Importancia de la Nutrición

General

951. Austern, Linda Phyllis. 2002. Music, Sensation, and Sensuality. Critical and Cultural Musicology, 5. New York: Routledge. xii, 348 p. ISBN 0815334214. ML3830 .M875 2002 A cross cultural collection of articles on cultural and scientific ways that hearing music affects the body. Partial Contents: Descartes on Musical Training and the Body/Kate van Orden—Untying the Music/Language Knot/Elizabeth Tolbert—

Sensational Sacrifices: Feasting the Senses in the Bolivian Andes’/Henry Stobart—Siren Sensualities in Physical Theatre: Lloyd Newson’s Strange Fish (1992)/Janet Adshead-Lansdale—Processions for the Dead, the Senses, and Ritual Identity in Colonial Mexico/Grayson Wagstaff—Between Life and Death: The Funeral and Mourning Rituals of the Southeastern Hungarian Vlach Roma/Irén Kertész Wilkinson.

1. Stokes, Martin. 2001. “Ethnomusicology,” The New Grove Dictionary of Music Online, ed. L.

Macy (accessed 9 December 2002), http://www.grovemusic.com/.

952. Barwick, Linda, Allan Marett, and Guy Tunstill, ed. 1995. The Essence of Singing and the Substance of Song: Recent Responses to the Aboriginal Performing Arts and Other Essays in Honour of Catherine Ellis. Sydney, Australia: University of Sydney.

269 p., bibliog., illus., maps, music. ISBN 0867589949. ML3770 .E87 1995

A collection of essays offered in honor of Catherine Ellis, reflecting her focus on Aboriginal musical traditions. Contents: Striking a Balance: Limited Variability in Performances of a Clan Song Series from Central Arnhem Land/Greg Anderson—

Interrelationships Between Music and Dance in a wangga from Northwest Australia”/Allan Marett and JoAnne Page—Process Models for the Analysis of nurlu Songs from the Western Kimberleys/Ray Keogh—Singing from the Heart?/Richard

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Moyle—Learning Pitjantjatjara Songs/Guy Tunstill—Antikirinya Women’s Ceremonial Dance Structures: Manifestations of the Dreaming/Megan Morais—Unison and

“Disagreement” in a Mixed Women’s and Men’s Performance (Ellis Collection, Oodnadatta, 1966)/Linda Barwick—Song Styles from Near Poeppel’s Corner/Luise Hercus and Grace Koch—Songs and Sites/Moving Mountains: A Study of One Song from Northern NSW / Margaret Gummow—In Search of the Queen/Margaret Somerville, Florrie Munroe, and Emily Connors—Mixes of English and Ancestral Language Words in Southeast Australian Aboriginal Songs of Traditional and Introduced Origin/Tamsin Donaldson—The Paradise Theme in Modern Tongan Music/Adrienne L.Kaeppler—Death of a Singer/Helen Reeves Lawrence—Two Navajo Airplane Songs/David McAllester—Whose Truth?/Catherine Ellis—Catherine Ellis: Career History and List of Publications, Papers and Reports/Linda Barwick—Selected Audiography of Traditional Music/Linda Barwick and Allan Marett.

953. Baumann, Max Peter, ed. 1991. Music in the Dialogue of Cultures: Traditional Music and Cultural Policy. Intercultural Music Studies, 2. Wilhelmshaven, Germany:

F.Noetzel. 439 p. ISBN 3795905915. ML3798

This collection of essays uses explores the relationship among ethnomusicological practice, intercultural dialogue, and cultural policy in selected regions throughout the world. Contents: 1. Cultural Policies and their Effect on Musical Life: Traditional Music in the Focus of Cultural Policy/Max Peter Baumann—Traditional Music and Cultural Politics/Oskar Elschek—Music and Public Policy/Marcia Herndon—A Comparison of Cultural Policies Towards Traditional Music in the United States and Japan/Linda Fujie—Music and Cultural Policy in Contemporary Africa /J.H.Kwabena Nketia—

Cultural Policy and Traditional Music in Portugal since 1974/ Salwa El-Shawan Castelo-Branco—Revitalization of Balinese Classical Dance and Music/Martin Ramstedt—

Tradition, Popular Culture and Social Transformation/Veit Erlmann. 2. Institutions and Projects: The ATPA Project in Retrospect/Yoshihiko Tokumaru—U.S.-China Arts Exchange: A Practice in Search of a Philosophy/Chou Wen-Chung—International Cooperation in Ethnomusicology and its Promotion by the International Council for Traditional Music (ICTM)/Erich Stockmann—Developing Methods of Intercultural Musical Education/Gabriele Berlin—Joint Field Research in the Cultural Dialogue.

