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Until around 1990 almost everyone thought the Great Pyramid [see Fig.

9-41] contained only the King's Chamber (K), the Queen's Chamber (Q), the Grand Gallery (G), the Pit or Grotto (E)—which is a very strange place—and the Well (W) (called that because there was a "well" in the room). However, they've found four more rooms in just the last several years (since 1994). Three more rooms off three walls of the Queen's Cham-ber have been found. O n e room had nothing in it, another was filled from floor to ceiling with radioactive sand, and the third had nothing in it but a solid gold statue, which the Japanese allegedly removed. (Incidentally, the King's Chamber and Queen's Chamber don't have anything to do with male/female. The names were given to those rooms by the Muslims be-cause the Muslims buried men under flat roofs and women under pitched roofs. It has nothing to do with kings and queens.)

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This theft was followed by a silent alarm around the world.

It cuased the Egyptian Antiq-ities Minister to be fired and all the foreign archaeologists to be kicked out of the country during the crisis. There was a worldwide hunt for the gold statue, but they never found it, as far as I know, and they never found the people responsible.

The statue is absolutely price-less. The solid gold alone would be worth a lot, but there's no amount of money that could match the value of the statue itself. The Japanese scientists were present when I was there in January 1990, and the statue was taken right after that.

You see, the Japanese had made some instruments that could see into the Earth, and with these they found a brand-new room beneath the Sphinx. Through 60 feet of rock they

could look into the room so well that they could see a coil of nape and a clay pot in a corner. They also found a tunnel leading from the room under the Sphinx to the Great Pyra-mid. This tunnel has been mentioned in many of the an-cient writings, though the anan-cient writings say there are ac-tually three tunnels.

The statue was located where the Japanese were investi-gating. According to my sources who were there, the Japa-nese imaged the gold statue inside the room next to the Queen's Chamber, then went to the Egyptian Minister of Antiquities and asked permission to remove it, but he re-fused them on every level. I think the Japanese thought there would be no problem. The entire Queen's Chamber -as filled with their scaffolding at the time, and no one was allowed inside. So the Japanese had full access to this wall and the room behind it. About a month or so after they were denied permission, they gathered up their scaffolding and left the country. Only after they left Egypt did the Minister of Antiquities notice the new mortar in the bricks on die wall facing the hidden room where the gold statue was lo-cated, and realized what they (allegedly) had done. But it was too late. He got fired for it; it was quite a big deal.

Fig. 9-40. The Great Pyramid.

Fig. 9-41. Cross section of the Great Pyramid.

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Update: About 300 or so years ago, Kepler believed that all the orbits of the planets in our solar system were based on the Platonic solids. He tried to prove this was true, but he could not because he had incorrect information for the planetary orbits. In modern times Englishman John Martineau has found the truth- Using comput-ers, he input most of the known sacred geometry relationships and the precise information of the maximum, minimum and mean orbits of the planets as deter-mined by NASA for the computer

to compare. What he found is as-tounding.

It was found that simple sacred geometry determined the orbital relationships between the planets, and that nothing was random.

Kepler was right, except that it was more than just the Platonic solids. John Martineau put all this new/old information into a book published in 1995, A Book of Coincidence: New Perspectives on an Old Chestnut [currently out of print, Wooden Books, Wales].

What is important to us is that all the sacred geometry relationships discovered by Martineau are found in the human energy field, the Mer-Ka-Ba. This means that not only is the relationship of the Earth and her moon found in the human energy field, but that of the entire solar system. It is be-coming increasing clear that man is truly the measuring stick of the universe.

More Rooms

They've recently found another room off the Queen's Chamber. There are two ventilation ducts about four to six inches in diameter that go upward out of the Queen's Chamber. A German researcher [Rudolf Gantenhrink] ran a little robot camera way up one of those ducts and found a doorway leading into another room.

The chamber at E is called the Pit; it's a really strange room. They usu-ally won't let you into the Pit. If you've been there, it probably means you have friends in high places. It is just a big hole in the ground. Thoth never told me much about this room, so I can't tell you.

The three places Thoth did tell me about are the King's Chamber (to-ward the top), the Queen's Chamber (almost halfway up to the King's Chamber), and the Well (below ground level at the very bottom). I'll give you as much information about these three places as I can as they relate to the three levels of consciousness.

