PARTE PRIMERA: MARCO TEÓRICO PARA EL ESTUDIO DEL CINE COMO FUENTE PARA EL ESTUDIO Y LA DOCENCIA DE LA CIUDAD
1. ESPACIO URBANO: LOS BARRIOS MARGINALES Introducción
1.4. Proceso histórico
Half-time feel
Words and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary Baker
Desecrate Through Reverence
© 2003 EMI APRIL MUSIC INC. and DARKNESS COATS US PUBLISHING All Rights Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission
from Avenged Sevenfold - Waking the Fallen
End half-time feel
Double-time feel
Drop D tuning:
(low to high) D-A-D-G-B-E
Gtr. 3 (dist.)
*
f Riff A1
D5 E5 F5 Bb5 A5 G#5 A5 F5 G5 E5 Bb5
End Riff A1
A5
*Chord symbols reflect implied harmony.
(Gtr. 3, cont. on upper staff) Gtrs. 1 & 2
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
1
1.
2.
Gtrs. 1 & 2 tacet
µ
(Oh, Gtr. 3 tacet
Dm Em F Em
oh.)
Gm F
Gtr. 3 Gtrs. 1 & 2
P.M.
Ulh!
µ Dm Em F Em µ
P.M. P.M. P.M. P.M. P.M.
Gtr. 3
P.S.
D5
Gtr. 4
P.S.
Gtrs. 1 & 2
P.M. P.M. P.M.
8 0
8 7 0
3 5 7 5 7
7 8 7 8
5 6
0 0 53 5 3 20
20 32
32 20
20 20
53 53
32 32
0 0 0 0 3 3 0 0 0 0 3 0 6 0 6 7 0 0 53
53 20 20
32 32
20 20
20
5 2 3 2 3
3 2 2
X X X X X X X
X X X X
0 0 0 0 3 3 0 0 0 0 6 6 0 0 0 6 7 00
00
End double-time feel
P.S.
Gtr. 4 tacet
D5 µ D5
P.M. P.M.
Hard Pre 1.
2.
Gtr. 3 tacet
Verse E5
news, sence
-
won’t tak be
F5
en ig
- hard
nored,
-E5
er,
- don’t
no,
look not
F5
to to
me.
day.
-
Gtrs. 1 & 2 Rhy. Fig. 1
D5
Dis
Don’t ap - -point
-
End Rhy. Fig. 1
P.M.
X X X X X X X X 8 0
8 7 0 5 7 7
5 8 7
X X X X X X X X
00
00
00 00
00
00 00
00
22 22
22
22 22
22 33
22 22
22 22
22
22 22
22 33
00 00
00 00
00 00
00 00
00 00
00 00
00 00
00 00
00 00
00 00
00 00
00
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
3
(Don’t look my way for help, from the be gin
(We don’t (Won’t
Double-time feel
’cause µ
it’s not
not to
near.
me.
D5
P.M. P.M. P.M.
µ
P.M. P.M. P.M.
Dark Chorus Dm/F
ened
- eyes
A/E
you’ll Dm/F
see, D5
there is Gm/Bb
no Bb5
hope, C
no sav - ior in Csus4
me.
D5
Rhy. Fig. 2 End Rhy. Fig. 2
(Don’t look this way, don’t breathe this way, don’t stare this way
an - y more.)
-
Riff B
P.M. P.M. P.M. P.M.
End Riff B
0 0 0 0 0 0 00 00
0 0 0 0 0 0 0 00 00
0 0 0 0 0 0 0 00 00
0 3 0 5 6 7 00
0 0 0 0 0 0 00 0 0
0 0 0 0 0 0 0 00 0 0
0 0 0 0 0 0 0 00 0 0
8 7 5 6 7 0
35 35
35 35
35 35
24 24
24 35
00 00
00 00
00 00
1088 1088
1088 88 8
88 8
00 107
107 107
107 107
107 107
107 108
00
0 0 0 0 0 0 00 00
0 0 0 0 0 0 0 00 00
0 0 0 0 0 0 0 00 00
0 0 0 0 0 0 0 00 00
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
5
End double-time feel 1.
2.
Learned
Gtrs. 1 & 2: w/ Rhy. Fig. 2
Dm/F
from years A/E
gone Dm/F
by, D5
no one Gm/Bb
will Bb5
care C
what hap - pens to
Csus4
me.
