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his chapter exposes the practice of “musical cult control.”The Rockefeller Foundation’s war on consciousness is examined, as it has been imposed by the standardiza-tion of the Western World’s tuning of musical instruments to A=440Hz.
Here, events in musical history are recalled that are central to understanding, and treating, a source of psychopathology, more accurately psycho-spiritual pathology. Social aggression, political corruption, genetic dysfunction, and cross-cultural de-generation of traditional human values risking health, and life on earth, are symptoms. The fundamental pathology—hearts lacking LOVE—attributable to the musical-mathematical “Di-vine disconnect.”
In essence, human spirituality and Divine consciousness is being powerfully suppressed, musically. This chapter aims to clarify this predicament, and presents compelling evidence to inspire a 528LOVERevolution, fueled by recording artists and discriminating audiences.
The Rockefeller Foundation’s military commercialization of music is detailed here.
The monopolization of the music industry by banking fami-lies representing the Illuminati, features this imposed 440Hz frequency that is “herding” populations into greater aggres-sion, psychosocial agitation, and emotional distress.
This evidence strongly suggests the 440Hz tuning predis-poses people to physical illnesses and financial impositions thereby profiting the agents engaged in globalization.
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Alternatively, the most natural, harmonious, and instinc- tively attractive, 528Hz frequency that is vividly displayed bo-tanically in the green grass and trees, has been suppressed by the contrivance of A=440Hz standard tuning.
That is, the “good vibrations” that the plant kingdom broad-casts in greenish-yellow, which reduces emotional distress, social aggression, and remedies many illnesses, has been musically censored.
Thus, a musical revolution is needed to advance world health and peace. This has already begun with musicians tun-ing their instruments to restore integrity to the performing arts and sciences.
Music makers are urged to communicate, and debate, these facts, end the militarization of music that has been se-cretly administered, and retune instruments, and voices, to frequencies most sustaining, loving, and healing.
Introduction
Contrary to popular opinion, the most powerful “hard” sci-ence influencing society, politics, and economics is behavioral science. Advertising agencies, social engineers, marketing firms, and the persuasive media direct people, like cattle, most profitably.
A flock of sheep, for example, according to the Merck Vet-erinary Manual, responds synchronously to stimuli, such as approaching dogs or humans, due to a special set of nerve cells that fire electrically causing the release of stress hor-mones associated with the flight response and herd behavior.
(1) Malcolm Gladwell’s, The Tipping Point: How Little Things Can Make a Big Difference, cites social examples of the small percentage of a total population required to act, “at which the
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Figure 13. “Mass Hysteria” During Elvis Concert, 1954
The first mass hysteria accompanying rock-and-roll was recorded in the mid-50s during Elvis Presley concerts. Military science had demonstrated that 6-8 percent of audiences listening to music tuned to “special” fre-quencies, in this case A=440Hz, would become psychologically stressed to the point of generating mass hyseria.
momentum for change becomes unstoppable” for the entire social network.(2)
There have been many unexplained “mass hysteria” epi-1. CXX 1. CXX 1. CXX 1. CXX
sodes recorded besides the “War of the Worlds” fright that was broadcast by CBS Radio and narrated by Orson Welles, on October 30, 1938.(3) Bartholomew called the related pub-lic health crisis, “Occupational Mass Psychogenic Illness”
in Transcultural Psychiatry.(4) Another investigator’s name, Wessely, added the warning that this bizarre herd behavior impacts health and well-being. He considered how poorly this frequency impacted our mass mind-set. The terroristic me-dia uses it to induce stress and psycho-emotional trauma. He wrote:
“[I]t is easy to lose sight of the dynamic, protean [varied]
nature of mass sociogenic illness and its historical and trans- cultural manifestations, which mirror popular social and cul-tural preoccupations that define each era and reflect unique social beliefs about the nature of the world.”(5)
Background
Assuming the field of physics, including biophysics, is val-id, and the universe, including life, is energetically constructed harmonic, or dissonant, according to the musical-mathemati-cal proofs provided in the last chapter, then energy (including bioenergy or spirituality) impacts us physically, very powerfully.
The impacts, good and bad, are mediated vibrationally, really hydrosonically, through sounds’ effects on body Water.(6)
Water, nearly eighty percent of human body weight, I have said, is a liquid crystal superconductor. Structured Water sci-ence, as well as the field of electrogenetics, proves this thesis adequately, given light (photons) and sound (phonons) have been shown to signal communications within and between cells, via a liquid crystal proteo-glycan matrix in cells and tis-sues.(6, 7) This strongly evidences the theory of hydrosonic creationism involving DNA and structured Water.(7)
CXXI CXXI CXXI89 Likewise, psychosocial illnesses may be triggered more often by music than previously considered. Bio-creation and health restoration may have more to do with frequencies of sound energy, or music, than has been thought.
There are a lot of people who consider modern music an- noying. Many become emotionally disturbed listening to cer-tain types of music. What few people realize, regardless of the type of music played in the Western World, the Illuminati’s standard tuning for instruments and voices was instituted at the same time, by the same agents and agencies, advancing acoustic war studies for inducing “mass hysteria.”(8)
This dirty fact of musical history may be terminal to the status-quo of the music industry and the movers-and-shakers of sociocultural crises.
Throughout history there have been persons of wealth and power engaged in war-making, profiteering, and various meth- ods of population control. In 1770, for instance, Mayer Am-schel Bauer (a.k.a., Rothschild) developed plans to advance the mission of global domination through a network of central banks that his family and their silent partners controlled.(9, 10) Many reputable authors track today’s degenerative socioeco-nomic trends and genocidal acts depopulating native people to levels of threatened extinction, to the Illuminati’s powerful influence. The Rothschild and Rockefeller families administer their policies through private organizations controlling multi-national corporations and governments (i.e., secret societies and governing councils, such as the Council on Foreign Rela-tions or the Partnership for New York City).(6-15)
“As a result of this influence,” wrote Thomas D. Schauf, in a controversial review article urging the termination of the un-American Federal Reserve Bank, and the offshore bankers’
control over the U.S. Treasury, “the arc of Western Civilization
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has gone from ‘ascent’—belief in God—focused on the higher centers of love, joy, purity and selflessness, to descent . . . focused on the lower centers of consciousness like those of power, wealth and physical gratification. The apex was called the ‘Enlightenment,’ when the ‘Illuminated ones’—a luciferous term meaning ‘keepers of the light’—took over for God. Typi-cal of Satan, decline into moral darkness is represented as light.”(11)
Light and sound is generated and measured mathemati- cally, according to frequencies. It stands to reason then, fol-lowing Schauf’s empirically evidenced thesis, we are engaged in frequency warfare in which ultimate power and control is waged bioenergetically or biospiritually. There is now zero doubt that music, frequency modulations, or electromagnetic manipulations are affecting consciousness and impacting biol-ogy, physiology, and human behavior.