3. ESTRÉS OSMÓTICO EN CÍTRICOS
3.2. Material y métodos
3.2.2. Seguimiento del cultivo y recogida de datos
The research project has contributed to a developing field of Indigenous festival literature and has opened discussions for further research. In
particular, six areas of further research interest are identified here and relate to: 1) the need for a national study of Indigenous festivals’ trade routes, 2) local government, 3) arts therapy, 4) intangible cultural heritage, 5) festival environmental sustainability and 6) contemporary Indigenous dance.
1. The Yalukit Willam Ngargee Indigenous festivals offer insights into how other festivals – particularly those of a similar scale – might be approached. This leads to the first recommendation, namely, that there could be merit in all such festivals, regardless of where they occur nationally, giving serious consideration to the sentiments and relationships enshrined in the Yalukit Willam Ngargee festivals, including notions of reciprocity that are ongoing and not limited by an emphasis on reconciliation only. Further, the notion of a cultural trading route between festivals, which has special significance in an Indigenous context, has the potential to strengthen economic
development, wellbeing, and cultural presence. Of course, these very principles might also be implemented globally in relation to indigenous festivals in other countries.
2. Local Governments, as well as other organisations, have employed Indigenous Arts Officers in various roles across the country. There is a limited body of coordinated information and research that brings together the work they are engaged in and, at the same time, evaluates its effect. For example, it is not clear, on a national level, whether it is the Councils themselves or members of Indigenous communities who benefit most from this work. Accordingly, it is recommended that a study be undertaken that evaluates the work of Indigenous Arts Officers across all Australian states and territories. Ideally, the results
of such a study will open the debate on what their roles and
contribution could be. Such a study might be broadened to undertake a comparative investigation of the roles of corresponding personnel working with indigenous communities in other countries.
3. This research project is one of a relatively few to initiate a discussion regarding the benefits of arts therapy programs in prisons for
Indigenous inmates. Unfortunately there is no long-term national study of such programs. It is recommended therefore that this be conducted with a view to implementing arts therapy programs for Indigenous Australians in prisons throughout the country. The literature on arts therapy leaves no doubt on the benefits of such programs in dealing with psychological, emotional, and ‘spiritual’ wellbeing. This is especially an issue given the relatively high percentage of Indigenous inmates in our prisons compared to other ethnic populations. The arts therapy programs that are recommended here might also have success in curbing disciplinary reporting within prisons and post-release recidivism. A focused and well resourced study might lead to greater understanding of avenues for improving the lives of Indigenous inmates whilst in custody and beyond. Again, it is envisaged that a global perspective would also provide new insights.
4. This research project has given some attention to UNESCO’s notion of intangible cultural heritage, which is a means of drawing global
attention to the importance of understanding indigenous people’s localized cultural practices. There is an increasing but still emerging field of literature with respect to Indigenous Australians, enabling government mechanisms and festival domains. The study
recommended here would focus on Indigenous Australians identifying intangible cultural heritage, how this can best be supported and the role of this in their lives according to UNESCO guidelines.
5. The research project has drawn attention to the importance of festival environmental sustainability. As indicated, festival environmental sustainability is developing into a global industry that has growing resource material relating to the environmental impact of festivals. Accordingly, there is a need for a national study of festival
environmental sustainability measures that extends well beyond the Indigenous festivals that were the focus of the present research. The study proposed should consider environmental sustainability measures enacted in festivals world-wide, as a means of contributing to
discussions relating to Australia’s emerging awareness of the importance of this industry.
6. Contemporary Indigenous dance is a field becoming professionally engaged by mid career Indigenous dancers as a regularly practiced form. The challenges that most mid career Indigenous dancers face could be further addressed nationally in the scope that it deserves. Indigenous contemporary dance is the dance of the person, the people and the country. It can be a personal exploration and it can be a re- imagined social representation. As yet we have not valued
contemporary Indigenous dance to the full extent that dancers have been looking for, or to the merit of who we are as diverse Australians on ancestral Aboriginal and Torres Strait Islander lands.
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