D5
(Don’t look this way, don’t breathe this way, don’t stare this way
an - y more.)
-
Gtrs. 1 & 2
P.M. P.M. P.M.
Gtrs. 1 & 2: w/ Riff B
(Don’t look this way, don’t breathe this way, don’t stare this way
an - y more.)
-
Gtr. 5
Guitar Solo
Dm/F A/E
Dm/F D5 Gm/BbBb5 C Csus4 D5
Gtr. 6
Gtrs. 1 & 2
0 0 0 0 0 0 00 00
0 0 0 0 0 0 0 00 00
0 0 0 0 0 0 0 00 00
00 00
00
10 6 8 10 8 8 5 6 6 8 6 6 10 1011 10 8 8 8 8 10 11 10
6 7 5 6 5 5 1 3 3 5 3 6 6 8 6 5 5 5 6 8 6
35 35
35 35
35 35
24 24
24 35
00 00
00 00
00 00
1088 1088
1088 88 8
88 8
00 107
107 107
107 107
107 107
107 107
108 00
2nd time, End double-time feel
Half-time feel
End half-time feel
Bb5 C5
I’m Bridge
Gtrs. 5 & 6 tacet
Dm
a - lone in here. No more feel
Gtrs. 1 & 2: w/ Riffs C & C1 (3 times)
ings,
-
killed my
Gtr. 1 Riff C
P.M. P.M. P.M.
End Riff C
Gtr. 2 Riff C1
P.M. P.M. P.M.
End Riff C1
fears. Don’t ask, you’ll nev - er know. You’re
left be - hind, I’ll be ex - posed.
10 10 6 8 10 11 10 8 8
6 6 3 3 5 6 8 6 5 5
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0 13
13
13 13
13 35
35
35 35
35
0 0
7 5
0 0
8 7 5 7
0 0
7 5 7 8 7 5 7 2
0 0 8 7
0 0 10 8 7 8
0 0 8 7 8 10 8 7 8 3
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
7
Double-time feel
and break
C5
one
Gtrs. 1 & 2: w Rhy. Fig. 3 Gtr. 4: w/ Riff D
D5
in the crowd,
C/E
one C5
with the an
D5
swer,
-
one that could change
C5
your mind.
F5 A/C#
It’s not
true, D5
I don’t need you.
C5
Don’t waste your
Gtr. 4
Gtrs. 1 & 2
time, Bb5
and don’t waste mine.
F5 A/C#
I’m not your
X57
X79
X79
00 35
X8
10 X
8
10 X
8
10 X
8
10 X
8
10 X
8
10 X
8
10 X
8 10
X35 X35
X35
X35
X46 X46
X46
X46
13 13
13 13
13 13
13 13
33 33
33
33 42
42
42 42
42 42
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
9
friend, D5
won’t soothe your soul.
C5
you’re all
F5
Gtr. 4 tacet
Intro-Guitar Solo Very fast q = 192
Double-time feel
Words and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary Baker
Eternal Rest
© 2003 EMI APRIL MUSIC INC. and DARKNESS COATS US PUBLISHING All Rights Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission
from Avenged Sevenfold - Waking the Fallen
Drop D tuning:
(low to high) D-A-D-G-B-E
Gtr. 1 (elec.)
*
w/ dist.
C5
f
D5
1
Dm
D5
Eb5
Harm.
F5 Eb5
8va
w/ bar
F5
string noise
loco
Eb5
-6
+1
-1
Gtrs. 2 & 3 (elec.)
w/ dist.
Rhy. Fig. 1
f
P.M.
*Chord symbols reflect implied harmony.
C5 3 D5 Eb5 F5 Gb5F5
P.M.
End Rhy. Fig. 1
P.M.
Gtr. 1
Gtrs. 2 & 3: w/ Rhy. Fig. 1
C5 D5 Eb5 F5 Eb5 F5
Eb5
3
5 7
57
5 5 5
X
3 55
3 3 3 3 355
3 55
0 1 3 3 1 3 1
6 8 9 10 8 10 8 8
6 8 9 10 11 8 15 13 16 16
35 5
3 3 3 3 355
35 5
0 1 1 1 1 3 3 3 3 4 4 4 4 3 3 1
13 11
13 11 13 11
14 12 14 12 11 1010
12 11 12 11 12 11 10
13 10 12 13 10 10 0
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
1
C5 D5 Eb5 F5 Gb5 F5
3
Gtr. 1
D5 F5 G5
P.H.