The Initiation Process

The initiation process of a person who moves from the second level of consciousness to the third begins in the Well. If you read The Emerald Tab-lets, it tells you that the initiation begins at the end of a tunnel that goes no-where. It's a tunnel that seemingly has no purpose, and the Well is the only room we know of in the Pyramid that fits that description. This tunnel goes horizontally deep into the Earth about 80 to 100 feet and simply ends. The usual Egyptian archaeologist has no idea why the ancient Egyptians dug this tunnel. I've looked carefully at it, and it looks like when they were carving it out, they got to a certain place and decided, "Let's do something else," be-cause the end is rough, like they simply decided to quit.

Now let's leave this tunnel for a while and look at the initiation process in the King's Chamber. First, the King's Chamber was made for you and me to move into Christ consciousness; this is its primary purpose. It's a room of initiation. I'm going to give you a concept of the particular technique the Egyptians used for resurrection. It was a rather synthetic way, because it re-quired physical instruments and the knowledge of how to use them. We, you and I, are not going to be using this method at this time in history, but it is extremely educational to see how the Egyptians did it. Later I will tell you in detail what I believe humanity will be using to move into the third level of consciousness.

First we'll try to understand why these three rooms are placed where they are inside the Great Pyramid. This information will illuminate many questions you may have. The King's Chamber is not a Golden Mean rect-angle, though you may have read that in several books. It's something a lot more interesting: It's a root-of-5 room—a perfect 1 by 2 by square-root-of-5 room. Remember the human body with that line down the mid-dle and a diagonal, which were bisected at the center of the circle by a line that created a phi ratio [see Fig. 7-31]? Well, this room is like that. The

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floor plan is a perfect 1 by 2, and the height of the room is exactly one-half the diagonal of the floor.

See how the King's Chamber is off center in Figure 9-41? But it's off center in a very special way. When you enter it, having climbed the Grand Gallery and ducked to go through the tiny anteroom, the sarcophagus is off to vour right. In its original placement, the exact center of the pyramid ran right through the sarcophagus, but it has been moved. The apex of the pyr-amid is shown at the top. You need to know this first.

Two initiations actually took place in the King's Chamber. The first one was in the sarcophagus. The second one, which usually happens many years later, sometimes even thousands of years later, happens precisely in the center of the room, marked by half the diagonal. There's a fourth-dimensional object you can't see physically that sits in the middle of the room. The room is made up of precisely 100 stones on the walls and ceiling.

It was created for the second level of consciousness, and we have exactly 100 squares around our bodies geometrically.

Light Reflectors and Absorbers above the King's Chamber Here's another aspect of this picture you need to see as we put the pieces of the puzzle together.

Figure 9-42 is a section drawing of the King's Chamber and the five layers above the room. The immediate ceiling of the King's Chamber is made of nine huge stones (remember that nine is the key to Christ con-sciousness), and over it is a series of stone layers, as shown in the drawing, with an air space between each layer. The usual explanation is that this was built to relieve the pressure on the flat roof of the King's Chamber so that it doesn't cave in. Well, it's true that it does that, but I don't believe that's the only reason for the layers. The standard explanation is that the Queen's Chamber doesn't need one of these pressure-relievers be-cause it has a pitched roof. But there's at least one other room in the pyramid—the Well—without a pitched roof, and you could ask, why they didn't put one of these so-called pressure relievers over it, since it is beneath the Pyramid and has millions of tons more pressure? (There are two and a half million blocks in this pyramid, and their weight is tremen-dous.) So something else is obviously going on concerning these five spaces.

When you look carefully at those layers, it becomes pretty clear that they are more than just air space to relieve pressure. The bottom sides of the blocks are polished like glass. The top sides are totally irregular and covered with about a quarter inch of black foam. Yes, foam! It looks like somebody sprayed it on with a spray can. I don't know what it is, but that's what it looks like. When you think about it, you've got these mirrorlike sur-faces facing downward and these irregular, foam-covered sursur-faces facing upward. It looks to me like it's designed to reflect energy coming from un-derneath and absorb energy coming from above. It's a separator, which we will explain in just a moment.

Fig. 9-42. The five open spaces above the King's Chamber.

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It has still another function (almost everything the Egyptians did has more than one purpose): It's also a sound generator. When we look care-fully at this room relative to the superimposed geometric images of human consciousness, this will become clear.

I want to repeat that this is Thoth's information, what he said to me.

Most of this information is not written down anywhere.

Fig. 9-43. Schematic of the first level of consciousness, 8 by 10.