Musicology and Music Society in Sweden/Jan Ling—The Bornu Music Documentation Project. Applied Ethnomusicology and Cultural Cooperation in Northern Nigeria/Artur Simon. 3. Documenting and Archiving: North-South Dialogue with Regard to Field Research and Audiovisual Documentation: Ethical, Organizational and Technical Aspects/Dietrich Schüller—Traditional Music, Nationalism, and Musicological Research/Dieter Christensen—Some Remarks Regarding Music Documentation, Its Planning and Realization Requiring Cooperation Between Two or More Countries/Robert Günther—Phonographic Recording as “Our” Emblem for the Music of the “Other.”

Towards an Anthropology of the Musicological Juncture: Vergleichende Musikwissenschaft, Ethnomusicology and Historical Musicology/Rafael José de Menezes Bastos. 4. Concerts and Records: Strategies and Tactics for Presentation of Non-European Music in the West and Their Contribution to the Enhancement of Aesthetic Knowledge Amongst the General Public/Habib Hassan Touma—Presentations of Musicians in Concerts and Workshops/Josef Kuckertz—Traditional Music on Stage: Two Case Studies from Iraq/Ulrich Wegner—"The Blind Leading the Blind:” Changing

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Perceptions of Traditional Music: The Case of the Peruvian Ayllu Sulca/Jan Fairly—

Creating and Confronting Cultures: Issues of Editing and Selection in Records and Videotapes of Musical Performances/Anthony Seeger—Traditional Music, Pop, and the Problem of Copyright Protection /Albrecht Schneider. 5. Research Strategies and Cross-Cultural Understanding: Documentation in the Field. Scientific Strategies and the Psychology of Culture Contact/Gerhard Kubik—Cooperation in the Study of Greek Folk Music: The Triadic Relationship Between Foreign Field Worker, Greek Folklorist, and Musicians (Problems and Expectations)/Rudolf Brandl—The Ethnomusicologist as Midwife/Carol E. Robertson—World Music: The Voyager Enigma/Robert E.Brown—On the Role of Value Criteria in Ethnomusicological Research/Jan Steszewski. 6.

Ethnomusicological Research in the USSR: The Accomplishments and Prospects of Soviet Ethnomusicology/Eduard Alexeyev—Research an the Traditional Music of the Near and Middle East Undertaken in the Soviet Union/Isabella Eolian—Finno-Ugric Folk Music Activities in Estonia/Ingrid Rüttel.

954. Baumann, Max Peter, ed. 1992. World Music, Musics of the World: Aspects of Documentation, Mass Media, and Acculturation. Intercultural Music Studies, 3.

Wilhelmshaven, Germany; New York: F.Noetzel; C.F.Peters. 318 p., bibliog., charts, diagr., illus. ISBN 3795906423. ML3795 .W577 1992

Sixteen articles drawn from 1991 conferences in Germany on the relationship between accelerating developments in music technology and their impact on traditional music.

Contents: Mediamorphosis and Secondary Orality: a Challenge to Cultural Policy/Kurt Blaukopf—The Dual Role of the Mass Media in Traditional Music Cultures/Oskar Elschek—Media Ethics and Aesthetics. Ethnomusicological Issues in Public Policy/ K.

Peter Etzkorn—World Music: Musics of the World/Lupwishi Mbuyamba—World Musics: Phenomenon and Object of Modern Science/ Izaly Zemtsovsky—Music Worlds and Music of the World: the Case of Oman/Dieter Christensen—Nigerian Music in the Politics of Values: Between Creative Ennui and Cultural Squint (with an Appendix by J.H. Kwabena Nketia)/Meki Nzewi—Safeguarding of Musical Traditions. Towards the

“Rehabilitation of the Alien”/Max Peter Baumann—Safeguarding Traditional Music in Contemporary Portugal/Salwa El-Shawan Castelo-Branco—Preservation, the Mass Media and Dissemination of Traditional Musics: the Case of Peruvian Andes/Raúl R.