F5 G5
8va
F5
3 6 3 3
1/2
Pitch: F#
1/2
Gtrs. 2 & 3 Rhy. Fig. 2
P.M.
loco
D5 F5 G5 Ab5 G5 F5
P.M.
End Rhy. Fig. 2
P.M.
Gtr. 1
Gtrs. 2 & 3: w/ Rhy. Fig. 2
D5
F5 G5 F5 G5 F5
8 10 11 11 10 8
10 8
10 9 8 9 8
10 9 8
10 8 8 8 8
10 9 7 7 0
12 9 10 12 13 12 10 9
12 9 10 12 13 12 10 9
12 9 10 12 12 12 12
57 7
57 7
5 5 5 577
57 7
0 3 5 5 3 5 3
12 9 10 9 10 9
10 9 10 11 12 12
14 15 14 17 13 17 13
13 15 15 13 15 13 14 13
14 13 15 13 14 13
57 7
57 7
5 5 5 577
57 7
0 3 3 3 3 5 5 5 5 6 6 6 6 5 5 3 3
13 13 10 13
8 13
10 13 12 15 13 12 9
10 13 10
13 8
10 15 13
15 15 13 13
17
12 15 17 151213 15 17 15
D5 F5 G5 Ab5
8va
loco
G5 F5
3 3
Black, 1.
Gtrs. 2 & 3: w/ Rhy. Fig. 1 (2 times)
Verse C5
en-chant-ing eyes
D5 Eb5
cut F5
through my heart Eb5
with F5
no re Eb5
gret C5
- or sign of life.
D5
Harm.
* 8va
3
1
Pitch: C G
*Harmonic located three-fourths the distance between the 2nd & 3rd frets.
2.75 2.75
Eb5
They tear F5
a -part Gb5
my pride F5
and cold
C5
runs through my veins.
D5 Eb5
I F5
feel their stare Eb5
from F5
mi les, Eb5
-
8va
fdbk.
loco
Harm.
w/ bar
15ma
/2.752.750 /
+2
2.752.750
+1
/2.752.750 2.252.25
haunt C5
ing
- ev -’ry step, and they
D5
won’t Eb5
Gtr. 1 tacet
stop F5
hunt Gb5
ing
- me
F5
down.
For
get
Gtr. 2: w/ Rhy. Fig. 2 (2 times) Gtr. 3: w/ Rhy. Fig. 2 (1 3/4 times)
D5
- the time will come
w/ bar
15ma
/
-1 2.252.250
-2 1/2
13 15 13 15 13 131213 13 15
15 17 15
20 15 18 15 18 18
15
17 18 13 15 17 15 16 15 15 17 20 17 0
14 15 17 17 15
20 19 17 17 20 20 15 20
19
17 5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
3
End double-time feel Slower q = 118
F5
when G5
all a round F5
- me’s
G5
burned and F5
you’ll D5
still see me there, ask
F5
ing
- where
G5
you went Ab5
- brought you here...
...and why F5
you G5
left the burn F5
out in the night...
...and
*See top of first page of song for chord diagrams pertaining to rhythm slashes.
(cont. in notation)
iq = q eK
C To oda
F5 D5
P.M.
F5
D5 Ab5
P.S.
Gtr. 2: w/ Rhy. Fig. 3 (2 times)
F5
D5 F5 D5 F5
D5 F5 D5 Ab5
F5
D5 F5 D5 F5
D5 F5 D5 Ab5
Ah!
F5 D5 F5 D5
F5 D5 F5 D5 Ab5 F5 D5 F5 D5 F5 D5 F5 D5 Ab5
Dark 2., 4.
Verse
2nd time, Bkgd. Voc.: w/ Voc. Fig. 1
D5
in their hearts, I can feel it burn in side
G5
- of
D5
me.
F5 D5 F5 G5
3 3 3
Gtrs. 2 & 3 Rhy. Fig. 4
P.M. P.M. P.M. P.M. P.M.
End Rhy. Fig. 4
3
3 3
3 3
Tor
Gtrs. 2 & 3: w/ Rhy. Fig. 4 (3 times)
D5
ment
- -ed young with no souls, haunt
G5 D5
ing F5
-D5
me.
