2.3. Trabajo relacionado de SLAM visual
2.3.6. SLAM en entornos dinámicos
2
Contents of Bibliography
3 4 Articles ... 86 5 Books and Book Chapters ... 89 6 Exhibitions ... 91 7 Films ... 91 8 Technical Resources ... 92 9 Software ... 93 10 Scores ... 93 11 Recordings ... 95 12 13 14 15 16 17 181 2
Articles
3 4
Albersheim, Gerhard, ‘The Sense of Space in Tonal and Atonal Music’, The Journal of Aesthetics and Art 5 Criticism, 19 (1960), 17–30
6 7
Anderson, Julian, ‘A Provisional History of Spectral Music’, Contemporary Music Review, 19 (2001), 7–22 8 9
Atkinson, Rowland, and Paul Willis, ‘Charting the Ludodrome: The Mediation of Urban and Simulated Space
10
and Rise of the Flâneur Electronique’, Information, Communication & Society, 10 (2007), 818–845
11 12
Bibliothèque National de France, ‘Anatole Le Braz (1859 - 1926)’, Data.bnf.fr
13
<http://data.bnf.fr/ark:/12148/cb11911531z> [accessed 12 October 2014]
14 15
Black, Robert, ‘Boulez’s Third Piano Sonata: Surface and Sensibility’, Perspectives of New Music, 20 (1982),
16
182–198
17 18
Buick, Adam, ‘About’ <http://www.adambuick.com/about/> [accessed 18 February 2015]
19 20
Burkholder, J. Peter, ‘Borrowing’, Grove Music Online, Oxford Music Online (Oxford University Press)
21
<http://www.oxfordmusiconline.com/subscriber/article/grove/music/52918pg13> [accessed 6 April 2014]
22 23
Carrigan, Margaret, ‘A Cassette-Based Symphony That Erodes with Time’, Hyperallergic, 2016
24
<https://hyperallergic.com/294017/a-cassette-based-symphony-that-erodes-with-time/> [accessed 3 May
25
2016]
26 27
Chun, Wendy Hui Kyong, ‘The Enduring Ephemeral, or the Future Is a Memory’, Critical Inquiry, 35 (2008),
28
148–171
29 30
‘City apology “40 Years Too Late”’, BBC News, 19 October 2005 <http://news.bbc.co.uk/go/pr/fr/-
31
/1/hi/wales/north_west/4357438.stm> [accessed 13 February 2016]
32 33
‘Constellations: Highlights from the Nation’s Collection of Modern Art [Exhibition]’, 2013
34
<http://www.tate.org.uk/visit/tate-liverpool/display/constellations> [accessed 30 January 2016]
35 36
Defrance, Yves, ‘Le Kan Ha Diskan: A Propos D’une Technique Vocale En Basse-Bretagne’, Cahiers De
37
Musiques Traditionelles, 4 (1991), 131–54 38
39
Doyle, Peter, ‘From My Blue Heaven to Race with the Devil: Echo, Reverb and (Dis)ordered Space in Early
40
Popular Music Recording’, Popular Music, 23 (2004), 31–49
41 42
Eacott, John, ‘Flood Tide: Sonification as Musical Performance—an Audience Perspective’, AI & SOCIETY,
43
27 (2011), 189–195
44 45
Feldman, Brian, ‘The Triumphant Rise of the Shitpic’, The Awl, 2014 <https://theawl.com/the-triumphant-rise-
46
of-the-shitpic-e25d8e5af9bc> [accessed 17 December 2014]
47 48
Fineberg, Joshua, ‘Guide to the Basic Concepts and Techniques of Spectral Music’, Contemporary Music 1 Review, 19 (2001), 81–113
2 3
Fink, Robert, ‘The Story of ORCH5, Or, the Classical Ghost in the Hip-Hop Machine’, Popular Music, 24 4
(2005), 339–356
5 6
Freudenheim, Tom L., ‘The Lost Museum: The Berlin Sculpture and Paintings Collections 70 Years After 7
World War II: Review’, The Wall Street Journal, 1 July 2015 <http://www.wsj.com/articles/the-lost-
8 museum-the-berlin-sculpture-and-paintings-collections-70-years-after-world-war-ii-review-1435789134> 9 [accessed 2 July 2015] 10 11
Glasgow, Joshua, ‘Hi-Fi Aesthetics’, The Journal of Aesthetics and Art Criticism, 65 (2007), 163–174
12 13
Grisey, Gérard, ‘Did You Say Spectral?’, trans. by Joshua Fineberg, Contemporary Music Review, 19 (2001),
14
1–3
15 16
Hall, Michael, ‘Work Introduction to The Triumph of Time’, Universal Edition,
17
<https://www.universaledition.com/composers-and-works/sir-harrison-birtwistle-64/works/the-triumph-
18
of-time-5330> [accessed 2 November 2017]
19 20
Harvey, Jonathan, ‘Spectralism’, Contemporary Music Review, 19 (2001), 11–14
21 22
Iverson, Jennifer, ‘Creating Space: Perception and Structure in Charles Ives’s Collages’, Music Theory Online:
23
The Online Journal of the Society for Music Theory, 17 (2011) 24
<http://www.mtosmt.org/issues/mto.11.17.2/mto.11.17.2.iverson.php>
25 26
Iwasaki, Hideo, and Oron Catts, ‘Biogenic Timestamp’, Ars Electronica Museum, 2010
27