Romero—Local, National and International Musics. A Changing Scene of Interaction/

Krister Malm—Aspects of Documentation and Mass Media. A Viewpoint from India/Shubha Chaudhuri—Media Technology and Its Impact on the Dynamics of Musical Culture: the Hong Kong/China Phenomena/Tsao Penyeh—Documentation as Disintegration: Aboriginal Australians in the Modern World/Catherine J.Ellis—Recent Research on Amazonian Ethnology and Indigenous History. A Musical Approach/Lux Boelitz Vidal.

955. Baumann, Max Peter, Artur Simon, and Ulrich Wegner, ed. 1992. European Studies in Ethnomusicology: Historical Developments and Recent Trends: Selected Papers Presented at the Viith European Seminar in Ethnomusicology, Berlin, October 1–

6, 1990. Intercultural Music Studies, 4. Wilhelmshaven, Germany: F.Noetzel. 330 p., bibliog. ISBN 3795906520. ML3797.7 .E95 1990

A collection of articles drawn from the European Seminar in Ethnomusicology held in Berlin in 1990. Organized into the following subtopics: On the History of

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Ethnomusicology; On Sources, Documentation, and Evaluation; Musical Perception and Cognition; Studies on European Music; and Studies on Asian Music.

956. Bebbington, Warren Arthur, ed. 1992. Sound and Reason: Music and Essays in Honour of Gordon D.Spearritt. St. Lucia: Faculty of Music, University of Queensland. x, 234 p., bibliog., discog., illus., music. ISBN 0867764597. ML55 .8689 1992

Essays honoring Gordon Spearritt focusing on music and music education in Australia, music of Asia and the Pacific, compositions, and music in Europe. Includes a bibliography and discography of the works of Gordon Spearritt.

957. Bergeron, Katherine, and Philip Vilas Bohlman, ed. 1992. Disciplining Music:

Musicology and Its Canons. Chicago: University of Chicago Press. xi, 220 p., bibliog., charts, diagr., illus., music. ISBN 0226043681. ML3797.1. D5 1992

A collection of essays from conferences at meetings of the American Musicological Society in New Orleans in 1986 and 1987. The book challenges the disciplinary divisions of music in essays representing historical musicology, ethnomusicology, and music theory. Partial Contents: Prologue, Disciplining Music/Katherine Bergeron—Cultural Dialogics and Jazz: A White Historian Signifies/Gary Tomlinson—Ethnomusicology’s Challenge to the Canon: the Canon’s Challenge to Ethnomusicology/Philip V.

Bohlman—Mozart and the Ethnomusicological Study of Western Culture: An Essay in Four Movements/Bruno Nettl—Hierarchical Unity, Plural Unities: Toward a Reconciliation/Richard Cohn and Douglas Dempster—A Lifetime of Chants/Katherine Bergeron—Epilogue: Musics and Canons/ Philip V.Bohlman.

958. Blacking, John. 1995. Music, Culture, and Experience: Selected Papers of John Blacking. Chicago Studies in Ethnomusicology. Chicago: University of Chicago Press.

xii, 269 p., bibliog., music, photos. ISBN 0226088294; 0226088308 (pbk). ML60 .B63 1994

Edited and with an introduction by Reginald Byron and a preface by Bruno Nettl, this collection of John Blacking’s (1928–1990) work includes eight essays published previously in scholarly journals and compilation volumes: Expressing Human Experience through Music (1969)—The Problem of Musical Description 1971)—The Music of Venda Girls’ Initiation (1970)—Music and the Historical Process in Vendaland (1971)—

The Study of Musical Change (1977)—Reflections on the Effectiveness of Symbols (1985)—The Music of Politics (1981)—Music, Culture, and Experience (1984).

959. Blaukopf, Kurt. 1992. Musical Life in a Changing Society: Aspects of Music Sociology. Portland, Or.: Amadeus Press. xv, 308 p., bibliog. ISBN 0931340527;

0931340551 (pbk). ML3795 .B6313 1992

Translated by David Marinelli from a 1982 publication, Musik im Wandel der Gesellschaft, with some updating, this book introduces the sociology of music as a separate discipline from ethnomusicology. A 2d edition of the original German text was published in 1996 by Wissenschaftliche Buchgesellschaft.