F5 3
G5
Pain D5
in their lives, all they
3 3 3 3
know is
3
mis G5
er D5
- y.
F5
-D5 F5 G5
Take D5
these chains a - way that are hold
G5 D5
ing
-F5
me D5 F5 G5 3
Voc. Fig. 1
0 0
0 0
0 0
X X X X 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0 5 0 3 0 3 5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
5
Half-time feel
End half-time feel
down,
D5
hold - ing me
Gtr. 4 (elec.)
w/ dist.
f
3 3
3
Gtr. 5 (elec.)
w/ dist.
f
3 3
3
Gtrs. 2 & 3
P.M. P.M. P.M.
3
3 3 3
down.
Gtrs. 5 & 6 tacet
3 3
3
3 3 3
3
P.M. P.M. P.M.
3
3 3 3
3 3 3 3
5 8 12
10 9
5 9
8 12
10 12 12 7 10 12 14 12 12
3 5 8
7 6
3
6 7
5 8
7 9 9 5 7 9 10 9 9
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
5 8 12
10 9
5 9
8 12
10 12 12 5 7 9 10 6 6
3 5 8
7 6
3
6 7
5 8
7 9
5 9
4 5 8 6 7 2
00 00
00 00
00 00
00
00 00
00 00
00 00
00 00
00 00
00 00
00 00
00 00
00 00
Double-time feel
your des A5
- their hearts Dº/Ab
in - to stone, Eadd#9/G#
they seek more than
3 3 3
in their eyes, D5/A
your pain
A5
in their eyes Dº/Ab
and see
Eadd#9/G#
the dark - ness take
3 3
con trolled
A7/E
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
7
End double-time feel
Tired Dm/F
of your
Eadd4/G#
pa rade.
D5
- No
Dm/F
sign of
A7/E
Dm Eadd4/G#
for the rest of time.
µ
Riff B1
3 3 3 3
iq = iq
Half-time feel iq = q eK
Ah!
Gtrs. 2 & 3: w/ Rhy. Fig. 3 (1 3/4 times)
Interlude
F5 D5 F5 D5
End Riff B
3 3
3
3 3 3
End Riff B1
3 3 3 3
3 3
F5
D5 F5 D5 Ab5 F5
D5 F5 D5 F5
D5 F5 D5 Ab5
Ah!
F5 D5 F5 D5 F5 D5 F5 D5 Ab5 F5 D5 F5 D5
F5 D5 F5 D5 Ab5
Chorus
D5
Hear D/F#
the haunt
ing
-
Gtrs. 2 & 3
Rhy. Figs. 5 & 5A
3 3
5 6 5
8 5
8 7 8 7 5 5 5 7 6 7 6 5 6 10 8 10 14 14
7 8 7
10 7
10 8 10 8
7
7 7 8 7 8 7 6 7 10 9 10 14 14
2 2
33 00
2 2 00
5 5 33
00 66
66 00 0
00 0
00 0
00 0
00 0
00 0
45 4
45 4
45 4
45 4
45 4
45 4
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
9
no heart are 3
Whispered:(They’ll find you a - lone. Turn-ing their hearts to
3 3 3
F
and you’re the lost
Bb5
Screamed:Go now, run and hide!
End half-time feel D.S. al Coda
Coda
Half-time feel
They want to feel
Bb5
and know you hear them.
Bb
A C#m Dm
For the rest of time. Go now, run and hide.)
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
11
Half-time feel iq = iq
Gtr. 2: w/ Riff B Gtr. 3: w/ Riff B1 Gtr. 6 tacet
µ
Gtr. 7 (acous.)
Outro
Riff C2
Dm
mp
Gm7 Eº A7
End Riff C2
Gtr. 2 Riff C End Riff C
Gtr. 3 Riff C1 End Riff C1
Riff D2
µ F Eº A7
End Riff D2
Riff D
P.M.
End Riff D
Riff D1
P.M.
