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Revista Argentina de Clínica Psicológica 2020, Vol. XXIX, N°1, 1112-1117

DOI: 10.24205/03276716.2020.158 1112

I

NFLUENCE OF

F

OLK

-A

RT

E

DUCATION ON

M

ENTAL

H

EALTH OF

C

OLLEGE

S

TUDENTS

Yan Xia

*

Abstract

Folk-art works offer a glimpse of the beauty of folk culture. Taking painting as an example, this paper attempts to determine the influence of folk-art education on the mental health of college students. First, a questionnaire survey was carried out among 160 college students to evaluate the mental pressure of college students and identify the status quo of folk-art education in colleges. Next, comparative experiments on college students with or without painting training. Through the analysis of the experimental results, it is concluded that mental problems are common among college students; most college students agree that folk-art education can alleviate mental pressure; painting art can significantly promote the self-consistence and mental health of college students. This research provides a reference for applying folk-art in mental health education in colleges.

Key words: Folk-Art Education, Painting, College Students, Mental Health.

Received: 06-03-19 | Accepted: 15-09-19

INTRODUCTION

As the pace of social life continues to accelerate, when facing problems in study, employment and emotions, college students often feel physical and mental exhaustion and may have depression, anxiety, solitude and other psychological problems. According to the survey results of college students’ psychological state, the proportion of college student with psychological problems has increased year by year (Puig, 2006). If their psychological problems are not alleviated effectively, they will seriously affect the individual development of college students and the stability and unity of society.

College students are the future of the country. In order to cultivate versatile talents that can meet the requirements of national and social development, art education and physical and mental health have been included in the

Chongqing College of Electronic Engineering, Chongqing 401331, China.

E-Mail: [email protected]

quality education as important components (Froggett & Little, 2012). Various colleges and universities have set up elective courses of folk-art education and mental health education. And the folk-art education can not only improve the quality of students, but also influence their mental health (Cook & Ledger, 2004). Art works can express feelings and emotions, and focus attention on the context of art activities.

Therefore, folk-art education has an

irreplaceable role in cultivating people (Muro & Artero, 2017). Taiwanese scholar Fan Qiong (Van Puyvelde, Rodrigues, Loots et al., 2014) believes that in the process of art education, individuals can use art creation to project their emotions, thus changing their behaviors, thinking and emotions. Modern art education scholar Yin Shaochun (Leung, 2017) pointed out that individuals can better blend in the collective and life through art education activities. Plato

(Roberts, Camic, & Springham, 2011) argued that

art can not only improve physical and mental health but also treat diseases. American art educator Lowenfeld (Wager, 1987) found a theoretical basis for the combination of art

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1113

education and art therapy.

Based on the above analysis and relevant literatures at home and abroad, firstly, this paper conducts a questionnaire survey on the status quo

of college students’ psychological stress and folk-art

education in colleges and universities, the survey results show that college students have certain recognition of alleviating psychological pressure by folk-art education, and they are willing to take courses in pressure alleviation with art; then, with painting art course as an example, this paper uses comparative analysis to design and implement an experiment on the influence of folk-art education on

college students’ mental health level, and the results

show that the paining art can significantly improve college students’ self-consistency level and mental health level. At last, this paper puts forward some suggestions on how to better apply folk-art education to promote the mental health of college students.

QUESTIONNAIRE SURVEY ON CURRENT

SITUATION OF PSYCHOLOGICAL PRESSURE OF COLLEGE STUDENTS AND FOLK-ART EDUCATION IN COLLEGES AND UNIVERSITIES

Survey purpose and subjects

In order to further understand the psychological status of college students and the specific views of college students on folk-art education, this paper selected 160 students from the first to fourth grades of a university, 40 from each grade, to conduct the questionnaire survey.

Survey results and analysis of college students' psychological pressure

Table 1 shows the results of the questionnaire survey of college students' psychological pressure. It can be seen from the table that employment and enter a higher school (postgraduate entrance exams), interpersonal relationship and study-induced pressure are the current problems of

college students' psychological problems, and the higher the grade, the more the people, and the greater the pressure; it also can be seen from the summary of the survey results that the pressure of female students is greater than that of male students, which is also related to the psychological and physiological tolerance of female students.