<https://www.aec.at/center/en/biogenic-timestamp/> [accessed 23 September 2014]
28 29
Janata, Petr, and Daniel Margoliash, ‘Gradual Emergence of Song Selectivity in Sensorimotor Structures of the
30
Male Zebra Finch Song System’, The Journal of Neuroscience, 19 (1999), 5108–18
31 32
Jönsson, Henrik and others, ‘An Auxin-Driven Polarized Transport Model for Phyllotaxis’, PNAS, 103 (2006),
33
1633–38
34 35
Kramer, Jonathan D, ‘New Temporalities in Music’, Critical Inquiry, 7 (1981), 539–556
36 37
Lloyd, Delyth, ‘Tryweryn: Personal Stories 50 Years after Drowning’, BBC News, 21 October 2015
38
<http://www.bbc.co.uk/news/uk-wales-34528336> [accessed 13 February 2016]
39 40
Lockwood, Lewis, Noel O’Regan, and Jessie Ann Owens, ‘Palestrina, Giovanni Pierluigi Da’’, Grove Music
41
Online, Oxford Music Online (Oxford University Press) 42
<http://www.oxfordmusiconline.com/subscriber/article/grove/music/20749> [accessed 30 November
43
2015]
44 45
Losada, C. Catherine, ‘Between Modernism and Postmodernism: Strands of Continuity in Collage
46
Compositions by Rochberg, Berio, and Zimmermann’, Music Theory Spectrum, 31 (2009), 57–100
47 48
Metzer, David, ‘Musical Decay: Luciano Berio’s “Rendering” and John Cage’s “Europera 5”’, Journal of the
49
Royal Musical Association, 125 (2000), 93–114 50
Milutis, Joe, ‘The Biography of the Sample: Notes on the Hidden Contexts of Acousmatic Art’, Leonardo 1 Music Journal, 18 (2008), 71–75
2 3
Nattiez, Jean-Jacques, ‘Inuit Vocal Games’, The Canadian Encyclopedia, 2006 4
<http://www.thecanadianencyclopedia.ca/en/article/inuit-vocal-games-emc/> [accessed 3 March 2013]
5 6
Norman, Katharine, ‘Telling Tales’, Contemporary Music Review, 10 (1994), 103–109 7 8
Philippou, Andreas N., ‘Lucas Polynomials’, Encyclopedia of Mathematics 9
<http://www.encyclopediaofmath.org/index.php?title=Lucas_polynomials&oldid=35972> [accessed 12
10
February 2013]
11 12
Plouffe, Hélène, ‘Isabeau S’y Promène’, The Canadian Encyclopedia, 2006
13
<http://www.thecanadianencyclopedia.ca/en/article/isabeau-sy-promene-emc/> [accessed 30 July 2015]
14 15
Rehding, Alexander, ‘Wax Cylinder Revolutions’, The Musical Quarterly, 88 (2005), 123–160
16 17
Saiber, Arielle, ‘The Polyvalent Discourse of Electronic Music’, PMLA, 122 (2007), 1613–1625
18 19
Scodanibbio, Stefano, ‘Compositions List’ <http://www.stefanoscodanibbio.com/compositions.htm> [accessed
20
10 October 2015]
21 22
———, ‘Programme Notes for Ex Novo Musica 2010 - VII Edizione: Stefano Scodanibbio, Compositore E
23
Interprete, [Music Concert]’, (Venezia Teatro La Fenice, Sale Apollinee, Venice: 12 October 2010)
24
<http://www.culturaspettacolovenezia.it/node/12657> [accessed 9 October 2016]
25
‘Silent Explosion: Ivor Davies and Destruction in Art [Exhibition]’, 2015
26 <https://museum.wales/cardiff/whatson/8579/Silent-Explosion-Ivor-Davies-and-Destruction-in-Art/> 27 [accessed 23 January 2016] 28 29
Staatliche Museen zu Berlin, ‘The Lost Museum: The Berlin Sculpture and Paintings Collections 70 Years
30
After World War II’ <http://www.smb.museum/en/exhibitions/detail/das-verschwundene-museum.html>
31
[accessed 4 September 2015]
32 33
Talbot, Michael, ‘Corelli, Arcangelo’, Grove Music Online, Oxford Music Online (Oxford University Press)
34
<http://www.oxfordmusiconline.com/subscriber/article/grove/music/06478> [accessed 5 January 2016]
35 36
Taylor, Rachel, ‘Lorna Simpson: Photo Booth, 2008’, Tate Art & Artists, 2008
37
<http://www.tate.org.uk/art/artworks/simpson-photo-booth-t12949> [accessed 30 January 2016]
38 39
Thurston, Herbert, ‘Tenebrae’, The Catholic Encyclopedia (New York: Robert Appleton Company, 1912)
40
<http://www.newadvent.org/cathen/14506a.htm> [accessed 9 October 2016]
41 42
Tommasini, Anthony, ‘Contemplation Drawn From Magnetic Tape Flaking Away’, The New York Times, 12
43
September 2011 <https://nyti.ms/2tdgJ63> [accessed 7 June 2013]
44 45
Waters, Simon, ‘The Musical Process in the Age of Digital Intervention’, ARiADA Texts, 1 (2000)
46
<http://pure.qub.ac.uk/portal/files/17255926/2000musical_process_libre.pdf> [accessed 19 May 2012]
47 48 49 50 51
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