End Riff D1
5
6 7
7 8 7 7 6 6
8 7
8 8 8 7 8 6
8 9
8 6 9 9 8 5
8 7 6
7 8 6
0 0 3 5 3 1 0 1 0
4 5 5 4 5 4 5 5 7
0 0 5 8 7 5 5 3 5 3 0 2 2 8 7 8 8 11
8
7 5 6 8 10 6 8 6 5
7 7
5 8 6
8
9 8 6 9 9 8 5
8
7 6
7 8 6
5
7 8 5 7 3 5 2 3 3 8 7 5
4
5 5 4 5 5 7 7
8 10 12 8 10 7 8 5 7 7 12 10 8 8 5 8 7 7 8 8 11
Dm
Gtrs. 2, 3 & 7: w/ Riffs C, C1 & C2 (3 times)
Gm7
Eº
A7
E Dm
ter Gm7
- - nal rest,
Eº A7
in
time.
Dm Gm7 Eº A7
E
Gtrs. 2, 3 & 7: w/ Riffs D, D1 & D2
µ
ter F
- - nal rest,
Eº A7
in
Gtr. 2: w/ Riff C
Dm Gm7 Eº A7
Gtr. 2
Dm
time.
Gtr. 7
Gtr. 3
5 6 7
7
8 7 7 6 6
8 7 8
8 8 7 8 6
8 9
8 6 9 9 8 5
8 7 6
7 8 6 7 7 7
0 0 5 8 7 5 5 3 5 3 0 2 2 8 7 8 8 11 000
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
13
Intro
Very fast q = 257
Words and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary Baker
Second Heartbeat
© 2003 EMI APRIL MUSIC INC. and DARKNESS COATS US PUBLISHING All Rights Controlled and Administered by EMI APRIL MUSIC INC.
from Avenged Sevenfold - Waking the Fallen
Gtrs. 1-7: Drop D tuning:
(low to high) D-A-D-G-B-E
Gtr. 1 (dist.)
*C5
f
1 3 4
C5
1 3 4
Bb5
1 1 1
F5
5fr
1 1 1
G5
6fr
1 1 1
Ab5
8fr
1 1 1
Bb5
1 1 1
Eb5
VIII
P.M.
Gtr. 2 (dist.)
f P.M.
*Chord symbols reflect implied harmony.
Gtrs. 1 & 2
P.M.
Gtr. 3 (dist.) Riff A
3 3 3
Bb5
3
Ab5 3
3
Gtrs. 1 & 2 Rhy. Fig. 1
3
P.M.
10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10
10
10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10
5
5 5 7
5 7 8
5 8 7 5
8 6 5 7 8 7 5
8
10 1010
10 10
8 8
6 66
6 66
F5 3
G5 End Riff A
3
Gtrs. 1 & 2: w/ Rhy. Fig. 1 Gtr. 3: w/ Riff A
Gtr. 4 (dist.)
f C5
3 3 3
End Rhy. Fig. 1
Bb5
3
Ab5
3 3
F5
3
G5
3
Gtr. 4 Riff B1
C5
Gtr. 3 Riff B
Gtrs. 1 & 2
P.M.
6 5 6 8 6
8 7 8
10 8 10
10 10 12
10 12
33 3
55 5
10 8
12 10 8 10 12 10 8
12 10 8
9 11 9 8
10
8 10 8 10
10 10 12
10 12 10 8
12
5 5 5 7
5 7 8
5 8 7 5
8
10 10 1010
10 10 10 1010
10 10 10 1010
10 10 10 1010
10 10 10 1010
10 10 10 1010
10 10 10 1010
10 10 10 1010 10
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
2
1.
2. Slower q = 185
Ab5 F5 G5 End Riff B1
End Riff B
P.M.
Gtr. 4 F5 G5 C5
Gtr. 3
Gtr. 1
P.M.
Gtr. 2
P.M.
10 8 10 12 10 8 7
10 8 9 11 9 8
10
6 5 7 8 7 5
8 6 5 6 8 6
8 7
6 6 66
6 6 6 66
6 6 6 66
6 6 6 66
6 3 3 33
3 3 3 33
3 5 5 55
5 5 5 55 5
10 8 9 11 9 8
10 8 8 4
6 5
6 8 6
8 7 8 8 5
3 3 33
3 3 3 33
3 5 5 55
5 5 5 5 5 355
3 3 33
3 3 3 33
3 5 5 55
5 5 5 355
Double-time feel
keep writ Bb/D
and plan
Ab5
all know Bb/D
what to do
Eb
but no
Eb/G
one does
Ab
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
4
End double-time feel Half-time feel
this time Bb/D
has past
Eb
and full Eb/G
in my heart
Ab5
have
(Two in my heart have
(Gtr. 1, cont. on upper staff) Gtr. 2
stand a lone.