Questionnaire survey of college students’

folk-art education

(1) What kind of activities can alleviate psychological pressure? From the survey results shown in Figure 1, it can be seen that among the contemporary college students, the proportion of students who choose to go online or play games to alleviate psychological pressure is the highest, reaching 53%. Students who use painting and listening to music to relieve psychological pressure account for 45% and 31%, respectively.

Figure 1

.

What kind of activities can alleviate

psychological pressure

0 10 20 30 40 50 60

Painting Listening

to music Reading

Watching

movies

Play gam

es

or go on line Talk to p

arents

and frie nds

(2) Whether art can regulate psychological pressure? Figure 2 shows the survey results of whether art can alleviate the psychological pressure of college students, from the figure we can see that most students think art can alleviate psychological pressure.

Table 1.

Survey results of college students' psychological pressure

Options Number of people Proportion The proportion of boys The proportion of girls

Employment pressure 105 65.63% 30.4% 41.6%

Study-induced pressure 78 48.75% 11.5% 38.6%

Enter a higher school

(postgraduate entrance exams) 92 57.5% 13.2% 15.7%

Interpersonal relationship 79 49.38% 5.2% 9.7%

Love problem 67 41.88% 9.9% 12.2%

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INFLUENCE OF FOLK-ART EDUCATION ON MENTAL HEALTH OF COLLEGE STUDENTS 1114

Figure 2

.

Whether art can regulate

psychological pressure

59%

30% 11%

No General Yes

(3) Are you willing to take courses related to pressure alleviation with art. The survey results in Figure 3 show that 60% of students are willing to take courses related to pressure alleviation with art, and students who are unwilling to take the courses only accounted for 9% of the total number.

Figure 3

.

Are you willing to take courses

related to pressure alleviation with art?

60%

31% 9%

Unwilling General Willing

According to above data and combining with the survey analysis results we can see that, college students generally have psychological problems, they have certain recognition of alleviating psychological pressure by folk-art education, and they are willing to take courses in pressure alleviation with art.

EMPIRICAL STUDY ON THE INFLUENCE OF FOLK-ART EDUCATION ON THE MENTAL HEALTH OF COLLEGE STUDENTS

Design and implementation of the experiment (1) Design of the experiment. As the psychological quality of college students tends to be mature and stable, more guidance is needed to achieve the effect of alleviating psychological pressure. According to the survey results, this paper selected a class (40 students) of sophomore

students who had participated the paining elective course as the experimental group, and anther natural class (40 students) who hadn’t participated the paining elective course as the control group, to conduct the empirical study on the influence of folk-art education on college students’ mental health. The mental health of the two groups of students before and after the experiment was measured by SCCS (Self Consistency and Congruence Scale) and SCL-90 (90 Symptom Check List) (Carrotte, Vella, Hellard et al., 2016).

(2) Implementation of the experiment. The painting elective course had 32 class hours, which

were divided into five parts: destined

acquaintanceship, grow-up together, recent

annoyance, touch your true self, and prospect of beautiful days (Lenette, 2015). The teacher guided the students to paint according to the theme, including paint the emotions, the awkward moment, my troubles, and the beautiful days, wherein the theme of beautiful days ran through the entire course, and students could modify their works at any time according to their own feelings during the course, and then the works were handed in as the final assignment after the course ended.

Figure 4 shows a student's paintings at different stages, wherein (d) is the work of the theme “the

beautiful days” that the students finally handed in.

Figure 4

.

A student's paintings at different

stages

(a) (b)

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1115

Experimental results and discussion

(1) SCCS test results. Figure 5 and Figure 6 show the statistical results of the mean and standard deviation of SCCS of the two groups of students before and after the experiment. Table 2 shows the t-value and significance of the SCCS of the two groups of students.

Figure 5

.

Statistical results of mean value of

SCCS of the two groups of students before

and after the experiment

15 20 25 30 35 40 45 50 55

Self-descriptive Self-flexibility

Self and experience are not harmonious

Pretest test group M value Pretest control values M Post test group M value Post-test control M value

M

v

alue

Figure 6

.

