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CABLEADO ESTRUCTURADO:

D. INSTALACIONES ELECTRICAS

4. ESPECIFICACIONES TÉCNICAS Y NORMATIVIDAD DE MATERIALES.-

4.2 CABLEADO ESTRUCTURADO:

© Copyright 1976 Strange Music Limited.

All Rights Reserved. International Copyright Secured.

Words & Music by Rory Gallagher

q. = 109

Calling Card



3fr

Gm7

3fr

C7

8fr

Cm7

8fr

F

5fr

Am7

5fr

D



Bass arr.

for Gtr.

Intro

mf

[Gm7] [C7] [Gm7] [C7] [Gm7] [C7]



[Gm7] [C7]

*Gtr. 1 (elec.)

w/vol. cont.

w/amp gain distortion

[Gm7] [C7] [Gm7] [C7] [Gm7]

[C7]

*play with pick + fingers

1/2 1/2



[Gm7]

[C7]

[Gm7]

[C7] [Gm7]

[C7]

2 2 2

full

full



[Gm7] [C7] [Gm7] [C7]

[Gm7] [C7]

2 2

1/2 1/2

  

   

  

   

  

   

3

3

0 1

3

3

0 1

3

3

0 1

  



                  

5 3

5 3 5

5

3 5 5 3 5 3

5 0

                   

      

5 7

6

5 7

6

5 7

6 8 8 8 8 8 8 8 8 8 8 8 6

7 5

           

  

      

      

3 5 5 5 3

5 5 3

5 3

5 3 1 3

3

3

1 3 5

3 5 3

3

5 5 3

Sorgdal

$



[Gm7] [C7] [Gm7] [C7] [Gm7] [C7]

3



[Gm7] [C7] [Gm7]



[C7]



1 1/2



[Gm7] [C7] [Gm7]



[C7]

1 1/2



 

Verse Gm7

Well Well

the it

rain ain’t

ain’t so C7

fuss y -fun

a ny

-bout

-when you’d ra Gm7

- ther where

die.

it lands,

C7 Gm7

it ’ll It - find

ain’t you

no C7

hid- ing plea

no sure

-mat ter when

-that

2 4



Pno. arr.

for Gtr.

 

girl Gm7

where you don’t re

stand.

ply C7

- to your love

Gm7

- sick

It’s gon let

na ter

-rain C7

bro-ther

that you



      

  

    

      

       

 

5

11 10

13 11

10

13 11 10

13 11 10

X X

10 13 10

X

X 13 10 10

11 10 12

                  

10

12 10 12

12 12 10

X 8 8 10 12

10

    

       

  

12 12 12 12 12 12 12 12 12

              

    

        



  







  







  





3 5 3 6

3 3 5 3

3 5 3 6

3 3 5 3

3 5 3 6

3 3 5 3

          



  







  





3 5 3 6

3 3 5 3

3 5 3 6

3 3 5 3

Sorgdal

wrote Gm7

and it’s gon in

na - rain

tears C7

hard, a bout

-when the blues feel Gm7

ing

-comes so

call bad

ing - with his

for a mil- lion call

years.

- ing card.

 (Bass)

 

Verse Gm7

Well, It the

ain’t rain

too ain’t C7

fun ny fus

-sy

-when you’d ra Gm7

ther a

- die.

bout

- where it falls,

C7



(Piano)

 

Ain’t Gm7

no it rains on

plea C7

- sure one just

when like

that it

girl rains Gm7

don’t on

re all.

-ply C7

to your love Gm7

But sick when

-it let

falls C7

- ter

bro- ther, (that) you

it’s



 

wrote gon Gm7

na

-in rain

tears hard, C7

a- bout when the

feel blues [Gm7]

ing

- so

comes bad

call -ing with for his

a mil lion

call

-ing

-years.

card.



Sorgdal

To Coda Ø

 

Bridge

Cm7

Watch out F

bro -ther,

Cm7

be a lert, F

-Cm7

what - ev- er you F

do



(Piano)

 

Cm7

don’t F

show that hurt,

Gm7 C7

show that

 Gtr. 1

2

2

1/2

 

hurt,

Gm7 C7

yeah.