Ab5
End half-time feel
Eb5
When they get back,
Bb5
it won’t be the same.
Interlude
When they get back, it won’t be the same.)
Eb5 Bb5
Gtrs. 1 & 2: w/ Rhy. Fig. 3
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
6
Half-time feel
Eb5 Bb5
Gtrs.
1 & 2
*C5
It won’t be the same!
Gtr. 5
Gtr. 6
*See top of first page of song for chord diagrams pertaining to rhythm slashes.
(cont. in notation)
Verse
Gtrs. 5 & 6 tacet
C5
My
2. life,
Gtrs. 1 & 2
P.M.
Rhy. Fig. 4
P.M.
X 10 12
10 12 X
11 13
11
13 X
8 10
8 10
5 X7
5 7
3 X5
3 5
7 X9
6 X8
6 8
8 10X
8 10
5 X7
5 7
1 X3
1 3
3 X5
3 5
7 9
7 9
10X 12
10 12
0 3 3 3 3 3 355
you’ve al - ways been there.
Ab5
F5
Gtrs. 1 & 2
P.M. P.M. P.M. P.M. P.M.
End Rhy. Fig. 4
Now
Gtrs. 1 & 2: w/ Rhy. Fig. 4
C5
you’re gone and my head’s spin - ning.
Ab5 F5
Left C5
the child - hood, left the mem -o - ries, left the good times...
Gtrs. 1 & 2
P.M.
...in Ab5
the past.
F5
Mov
Gtrs. 1 & 2: w/ Rhy. Fig. 4
C5
ing
- on, your time has
P.M. P.M.
3 3 3 3 3 3 3 3 355
3 55
3 5
3 55
3 3 3 3 355
3 55
66 66 6
33 33 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
66
66 6
33 33 3
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
8
End half-time feel
run out.
Ab5
F5 Cm
G7
Gtr. 3
Gtr. 4
Wish Bridge
Gtrs. 3 & 4 tacet
Cm
ing
- the clock
Bb5
would stand still, Ab5
the world
Bb5
can wait.
(Whoa.
Whoa.
Gtrs. 1 & 2
Rhy. Fig. 5 End Rhy. Fig. 5
Wast
Gtrs. 1 & 2: w/ Rhy. Fig. 5
Cm
ing
- a - way
Bb5
once a - gain, Ab5
once Bb5
lived as
Whoa.
Whoa.)
3 5 3
6 3
6 5 3 5 3
6 5
3 3 6 6
5 6 5 3 5 3
6 5 6 5 3
6
4 4 7 7
35 54
35 54
35
54 4
35 54
35 5
13 3
13 3
13 3
13 3
13 3
13 3
33 3
66 6
66 6
66 6
66 6
0 0 133 13 3
13 3
13 3
13 3
friends.
Interlude
Gtrs. 1 & 2: w/ Rhy. Fig. 5 (4 times)
Cm Bb5
Ab5
Bb5
Gtr. 4 Riff E
1
Cm Bb5 Ab5 Bb5
End Riff E
Gtr. 3
Riff F Gtr. 4: w/ Riff E
Cm Bb5 Ab5 Bb5
1
Cm
Bb5
Ab5
Bb5
As
End Riff F
8 10 8 7
8 7 7 8
10 10 10 8 7
8
7 8
10 8 7
8 7
8 11 10 8 7 8 9 11
6 8
8 8 6
7 6 6 8
8 9 9 8 6
7
6 8
8 8 6
7 6
8 10 8 8
10 8 10
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
10
for the rest
Bb5
in the black
Bb5
of the night.
C5
C To oda
Half-time feel
Whoa.
Bb5 Eb5
Bb5 C5
Whoa.
Bb5
Whoa.
Eb5 Bb5
C5
Gtrs.
1 & 2
Interlude
C5 Bb5
Gtr. 5
Gtr. 6
F5 G5 Ab5 Bb5
(cont. in notation)
Ah, 3.