960. Blum, Stephen, Philip Vilas Bohlman, and Daniel M. Neuman, ed. 1991.

Ethnomusicology and Modern Music History. Urbana: University of Illinois Press. 322 p., bibliog., illus., maps, music. ISBN0252017382. ML3799 .E83 1990

Dedicated to Bruno Nettl, this volume compiles research of some of his colleagues and former students. It represents the first collection to survey music history from an ethnomusicological perspective. Contents: Ethnomusicologists and Modern Music History/Stephen Blum—When Music Makes History/Anthony Seeger—

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Ethnomusicology and the Meaning of Tradition/ David B. Coplan—Jùjú History: Toward a Theory of Sociomusical Practice/ Christopher A.Waterman—Historical Worldviews of Early Ethnomusicologists: an East-West Encounter in Cairo, 1932/Ali Jihad Racy—The Interpretation of History and the Foundations of Authority in the Visnupur Gharana of Bengal/Charles Capwell—Sufi Music and the Historicity of Oral Tradition/Regula Burckhardt Qureshi—The History of a Peruvian Panpipe Style and the Politics of Interpretation/Thomas Turino—Music Institutions and National Consciousness among Polish and Ukrainian Peasants/William Noll—Ravi Shankar as Mediator Between a Traditional Music and Modernity/Stephen M. Slawek—An Eighteenth-Century Critic of Taste and Good Taste/Amnon Shiloah—Arzelie Langley and a Lost Pantribal Tradition/Victoria Lindsay Levine—Music and the History of Tribe-Caste Interaction in Chotanagpur/Carol Babiracki—Indian, East Indian, and West Indian Music in Felicity, Trinidad/Helen Myers—Stability in Blackfoot Songs, 1909–1968/Robert Witmer—Of Yekkes and Chamber Music in Israel: Ethnomusicological Meaning in Western Music History/ Philip V. Bohlman—Epilogue: Paradigms and Stories/Daniel M. Neuman.

961. Born, Georgina, and David Hesmondhalgh, ed. 2000. Western Music and Its Others: Difference, Representation, and Appropriation in Music. Berkeley: University of California Press. xi, 360 p., bibliog., music, photos. ISBN 0520220838; 0520220846 (pbk.). ML3795 .W45 2000

Collection of articles that offers an overview of new developments in cultural theory as applied to Western music. The authors examine musical appropriations and how music has been used to construct, evoke, or represent musical difference. Contributors to the volume include scholars from historical musicology, sociology, ethnomusicology, anthropology, popular music studies, and film studies. Contents: Introduction: On Difference, Representation, and Appropriation in Music/David Hesmondhalgh and Georgina Born—Musical Belongings: Western Music and Its Low-Other/Richard Middleton—Race, Orientalism, and Distinction in the Wake of the “Yellow Peril”/Jann Pasler—Bartók, the Gypsies, and Hybridity in Music/Julie Brown—Modernism, Deception, and Musical Others: Los Angeles Circa 1940/Peter Franklin—Experimental Oriental: New Music and Other Others/John Corbett—Composing the Cantorate:

Westernizing Europe’s Other Within/Philip V. Bohlman—East, West, and Arabesk/Martin Stokes—Scoring the Indian: Music in the Liberal Western/Claudia Gorbman—The Poetics and Politics of Pygmy Pop/Steven Feld—International Times:

Fusions, Exoticism, and Antiracism in Electronic Dance Music/David Hesmondhalgh—

The Discourse of World Music/Simon Frith.

962. Brady, Erika. 1999. A Spiral Way: How the Phonograph Changed Ethnography.

Jackson: University Press of Mississippi. xiii, 156 p., bibliog., illus. ISBN 1578061733;

1578061741 (pbk.). GN348 .B73 1999

This study provides a history of the complex relationships among collector and informant and machine in the fieldwork process. Brady reports on the early collecting of anthropologists using wax cylinders and discusses the value of the now preserved music from that period.