Gm7

C7 Gm7

C7

  7

1/2



Gtr. solo

Gm7 C7 Gm7 C7 Gm7 C7

             

   





   





   





8 8 8 8

8 10 10 10

8 8 8 8

8 10 10 10

8 8 8 8

8 10 10 10



    

   



        

8 8 8 8

8 10 10 10

5 5

3 3

3 5

      

    

     

 

5 3

5 5 3

5 3

5 3 1 3

       

  

  

  

    

     

 

11 10

13

12 10

11 10

13 11

10

13 11

10

13 11

10 13

10 13 10

13

Sorgdal





1, 2.





3.



Gm7 C7 Gm7 C7 Gm7 C7

full 1/4



Gm7 C7 Gm7 C7

full full full full full



Gm7 C7 Gm7



C7

full



full full 1/2



Gm7



C7 G7 C7





full full full full full full full full

Pno. solo

Am7 D Am7 D Am7 D Am7 D Am7 D



    

 

                   

13 11

12

10 12

11 11 10

12 12 10

12

10 10 10

12 10 10 10

13 10 12

10 12 11

                      

  



12 12 12 10 12 10 12 17

15

18 17

15

18 17

18

0

     

  

        

18 15 18

17

18 15

15 17

   

  

   

18 18 18 18 18 18 18

   





   





   





   





   





5 5 5 5

5 7 7 7

5 5 5 5

5 7 7 7

5 5 5 5

5 7 7 7

5 5 5 5

5 7 7 7

5 5 5 5

5 7 7 7

5

Sorgdal

 

Middle

Cm7

I’ve been so sub F

ject

- - ed,

Cm7

I’ve been so F

dis - tressed,



 

Cm7

come back ba

F

by

-Cm7

and clean up F

this mess,



 

Gtr. solo

Gm7

C7 Gm7

clean up this mess.

C7





3



full 1/2



Gm7 C7 Gm7 C7

 

1/2

            



   





   





8 8 8 8

8 10 10 10

8 8 8 8

8 10 10 10

 

   





   





8 8 8 8

8 10 10 10

8 8 8 8

8 10 10 10

      

     

             

    

5 5

3 3

6 3

3 5 3

5 3

6 5

3

5 3

6

                 

              

5 3

6 5 3

5

3 5 5 3 5

X 5 5 3

X

5 3 5 3 5

3 5

Sorgdal 1

D.S. al Coda

ØCoda



Gm7 C7 Gm7 C7







Gm7 C7



Gm7 C7



1/2

 

hurt,

Gm7 C7 Gm7

don’t C7

show that







full 1/2

 

hurt,

Gm7 C7

yeah.

Gm7 C7



full

    

      

   

 

3

3 5 3

5 0 5

3 5 5

3 5

 

       

     

 

3 5

3 5

5

5

3 5

  

                     

5 3 3

6 5

3 3

6 5 3

5

6

7 5 5 3

     

              

5 3

5

6 3 8

7

Sorgdal



Gtr.

solo

Gm7 C7 Gm7 C7 Gm7 C7

 

full 1 1/2 1 1/2 1 1/2



Gm7 C7 Gm7 C7 Gm7 C7

1/2



Gm7 C7 Gm7 C7 Gm7 C7

1/2 1/2



Gm7 C7 Gm7 C7 Gm7 C7

full



Gm7

(‘Trade’ with piano)

C7 Gm7 C7 Gm7 C7 Gm7 C7

full

 

  

                  

  

11 13 13 13 11

12 12 10

12 12 10 13

10 12

10 12 12 12

      

   

  

  

    

  

10 12

11 13 13

13

11

12 13

11 13

 

    

          

     

 

     

10 12 13

10 11 13

10 12

10 12

10 12 11 12

11

11 11 12

              

     

         

0

13 11 13 11 12

10 10

12 1012 10

10 13 10

12

10 12

11

12 10 12

                 

  

11

12 12 17

15

18 17 X 17

15 18

Sorgdal



Gm7



C7 Gm7 C7 Gm7 C7 Gm7 C7



full full full full full full full



Gm7

C7 Gm7 C7 Gm7 C7 Gm7 C7

full full full full full



Gm7 C7 Gm7 C7 Gm7 C7



4 4



full full



Gm7 C7 Gm7 C7



Gm7 C7 Gm7 C7



    