VIII
Gtrs. 5 & 6
X35
3 5
10 12X
10
12 X
8 10
8 10
3 X5
3 5
6 X8
6 8
5 X7
5 7
X35
3 5
5 7
X 6
8
X 6
8 10 12
X X
10 12
X8 10
8 10
13X 15
13 15
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
12
End half-time feel
nev Verse
C5
er
- will
D5
I
Gtrs. 5 & 6 tacet
Eb5
for D5
get
-Eb5
you
F5 G5
and all the mem
Bb5
o
- -ries past.
G/B
So
Gtrs. 5 & 6
Gtrs. 1 & 2
Rhy. Fig. 7 End Rhy. Fig. 7
rare
Gtrs. 1 & 2: w/ Rhy. Fig. 7 (3 times)
C5
ly
- I
D5
get Eb5
to D5
see Eb5
your F5
face.
G5
Bb5
G/B
Grow C5
ing,
- I
D5
looked Eb5
to D5
you Eb5
in F5
guid G5
ance.
-We knew
Bb5
that time G/B
would kill
C5
us... ...but you’re D5
still Eb5
so D5
close Eb5
to F5
me.
G5 Bb5 G/B
To
15X 17
15 17
10 1010
10 1010
X XX
0 00
1 11
0 00
1 11
3 33
5 55
5 55
X XX
8 88
8 88
X XX
9 109
9 109
X XX
Quarter-time feel
me, D5
you were
Eb5 D5
my Eb5 D5
life. To
*Gtrs. 5 & 6
Riff G End Riff G
*Composite arrangement
1/4
Gtrs. 1 & 2
Rhy. Fig. 8
P.M.
me,
Gtrs. 5 & 6: w/ Riff G ( 2 times)
you were
Eb5 D5
my Eb5 D5
soul com pan
F5
- ion.
E5
-
Gtrs. 1 & 2 End Rhy. Fig. 8
P.M.
Now,
Gtrs. 1 & 2: w/ Rhy. Fig. 8
D5
you are
Eb5
so D5
far Eb5
a D5
way.
-
Gtr. 7 (dist.)
f
grad. bend
let ring
1/4
13 10
13 10
00 0
00 0
11 1
00 0
11 1
00 0
00 0
00 0
00 00
00 00
00 00
00 00
00 00
00 00
00 0
00 0
11 1
00 0
11 1
00 0
00 0
00 0
00 00
00 00
00 00
00 00
22 22
22 22
13 17 13
17 13
17 17 17 1713
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
14
End quarter-time feel
Half-time feel
Noth - ing can take
Eb5
a D5
way Eb5
- the
D5
times and the mem
F5
’ries
- we’ve
E5
Gtr. 7
grad. bend
let ring
8va
1/2 1/2 1/2 1/2
Gtrs. 5 & 6
let ring
1/4
had.
D5
Bb5
G/B
Gtr. 7 loco
1
Gtr. 5
Gtr. 6 divisi
Gtrs. 1 & 2
(cont. in slashes)
1720 20 20 19 19
13
10 10
10 10
10 10
1310 10
17X 19
17
19 10 15 14
5 7
5 7
7 5
87 75
87
87
54
00 0
0 2 3 0 133
2 54
End half-time feel
Gtrs.
1 & 2
Gtrs. 3 & 4: w/ Riffs B & B1 (2 times) Gtrs. 5 & 6 tacet
Interlude
C5
Gtr. 7
1
Gtrs. 1 & 2 tacet
Ab5
F5
Gtr. 7 tacet
G5
Come 4.
back Verse
Gtrs. 3 & 4: w/ Riffs B & B1 (2 times)
C5
to the days when we were
Gtrs. 1 & 2
Rhy. Fig. 9 End Rhy. Fig. 9
P.M.
young.
Ab5
F5
G5
Come
P.M.
15
15
10 10
10 10
10 10
10 10
10 10
10 10
10 10
10 10
10 10
10 10
10 10
10 10
10 10
10 10
10 10
10 10
10 10
10 10
10 10
10 10
10 10
10 10
10 10
10 10
10 10
10 10
10 10
10 10
10 10
10 10
10 10
10 10
10 10
66 66
66 66
66 66
66 66
66 66
66 66
66 66
66 66
66 33
33 33
33 33
33 33
33 55
55 55
55 55
55 55
55
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
16
back
Gtrs. 1 & 2: w/ Rhy. Fig. 9
C5
to the days when noth - ing
mat Ab5
tered,
-
F5
to the days
G5
when noth - ing
Gtrs. 1 & 2
(cont. in slashes)
P.M.
