/login?url=http://search.proquest.com/docview/235995233 ?accountid=14244

Frick, C. (2014, April). “Separate but Equal?”: Bolstering Audiovisual Preservation.

Preservation, Digital Technology & Culture. Retrieved from http://10.0.5.235/pdtc- 2014-1004

Gaustad, L. (2012). Choices for preservation of moving image material. Microform and Digitization Review, 41(3–4), 105–107. http://doi.org/10.1515/mir-2012-0016 Gracy, K. F. (2013). Ambition and Ambivalence: A Study of Professional Attitudes

toward Digital Distribution of Archival Moving Images. The American Archivist,

76(2), 346–373.

Gracy, K. F. (2012). Distribution and Patterns of Arch Images in Online. The Amer,

75(2), 422–455.

Giuliani, L. (2010). Film heritage as cultural patrimony. Journal of Film Preservation, (82), 6–8. Retrieved from

http://vb3lk7eb4t.search.serialssolutions.com.libproxy.lib.unc.edu/?ctx_ver=Z39.88- 2004&ctx_enc=info%3Aofi%2Fenc%3AUTF-

8&rfr_id=info%3Asid%2Fsummon.serialssolutions.com&rft_val_fmt=info%3Aofi %2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Film+H

Heuring, D. (2001). The Learning Curve. American Cinematographer, 82(11), 102–110. Retrieved from

http://libproxy.lib.unc.edu/login?url=http://search.proquest.com/docview/1586162?a ccountid=14244

Heyliger, S., McLoone, J., & Thomas, N. (2013). Making Connections: A Survey of Special Collections’ Social Media Outreach. The American Archivist, 76(2), 374– 414. https://doi.org/10.17723/aarc.76.2.t820u33100443q55

Hilderbrand, L. (2007). Media Access: Preservation and Technologies. The Spectator,

27(1), 5–9. Retrieved from

http://libproxy.lib.unc.edu/login?url=https://search.proquest.com/docview/23325058 1?accountid=14244

Horak, J.-C. (2007). The Gap Between 1 and 0: Digital Video and the Omissions of Film History. The Spectator, 27(1), 29–41. Retrieved from

http://libproxy.lib.unc.edu/login?url=http://search.proquest.com/docview/233249996 ?accountid=14244

Horak, J.-C. (2006). Archiving, Preserving, Screening 16mm. Cinema Journal, 45(3), 112–118. http://doi.org/Article

Jones, J. (2012). The past is a moving picture : preserving the twentieth century on film. Retrieved from https://ebookcentral-proquest-com.libproxy.lib.unc.edu

Knowles, K. (2016). Slow, Methodical, and Mulled Over: Analog Film Practice in the Age of the Digital. Cinema Journal, 55(2), 146–158.

Lavrakas, P. J. (1AD, January). Self-Selection Bias. Encyclopedia of Survey Research Methods. SAGE Publications, Incorporated.

Leonard, S. (2011). Moving Image Manuscripts and Access: A Content Analysis, 1–49. Mahler, A., Factor, S., & Casey, R. (2015). Future Proof: The Transition to Digital at IFI

Archive. New Review of Information Networking, 20(1/2), 149–154. Retrieved from http://10.0.4.56/13614576.2015.1112683

Manual for Access to the Collections. (1997). Journal of Film Preservation, 25(55), 3– 51. Retrieved from

http://libproxy.lib.unc.edu/login?url=https://search.proquest.com/docview/23588130 1?accountid=14244

Mason, M. K. (2014). Outreach 2.0: Promoting Archives and Special Collections through Social Media. Public Services Quarterly, 10(2), 157–168.

http://doi.org/10.1080/15228959.2014.904212

Mattock, L. K. (2010). From Film Restoration to Digital Emulation: The Archival Code of Ethics in the Age of Digital Reproduction. Journal of Information Ethics. Retrieved from http://10.0.12.100/JIE.19.1.74

McDonough, J., & Jimenez, M. (2006). Video Preservation and Digital Reformatting: Pain and Possibility. Journal of Archival Organization, 4(1–2), 111–139.

http://doi.org/10.1300/J201v04n01

Meyer, M.-P. (2005). Traditional Film Projection in a Digital Age. Journal of Film Preservation, 70, 15–18.

The National Film Preservation Plan: An Implementation Strategy. (1995). Journal of Film Preservation, 24, 48–54. Retrieved from

http://libproxy.lib.unc.edu/login?url=http://search.proquest.com/docview/235936509 ?accountid=14244

Newell, J. (2012). Old objects, new media: Historical collections, digitization and affect.

Journal of Material Culture, 17(3), 287–306. http://doi.org/10.1177/1359183512453534

Prelinger, R. (2009). Points of Origin: Discovering Ourselves through Access. The Moving Image, 9(2), 164–175. http://doi.org/10.1353/mov.2010.0005

Prelinger, R. (2007). Archives and Access in the 21st Century. Cinema Journal, 46(3), 114–118.

Ricci, S. (2008). Saving , Rebuilding , or Ma Archival ( Re ) Constructio Moving Image Archives. American Archivist, 71(2), 433–455. Retrieved from

https://auth.lib.unc.edu/ezproxy_auth.php?url=http://search.ebscohost.com/login.asp x?direct=true&db=lls&AN=502957907&site=ehost-live&scope=site

Ritter, V. M. S. & L. A. (2017). Conducting Online Surveys. Social Science Computer Review, 89443931772934. https://doi.org/10.1177/0894439317729340

Schaefer, E. (2007). In Focus: The 21st Century Archive. Cinema Journal, 46(3), 109– 114. Retrieved from

https://auth.lib.unc.edu/ezproxy_auth.php?url=http://search.ebscohost.com/login.asp x?direct=true&db=f3h&AN=25776812&site=ehost-live&scope=site

Stolz, B. (2017). The Magic of Outreach: Preservation Perspectives. Kentucky Libraries,

81(2), 4–6.

Usai, P. C. (2013). The Digital Future of Pre-Digital Film Collections. Journal of Film Preservation , (88), 9–16.

Wright, K. B. (2006). Researching Internet-Based Populations: Advantages and Disadvantages of Online Survey Research, Online Questionnaire Authoring Software Packages, and Web Survey Services. Journal of Computer-Mediated Communication, 10(3), 00–00. https://doi.org/10.1111/j.1083-6101.2005.tb00259.x