963. Buckley, Ann, ed. 1998. Hearing the Past: Essays in Historical Ethnomusicology and the Archaeology of Sound. Liège, Belgium: Université de Liège. 251 p., bibliog., diagr., map, music, photos. ISBN. ML3797.7 .H43 1998

Books 173

Essays prepared for a colloquium at Darwin College, Cambridge, in December 1991.

Contents: Organised Sound and Tonal Art in Long-term Perspective/Ann Buckley—

What Is Wrong with Music Archaeology? A Critical Essay from a Scandinavian Perspective, Including a Report about a New Find of a Bullroarer/Cajsa S. Lund—False.

Authentic. False Authenticity. Contributions and Failures of Experimental Archaeology as Applied to Music Instruments/Catherine Homo-Lechner—North Borneo Gongs and the Javanese Gamelan: a New Historical Perspective/Inge Skog—Symbol and Sound:

Reading Early Chinese Instruments/Kenneth J. DeWoskin—MusicArchaeological Data for Culture Contact Between Sumer and the Greater Indus Area: An Introductory Study/Reis Flora—Sappho and Other Women Musicians in Attic Vase Painting/Jane M.

Snyder—The Representation of Musicians on Greek Geometric Pottery: Musicians as Decorative Symbols/ Jon Solomon—The Dialogue of Greece and Rome about Music and Ethics in Philodemus of Gadara/Daniel Delattre.

964. Buckley, Ann, Karl-Olof Edström, and Paul Nixon, ed. 1991. Proceedings of the Second British-Swedish Conference on Musicology. Musikmuseets Skrifter, 21.

Göteborg, Sweden: Department of Musicology Göteborgs Universitet. vii, 377 p. ISBN 9185974188. ML3797.7 .B74 1989

Conference papers from a meeting held in Cambridge in 1989. Papers explore issues connected to relationships between ethnomusicology and historical musicology, world music in music education, performance practice, and research methods, many using case studies from countries around the world.

965. Crafts, Susan D., Daniel Cavicchi, and Charles Keil. 1993. My Music. Music Culture. Hanover N.H.: University Press of New England. xxiii, 218 p. ISBN 0819552577; 0819562645 (pbk.). ML3920 .M98 1993

Presents the results of a series of interviews conducted by participants in undergraduate and graduate seminars at the State University of New York at Buffalo during the 1980s. Forty-one of these interviews from the Music in Daily Life Project are presented to document how people “enjoy, experience and use music.”

966. Darré, Alain. 1996. Musique et politique: les repertoires de l’identité. Collection Res publica. Rennes Ille-et-Vilaine, France: Presses universitaires de Rennes. 321 p.

ISBN 2868472176. ML3795 .M893 1996

A collection of essays explore the roles musicians play in the stages of creation, production or consumption of music. Contents: Pratiques musicales et enjeux de pouvoir/Alain Darré—Que me chantez-vous la? Une sociologie des musiques populaires est-elle possible?/Denis-Constant Martin—Sociabilités musicales: Sciences sociales et sociabilités musicales: vers un déplacement des problématiques?/Eric Neveu—L’amour de la musique aujourd’hui: une recheche en cours sur les figures de 1’amateur/ Antoine Hennion—Identité des musiciens de jazz et Orchestre national de jazz / Beatrice Madiot—Musiques traditionnelles et modernité/JeanFrançois Dutertre—Rock et rockers:

un peuple du rock/Patrick Mignon—Le jazz serait-il de la musique? Identification d’un art, 1930–1934/ Philippe Gumplowicz—L’Etat culturel et les musiques d’aujourd’hui/

Philippe Teillet—Une manifestation musicale au miroir de la ville: le festival de Radio-France et (de) Montpellier/Emmanuel Négrier—Politique culturelle et identité:

l’expérience de la formation musicale du Sermac/ Jean-Lois Capitolin—Identités en musique Les “partitions” de l’identité/ Alain Darré—Musique et chant en Pays Basque contemporain ou les tribulations d’une quête identitaire/Piere Bidart et Alain Darré—Le