Gtrs.
1 & 2
C5
Gtrs. 1–4 tacet
µ
mat - tered. I feel
Gtr. 3
Gtr. 4 divisi
time
Gtrs. 1 & 2: w/ Rhy. Fig. 6 (2 times)
Chorus C5
pass - es by,
Bb5
re
-
grets Eb5
for the rest
Bb5
of my life.
C5
The
66 66
66 66
66 66
66 66
66 66
66 66
66 66
66 66
66 33
33 33
33 33
33 33
33 55
55 55
55 55
55 55
0
88
88
54
D.S. al Coda
Coda
ones who I con fide
Bb5
- were
gone Eb5
in the black
Bb5
of the night.
C5
Gtrs. 1 & 2: w/ Rhy. Fig. 5 (4 times) Gtr. 3: w/ Riff F (1 3/4 times) Gtr. 4: w/ Riff E (1 3/4 times)
Interlude
Cm Ab5
Bb5
As
Gtr. 3
Gtr. 4
*Gtr. 8 (dist.)
Outro-Guitar Solo C5
f fdbk.
Bb5
*Standard tuning
Gtrs. 1 & 2 Rhy. Fig. 10
P.M.
End Rhy. Fig. 10
P.M.
8 10 8 10 7 8 7 8 10 8
10 8 9 11 9 11 10
10 11 10 11 8 10 8 10 7 8 7 8 10 8
10 8 11
9 13
12 12
13 12
15
13 12 13 13 15
15 15 15 13 15 15 16 18
35 5
35 35
35 35
35 35
35 35
35 35
35 35
35 35
13 3
13 13
13 13
13 13
13 13
13 13
13 13
13 13
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
18
Eb5 Bb5
C5
P.M. P.M. P.M.
Gtr. 8
Gtrs. 1 & 2: w/ Rhy. Fig. 10
Bb5
3 3
Gtr. 8
Eb5
Bb5
8va
loco
C5
1 1/2
Gtrs. 1 & 2
P.M. P.M. P.M. (cont. in slashes)
Gtrs.
1 & 2
C5 Bb5
Gtr. 8
5 5
3
6
3
3 3
1
1
18 20 20 18 16 16 13 13 15 13
15 15 17 12 12
1213 12 10 12 10
13 13 10 13 14 15
1 11
1 1
1 1
1 1
1 1
1 1
1 1 133
13 13
13 13
13 13
35 5
35 35
35 35
35 35
35 35
35 35
35 35
35 35
13 12
13 12
15
13 12 13
13 15
15 15
17
15 15 17 15 16 18
15 18 16
17
11 18 16 15
16
17 17 17 17 15 15 0
11 1
11 11
11 11
11
11 133 13
13 13
13 13
13 35 5
35 35
35 35
35 35
35 35
35 35
35 35
35 35
15 15 1716 18 17 16
15 15 1716 19 16 1518 17
15 15 17 1817
16 1518 1715
1815 16 15
18 17
15 15 181715 18 17 15
15 181515
Eb5 Bb5
8va
loco
5 5
5 3 6
5
C5
3
8va
5 1/2
Bb5 Eb5
(cont. in notation)
8va
loco
3 5 5 5 5 5
1/2
Gtr. 8
Bb5
C5
8va
6 5 3
Gtrs. 1 & 2
fdbk.
Pitch: G
18 16 15 16 171515 18 15 16 15 17 16
X 15
18 16 16 15 18
17 16 15 18 16 15
20 20 19 17 15 15 13 12 15 15 13 12 13 12
15 15 13 12 15 1215 13 12 12 15 13 12
15 15 6 15 12 13 15 12 13 15 15
1720 20 2020 20
20 17 172020 2020
20 17 17 2020 20 2020
2017 1720 2020 2020
20 16 1716
22 22 201920 20
1920 19
22 22 22 19
18
2022 22 22 19
18
20192022 22 22 1920
192022 22 22 22 1920
19 19
22
12 13 15 1512 13 14 15 12 13 15
16 15 13
17 16 15 18 15 15 16
17 17 15 16 18 15 16 18 20
1 33
3 55
5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
20
Intro
Moderately fast q = 125
Words and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary Baker