Statistical results of standard

deviation of SCCS of the two groups of

students before and after the experiment

1 2 3 4 5 6 7 8 9

Self-descriptive Self-flexibility

Self and experience are not harmonious

Pretest test group SD value Pretest test group SD value Post test group SD value Post-test control SD value

SD

v

alue

Based on the above figures and tables, compared with the control group, the experimental group had improved in the aspects of three factors: self-stereotype, self-flexibility, and self and experience inconsistency (Ledger & Edwards, 2011). In terms of

self-flexibility, there’s significant differences

(P<0.05), and as for the self-flexibility and self and

experience inconsistency, there’re extremely

significant differences (P<0.01), indicating that the painting art can significantly promote college

students’ self-consistency level.

Table 2.

The t-value and significance of SCCS in

the two groups of students

Factor

Experimental

group Control group

t Sig. t Sig. Self and experience

inconsistency 4.593 .005**

-1.025 .358 Self-flexibility -2.742 .051* .000 1.001 Self-stereotype 2.324 .075 -.217 .816

Figure 7

.

Statistical results of mean value of

SCL-90 of the two groups of students before

and after the experiment

1.4 1.5 1.6 1.7 1.8 1.9 2.0 2.1 2.2

M

v

alue

Paranoid Anxiety Depression Interpersonal sensitivity Total average score

Pretest test group M value Pretest control values M Post test group M value Post-test control M value

Figure 8

.

Statistical results of standard

deviation of SCL-90 of the two groups of

students before and after the experiment

0.2 0.3 0.4 0.5 0.6 0.7 0.8 0.9 1.0

Paranoid Anxiety Depression Interpersonal sensitivity Total average score

SD

v

alue

Pretest test group SD value Pretest test group SD value Post test group SD value Post-test control SD value

(2) SCL-90 test results. Due to the limited space, after statistical analysis, this paper selected four

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INFLUENCE OF FOLK-ART EDUCATION ON MENTAL HEALTH OF COLLEGE STUDENTS 1116

representative mental health factors of college students (Cashell & Miner, 1983): interpersonal sensitivity, depression, anxiety, and paranoid, as examples for analysis. Figures 7 and 8 are statistical results of mean and standard deviation of SCL-90 the two groups of students before and after the experiment, Table 3 shows the t-value and significance of the SCL-90 of the two groups of students before and after the experiment.

Table 3.

The t value and significance of SCL-90

of the two groups of students before and after

the experiment

Factor

Experimental group

Control group

t Sig. t Sig. Total average score 4.845 .005** 1.824 .121

Interpersonal

sensitivity 2.903 .035* .595 .574 Depression 3.731 .013* 1.226 .269 Anxiety 2.589 .049* 1.522 .183 Paranoid 3.513 .018* 1.225 .271

It can be seen from the above chart that the experimental group has improved in the aspects of the four factors selected after the experiment, and the results obtained before and after the experiment showed significant differences (P<0.05), and the total score of the experiment was extremely significant (P<0.01). However, the control group did not show significant differences in the total score and the four factors selected before and after the experiment, which indicates that the painting art can

significantly promote college students’ mental

health.

Suggestions on promoting the mental health of college students by folk-art education

(1) Provide students with a pressure alleviation environment through diversified art education modes. College students often encounter all kinds of troubles in daily life and study, if they have no channel to release their bad mood, they would produce psychological troubles, therefore, colleges and universities can set up art pressure alleviation work studios (Dosamantes-Beaudry, 1999), such as painting or clay pressure alleviation experiencing halls, which can not only cultivate students' interests and hobbies, but also relieve their psychological pressure when they encounter problems. In the pressure alleviation work studios, students’ works are mainly creation, through the whole-hearted engagement in works they could make their bad mood precipitate and express their feelings through

their creation works. And the instructors do not evaluate the works directly, but only answer questions when students encounter problems in the creative process.

(2) Popularize psychological pressure alleviation method by folk-art education. Through lectures, class meetings, and other forms, explain to the students about using paining or other art forms to express and record their psychological pressure, so that they can record their emotions quickly with painting or other art forms they like or are good at, which can also be called the sketching diaries (Boris, 2001), in which they can quickly record their daily feelings and emotions such as sorrows and happiness, in the meantime, the student’s own heart will also analyze and judge the problems and precipitate his/her emotions. This process is also a process of alleviating psychological pressure.

