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Don't Count

(much)

claiming Black can't win. Pat: He can?

Noah: He can ifhe can get two of his is to dark squares.

Black can break the dark­ square blockade by triangu­ lating and then sacrificing the d-1 . His W then reaches d3 and the rest is more or less easy.

Pat: Are you saying extra is don't usually mean anything? Noah: No, they do. But you could state this rule about Hs of Opps with confidence:

Material Advantages Don't Count

(much)

A case in point is Diagram 223. White loses after he es­ tablishes material equality.

Black to play

1. • • • <it?d4

2. �b2

White cannot allow 2 ... c3.

2. • • . �e3

Now 3 ... d2 must be stopped, and 3. �c3 fails to 3 ... We2 4. �d2 b4t! So ...

3. �cl

Lasker only gave 3 ... We4 4.

�a5 <3;d5 5. Wb2 Wc5 6. Wa3 and draws.

3. . . . d2t! 4. 1txd2 Wd3

And wins since 5. Wb2 hangs the �.

White must allow the is to advance: 5. �b4 c3 6. Wb 1 Wc4 7. �a3 b4 8. �c l b3 9. �a3 �g6t 10. Wal <3;d3! (not 10 ... b2t 1 1. �xb2) 1 1. �cl �c2!. � Spassky-Yusupov Linares 1990 White to play 1 • .!te3?

White likely draws after 1. �f1 ! <3;e6 2. We 1. If 2 ... �f5 then 3. �g7 g5 4. h5! and 5. �xh6, pre­ venting the creation of a passed h-

The position may still be saved by 7 . .£tf8! and B . .£te7. For ex- ample, 7 ... Wa4 B . .£te7 d5 9 . .£tdB, or even B ... as 9 . .£tdB!!. 7. �e3?? itd5 8. Wd4 itc4 Threatening 9 ... c5t!. 9. ,Q.d2 cSt! Now 10. bxc5 dxc5t 1 1. Wxc5 loses to 1 1... Wc2. For example, 12. .£tel ?? Wd l or 12 . .£te3 <&>xc3 and ... b4 or ... as.

10. �e3 wc2 1 1. f4 �dl!

And White forfeited in this hopeless position.

Pat: Because he doesn't use his W to protect a vulnerable *­ side.

Noah: Right. He goes after the Black h-i -but that's little

help because he's miles from creating a passed <ai-side i .

Pat: I don't get it. Black goes after the b2-i even though

that doesn't create a passer for him.

Noah: No, not immediately. White lost because he al­ lowed Black to create two connected passers. He missed a fundamental B-of-Opp tech­ nique.

White failed to force the enemy fts onto the color of the enemy jt so they

could be blockaded. Pat: Like with .(tfS-e 7-d8! Noah: Correct. That would

have drawn in Diagram 224. By the way Boris Spassky, who played White here, once explained why his first two marriages failed.

The reason, he said, is he and his wives were "Bishops

of opposite color.»

Pat: Very funny. So if material doesn't matter ...

Noah: Doesn't matter much. Pat: Have it your way: "doesn't

matter much.»

But if it doesn't, what does? Noah: Proper piece place­

ment -trying saying that three times fast.

Pat: Uhh, I'd rather not. Noah: All it means is getting

the .(t and W to the right squares.

For instance, in Diagram 225 Black takes his time in bringing his <aI forward be­ cause he knows there is some­ thing much more important to do in the diagram.

Pat: That's to stop the White .(t from reaching g4, right?

"Bishops of opposite color are not much good

at supporting the advance of their own pawns • • • For this reason,

the Bishop usually holds up enemy pawns, leaving

to the King the task of supporting the advance

of his own pawns. "

-Paul Keres

Noah.: Correct. When your opponent has two passed is you try to find the diagonal that covers squares in front of both is.

In this case, it means dl-h5. Pat: Can't White draw by set­

ting up some sort of blockade on the light squares?

Noah.: You means with a A on h3 and � on f3? It doesn't work because the Black is are so far apart.

That's another unique as­ pect of "Bs of Opps" -the power of widely separated

is.

In some other positions, such as with �s, it's only a draw if the only is left on the board are your a- i and h- i . Pat: But not with As.

Slekys-Panchenko

Bratislava 1992 Black to play

1. • • • h5!

White can draw ifhe gets his 1a, to the key h5-d 1 diagonal. For ex­ ample, 1... Wg7 2. WfJ 1a,f4! 3. 1a,g4! 1a,g5 4. 1a,h5 Wf6 5. we4 We6 6. a4 Wd6 7. Wd4 etc. 2. Wt3 -'tf41 Of course, 3. Wxf4 e2. 3. -'ta6 -'tg5 4. b4 Wf7 5. a4 Wf6 6. as

This is White's best bet to trade

as many is as possible.

6. . . . We5 7. axb6 axb6 8. -'to Wd4 9. b5 h4

Now 10. 1a,h3 Wd3 allows the W to invade ( 1 1. 1a,nt Wd2 12. 1a,c4 h3).

10. We2 We4! I I. -'th3 Wf4

And Black's W gets to g3 to advance the is: 12. 1a,d7 wg3 13.

Wfl h3 (with the threat of 14 ... e2t! 15. wxe2 �g2 and ... h2 wins)

14. 1a,c6 Wh2 15. 1a,t3 1a,h6! 16. 1a,e2 wg3 17. 1a,c4 e2t and White

resigned in view of lB. �xe2 h2 or lB. Wxe2 �g2. EhIvest-Kupreichik Moscow 1987 White to play 1. bSt! 2. as 3. Wb4 4. �eS! axbS Wb7 �e2

A key move: White is going to sacrifice two is to create a passed h- i , but must make sure Black's new passed is don't advance far.

4. • • • �c4

S. g4! hxg4 6. £S! gxfS 7. h5

The threat is B. h6. For example, 7. •. �f7 B. h6 �g6 9. �xb5 and 10.

a6t 1;a7 1 1. c6 wins.

7. • • • £4

8. �xf4 �d3

9. h6 Wc6

Black was in zugzwang. He lost after: 10. a6 �e4 11. a7 Wb7 12.

Wxb5 �d3t 13. waS �xa7 14.

c6 'It>a8 15. 'It>b6 and wins.

Noah: No, the farther apart the better.

See for yourself in Diagram 227. At first glance it looks easy because White is three

is ahead.

On second glance it looks hard because White has no passers.

Pat: I have a feeling there's gonna be a third glance. Noah: On third glance White

wins even after he creates material equality-and gives Black three passers of his own. But Black's passers are stopped-thanks to 4 . .£te5-

and Black's W and .£t help­ lessly try to stop promotions at a8, c8 and h8.

Pat: So unlike a middlegame, isolated is are good in these endings?

Noah: They're usually better than connected is. And the more isolated the better. Pat: Is there a rule here? Noah: Not hard and fast. But

you can say that if only two is are left and they are sepa­ rated by one file, it's usually a draw-because the defender's <it> can easily shift from block­ ading one to blockading the other.

Pat: But with two or more files in between ...