Capitulo 1. Metodología BIM: Conceptos y Generalidades
1.2. Términos y definiciones
1.3.3. Ventajas de BIM
This section describes the way in which the data were analysed with reference to
the phenomena being studied. The aim of this research study was to generate an
understanding of how corporate support for the arts happens, drawing on key
informants from a sample of companies; it did not seek to discover any universal
rules or laws. As previously mentioned in section 4.3.1, an abductive research
4.8.1 Data analysis - introduction
The interview transcripts, field notes and related material provide a substantial
body of information to analyse. An orderly process of data analysis was required,
and this section sets out the process and the reasons for adopting it.
4.8.1.1 First stage analysis
The first step in data reduction entailed editing the transcripts to make them clear
and easy to read (as recommended by Gillham (2005), while ensuring that the data
retained the participants’ own words and meanings.
4.8.1.2. Thematic analysis
The first stage analysis made it possible to further reduce the data using the
technique of thematic analysis. In summary, each narrative was broken into
particular themes, taking care to recognise that these themes emerged from the data
and were not imposed by the researcher. This was a linear process undertaken with
each interview in turn. This approach is consistent with that proposed by Blaikie
(2000, p.241) where the researcher derives concepts and meanings from everyday
4.8.1.3 Content analysis
The researcher, in completing this analysis, systematically worked through each
transcript assigning codes to specific characteristics within the text. How the codes
were arrived at was very much a function of the data. Coding of what may be
fragmented or disparate pieces of data can in turn create new themes with common
elements (Blaikie 2000). These new themes could be re-coded in turn, refining the
concepts in a cyclical process. At the conclusion of this stage, it was possible to
depict the categories and the participants in tabular format. This acted as a very
high-level summary of the data: (a copy of this table is attached in Appendix
Three). Using an abductive research strategy as described by Blaikie (2007), the
reality each research participant knew and described in their interview was used to
provide an explanation of the topic.
4.8.1.4 Comparative analysis
Once each transcript was dealt with as described in the preceding section and
coding completed, comparative analysis was undertaken (after Dawson 2007). The
data from different participants were compared and contrasted and the process
continued until the researcher was satisfied that no new issues arose. This was an
important phase of the process as interviews were conducted with three separate
4.8.1.5 Interpretation of the data
Interpretation of the data, as Blaikie (2007) has stated, takes individual motives and
actions and abstracts them into typifications, which lead to an understanding of the
phenomenon being studied. In this study the actors - as key informants from
corporations, agencies of government and private philanthropy- used everyday
language that for the thesis required translation into social scientific language.
The findings of the data analysis are contained in Chapter Five. They are presented
in a thematic format; the reader is referred to Appendix Four as a supplementary
document to support the data analysis process.
4.9Summary
The aim of this research was to discover the ways in which the corporate sector
supports the not-for-profit arts sector and the meaning of that support. This section
restated the research question, and showed how the research fit within the
Interpretivist paradigm, and described the abductive research strategy used to
reveal the meanings that can be attributed to corporate support for the arts. The
chapter outlined how the research methodology was applied, giving details of the
interview method as the tool for data generation and the subsequent data analysis
Chapter Five - Findings
5.1 Introduction
The purpose of Chapter Five is to set out the findings from the data generation
process described in Chapter Four. The use of the Interpretivist research paradigm
(as discussed by Blaikie (2007)) relies on the development of categories to reduce
and sort the data identifying links, associations and relationships.
Key themes were constructed abductively from the range of responses to the
interview questions. The variety of ‘themes’ identified in the responses forms the
basis of the style of reporting the results. The key themes to be discussed are:
- The organisational/company level at which the decision is made
- What kind of giving
- The meaning of the giving for the company
- The reason for the giving
- Recent changes
- Extrinsic motives
Each of these themes is dealt with in detail in section 5.2. This analysis will lead to
a broader discussion about the links and relationships between business and their
The themes resulted from the researcher’s interpretation of the responses to the
questions and the patterns these responses brought forward. It was possible to
identify from the sample data several sub-themes about the way in which
corporations support the arts. These sub-themes are discussed in this chapter under
the headings of
- Trust
- Networking and power
- Commitment
- Responsibility
The use of sub-headings under each theme is a technique used to order concepts
and reduce and codify the data. Under each heading the presentation of the themes
and concepts from corporate participants appear first followed by the private
philanthropists and then agencies of government.