(3) Enrich the teaching content of art education, and let students participate by creating contexts. The main purpose for most colleges and universities to set up folk-art courses is to improve students' artistic accomplishment and cultivate their sentiment, so most art courses focus on art appreciation. In order to achieve the role of folk-art courses in promoting the mental health of college students, when designing the courses, certain art or life contexts should be set so that students could blend in the learning context and participate in the courses through game, music or other forms. When introducing artists and their art works, teachers should convey their life experiences and the positive meanings of their paintings to the students, so that they can have the courage to face all kinds of difficulties and setbacks, realizing the effect of alleviating pressure.

CONCLUSION

(1) The survey results of the current status of college students’ psychological pressure and the folk-art education in colleges and universities showed that psychological problems are common among college students, they have certain recognition of alleviating psychological pressure by folk-art education, and they are willing to take courses in pressure alleviation with art.

(2) With painting art as an example, this paper adopted the empirical research method to design and implement the experiment of the influence of folk-art education on the mental health of college students. The results showed that the art of painting

can significantly promote college students’ self

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1117

(3) From three aspects of enriching art education mode, art teaching content and popularizing art education, this paper proposed suggestions for using folk-art education to promote the mental health level of college students.

Acknowledgement

This study was supported by (1) Chongqing social science planning and cultivation project, Study on alienation of productive protection of intangible cultural heritage in Chongqing (No.2018PY89); (2) Chongqing College of Electronic Engineering scientific research projects, Construction of talent training mode for art majors in higher vocational colleges under the background of skill competition (No.XJSK201708).

REFERENCES

Boris, R. (2001). The root of dance therapy: a consideration of movement, dancing, and verbalization vis-à-vis dance/movement therapy.

Psychoanalytic Inquiry, 21(3), 356-367.

Carrotte, E. R., Vella, A. M., Hellard, M. E., & Lim, M. S. C. (2016). Mental health and associated sexual health behaviours in a sample of young people attending a music festival in melbourne, victoria.

Community Mental Health Journal, 52(8), 1082-1088.

Cashell, L., & Miner, A. (1983). Role conflict and role

ambiguity among creative arts therapists. Arts in

Psychotherapy, 10(2), 93-98.

Cook, S., & Ledger, K. (2004). A service user-led study promoting mental well-being for the general

public, using 5 rhythms dance. International

Journal of Mental Health Promotion, 6(4), 41-51. Dosamantes-Beaudry, I. (1999). Divergent cultural self construals: Implications for the practice of

dance/movement therapy. The Arts in

Psychotherapy, 26(4), 225-231.

Froggett, L., & Little, R. (2012). Dance as a complex intervention in an acute mental health setting: A

place 'in-between'. British Journal of

Occupational Therapy, 75(2), 93-99.

Ledger, A., & Edwards, J. (2011). Arts-based research practices in music therapy research: existing and

potential developments. Arts in Psychotherapy,

38(5), 312-317.

Lenette, C. (2015). Where words fail, music speaks: the impact of participatory music on the mental health and wellbeing of asylum-seekers. Arts & Health, 8(2), 125-139.

Leung, C. H. (2017). University support, adjustment, and mental health in tertiary education students

in Hongkong. Asia Pacific Education Review,

18(1), 115-122.

Muro, A., & Artero, N. (2017). Dance practice and

wellbeing correlates in young women. Women &

Health, 57(10), 1193-1203.

Puig, A. (2006). The efficacy of art therapy to enhance emotional expression, spirituality, and psychological well-being of newly diagnosed stage I and stage II breast cancer patients. Arts in Psychotherapy, 33(3), 218-228.

Roberts, S., Camic, P. M., & Springham, N. (2011). New roles for art galleries: art-viewing as a community intervention for family carers of people with mental health problems. Arts & Health, 3(2), 146-159.

Van Puyvelde, M., Rodrigues, H., Loots, G., De Coster, L., Du Ville, K., Matthijs, L., Simcock, D., & Pattynet, N. (2014). Shall we dance? music as a

port of entrance to maternal-infant

intersubjectivity in a context of postnatal

depression. Infant Mental Health Journal, 35(3),

220-232.

Wager, K. M. (1987). Prevention programming in mental health: An issue for consideration by

music and drama therapists. Arts in

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