 

 

 

      

   

18

18 18 18 18 18 18

19 17

18

    

 

 

  

   

 

 

20 18 18 18 18 15

17

18 18

  

                        

18 18 15 17

15 15

17 15 15

17

15 17 15 17

15 17

15 1717 17 15 17 15 17 15 17 15

   

  

     

      

17

17 15

18 17

15

17 15 15

18 17

15 15

17 15 15

18 17

15 15

17

  

  

   

   

   

17 15 15

18

17 17 15 15

18 17

15 15

17 17 15 15

18 17

15 15

17 17 15 15

18 17

15 15

17

9

Sorgdal

Freely



Gm7 C7 Gm7



full full



full full



P.H.

full full full full full full full





 



   

   

  

    

   

   

17 15 15

18 17 15 15

17 17 15 15

18 17 15 15

17

17 18 17 17

17 15 15

18 17

15 15

18 18 17 15 17

     

                

 

15 17 15 17

18

15 18

15 18 15 18

15 18 15

17 15

17 15

17

15 17 15 17

17 17

15

                

17 15 17

17 15

17

3

       

 

 

 

 

 

 

 

 

 

 

 

            

6

5

6 3

3 5 5 7

6 8 8 8 8 8 8 6

7

5 3

3

5 3 5 3 5 3

             

   

5 3 5 3 5 3 5 3 5 3 5 3 5

0 5 3 3

Sorgdal

Catfish

© Copyright 2009 Strange Music Limited.

Bug Music Limited (85%)/

Warner/Chappell Music Limited (15%).

All Rights Reserved. International Copyright Secured.

Free time e c. = 124

Arranged by Rory Gallagher

e = 124



 

Gtr. 1 (elec.) Intro

mf w/dist. + short delay

µ[E]

 

3

  

full full full full full 1/4 full

 

full full

 

full full

 

3 3 3

3

full full 1 1/2 2



      

 

       

 

       



    



7

9

9

7 9 9

7 9

7 9 12 12

7 9

7 9 9 9 14

9 9 9 12



   

  

 

 

 

  

      



12 12 1

0 2 2

X 0 2

0

2 2 0

2

        



       

0 X

0

2 2 0

2 0

X 14 14 12

14

                  

  

         



12 14

12 14 12 14

12 14 12 14 12 14

14

14 12 14 12 14

14 14 14 12 14 12 14

12

Sorgdal



1. Well, I

 

full

full full full full



wish Verse

I was a cat-fish swim- ming in the deep blue

 

1/4



sea.

All you pret ty- wo - mens

 

full 1/4 1/4



fish ing- af ter- me,

fish ing- af ter- me. 2. Well, I

 

1/4

    

 

              



    

12 2

X

2 2 0 2

0

9 9

                     

    

                



  

7 9 9 16 7

9 7

9 9 9

7 7 9

9 8

9 7

           

  



          

       

   

 

9 9 14 2

0

2 0

2 0 2 0

0 2 2 2

0

3 0 0

0 2 2

3

                    

     

 

   

          

0 0

0 2 2

0

3 0

9 9

Sorgdal



went Verse

down to my ba- by’s house and I sat down on her

 

1/4



steps. She said, “Come on in here babe,

 

full 1/4



my old man just left, just now left.”

 

1/4 1/4 1/4

 

Guitar solo



3 3 3 3



full full

                    

                 

    

7 9

9 7

9 9 9 9 X 9 9

7 9 9 16

9 8

9 7

                  

  



     

    

     

 

   

 

10

9 9 14

0

10 8

9 7 2

0 0 2 2

2 2 4

0 0

0 2 2 2

0 3

               

     

 

   

       

 

 

    

0 0

0 2 2 2

0

3 0

0 2 2

3 0

0 2 2

3

      



    

     



7 9

7 9 7 9

9 7

7 9 7 10

7 9

10

7 9 9

10 8

9 7

5

9 7

9 9 7 5 7 5

7 7 7 14 7

Sorgdal

   



P.H.