Ethnomusicology 174

syndrome de l’acculturation musicale: un siècle de resistances en Bretagne/Yves Defrance—Polyphonies et chants engages dans le combat identitaire corse contemporain/Françoise Albertini—Cesaria Evora: 1’ambassadrice aux pieds nus/Dominique Maliesky—La double identité du flamenco/Bernard Leblon—La musique cajun, musée musical ou ciment identitaire?/Gérard Herzhaft—Negro Spiritual et construction identitaire/Alain Darré—La difference rap/Maryse Souchard—La salsa:

processus identitaire des Caribéens de New York/Maya Roy—Du reggae au ragga: que reste-t-il de la contestation?/Carolyn Cooper—Calypso et identité a Trinidad/Hollis Liverpool—Musique et développement: le role du zouk en Guadeloupe/ Jocelyn Guilbault.

967. Dehoux, Vincent, ed. 1995. Ndroje balendro: musiques, terrains et disciplines:

textes offerts a Simha Arom. Numéro special/Société d'études linguistiques et anthropologiques de France, 27. Paris: Peeters. 378 p., bibliogs., diagrs., discog., filmog., illus., music, maps, photos., tables. ISBN 2877231585. ML3798 .N39 1995

Contents: La joie Simha/Gary Bertini—Un museé en Afrique/Geneviève Dournon—

De la nécessité de l’interdisciplinarité/Jacqueline M.C. Thomas, and Luc Bouquiaux—De la musique considérée comme une philosophie (chez les Pygmées Aka de Centrafrique)/Serge Bahuchet—Chasse, sexualité et musique, Un arc musical des Pygmées Aka/Vincent Dehoux, and Henri Guillaume—Existe-t-il des instmments de musique pygmées?/Susanne Fürniss, and Serge—A propos du re-recording/ Emmanuelle Olivier—Echelles musicales et données linguistiques: Vers une histoire des sociétés oubanguiennes/Frédéric Voison and France Cloarec-Heiss-Ce qu’ils en pensent/Sylvie Le Bomin—Structures litaniques singulières dans la liturgie des Juifs d’Ethiopie/Olivier Tourny—La fin de semaine et le monde a venir/Karine Chemla, and Serge Pahaut—

Ethnomusicologie, cognition et creation: Simha Arom, ethnologue musicien/Jean-Claude Russet—Tradition et nouveauté/Judith Schlanger—Des idées sur les idées/Jacques Schlanger—Un nouveau paradigme en ethnomusicology/Jean Molino—Hypothèses cognitives et terrains anthropologiques: De quelques voisinages/Frank AlvarezPereyre—

Experimental Syntax in Language and in Music/Kenneth L. Pike—Universaux et composition/Célestin Deliége—“A la recherce de chants perdus” La redécouverte des collections du ‘cabinet’ de musique juive de Moisei I. Beregovski/Israel Adler—Apports réciproques entre ethnomusicologie et philologie musicale/Jacques Chailley—L’apport de l’ethnomusicologie a 1’analyse de 1’ostinato/Laure Schnapper—Au-delà de la trace Quelques reflexions a propos de l’isoharmonie/ Christian Meyer—D’un point de vue rythmique/Hervé Rivière—Analyse d‘"un” chant inuit/Jean-Jacques Nattiez—"Angkep-Angkepan”/Ki Mantle Hood—Le champ experimental: Dictée musicale a Baia Mare (Roumanie)/Bernard Lortat-Jacob—Texte et musique dans le chant des Bororo du Mato Grosso/Ricardo O. Canzio.

968. DeNora, Tia. 2000. Music in Everyday Life. Cambridge: Cambridge University Press. xiii, 181 p., bibliog., music. ISBN 0521622069; 052162732X (pbk). ML3795 .D343 2000

In this study of the power of music in everyday life, DeNora uses social theory, ethnographic studies, and interviews to explore the consumption of music.

969. DjeDje, Jacqueline Cogdell, and Ernest Brown, ed. 1999. Turn Up the Volume: A Celebration of African Music. Los Angeles: UCLA Fowler Museum of Cultural History.

363 p. ISBN 0930741765; 0930741773 (pbk). ML141.L7 U557 1999 Books 175

A series of essays and a catalog to accompany three California exhibits on African music during the 1990s. The essays address music in African life, and Africa in the

A series of essays and a catalog to accompany three California exhibits on African music during the 1990s. The essays address music in African life, and Africa in the