 

3

1/2



1/2 full full 1/4 2

 

 

1/2 1/2 1/2

  

 

full

full

full

 

full full full full full full full full



         

 

       

16 16 12 14 12 14 12 16

14

16 12 14 12 14

12 14 14

12 14 12 14

15 15 15 12 14 12

14 14 14 14 14 12

14 12 14

                           

14 14 10

7 8 7 9

7 9 9 7 8 7

9

7 9 7 8 7

9 7 9

                                 

  

7 8 7 9

7 9 7 9 7 9

7 9 7 9 7 9

7 9 9 9 9 9 9 9 7 7 9 7

9 7

9



 



   



      

     



   

7

10

9 7 9

10

10 8 10 8 9

8 9

7

9 11 9 11 9 11 12

11 9 11

9 7

9 7 5 7 9 9 9

9 11

9 11 9 11

9 11



      

 

                   



11 11 11 11 11 11 11 11 9 11

11

9 11 9 11 9

11

9 11 9 11 9 11

9

Sorgdal

 

3

full full full full full full full full full

 

3 3

full full

full full full

 

3

 

 

1/4

 

3 3 3 3

 

mp w/clean tone

1/4

                     

    

14 14 14 14 14

14 13 11 9 11 9 7 9 7

9 7 6

7 7 14

12 12

12

                            

15 14 12

15 12

15 15 12 14 12 14

12

12 14 12

14 14 12

14 12 14

                

          

15 14 14 13 14

15 12 14 12 14

12

14 14 12

14 12 11 12

14 12

15 14 12

5 7 7

0 3

0 2 0 2

0 3

0 2 0 2

              

0 3

0 2

0 2 0 2 0 0

0 2 0 2 0

3 0 2

0

0 2 0 2

0

2 2 0 3 0

0 2 0 2

0

2 0 2 0

          

 

              

0

0 2 2

3 0

2 2 1 0

2 2 1 0

0 2 2

2 2 1

2 2 2

2 2 2 0

2 2 1

2 1

0 3 5 3 5 3

4

Sorgdal















3. Well, there’s

 

3 3 3



two Verse

trains a run nin’,- and there’s

   

Harm.

1/4



not one go - in’ my way.

 

1/4 1/4 full



One runs at mid-night, oth er- just for day.

  

3

 

full full full 1/4

   

                 

  

  



   

   

3 5 3 5 3 4

3 5 3 5 3 4

0

2 0 2 0 2

0 0 0 0

2

0 2 0

2 1 0

2 2 1

               

  

 

          

 

 

   

    

 

   

7 6 7 8

0 0

2 2 2

0 3

0 0

4 7

0 0 2 2 2

2 2

3 0 0

2 0 2

             

 

   

       

 

   

 

    

    

       

0 2 2

0 0 2 2 2

2 2 2

3 0 0

2 0 2

0 2

X 0 2

2 2

2

3 0 0

10 10 8 10 8

              

    



          



  

9 4 9

10 10

10 8 10 8

9 8

2 4 2 0 2 0

2 0 2 0 2

Sorgdal

Free time

A tempo





















O - ther just for day.

 

1/2



Oth -er just for day. Oth er- just for day. Oth er- just for day.

 

 

mf

3 3 3

1/4

 

w/dist.

(Feedback)

f

1/2 1/2 1/2 1/2 full full full full full full full full full



Hey!

4. Well, she’s

 

1/4 1/4

       

          



0

2

0

2 0

2

                        

     

0

        

 



   

2 1 0

0 2 0 3

0 2 0 2 0 3

0 2 0 2 0 3

0 5 10

7 9 7 9

7 9

9 11

9 11

9 11 9 11 9 11 9 11 9 11

9

 

       

    

    

    

  

 

11 11 11 11

11 11 11 11 11 11 11 11 11 11 11 11

      

 

 

 

           

0

0 2 2

3 0 0

0 2 2

3 0 0

2 0 2

0 2

9 9

Sorgdal











long Verse

and she’s tall, and she shakes like a wil -low

  

(Feedback)

 

   

1/4



tree.

They say she’s no good,

 

1/4 1/4 1/4



she’s all right with me. Right with me. Right

with

   

 

1/4 full full



me. Right

with me. Right

with me.

     

 

full

full

  

                        

           

 

         

 

  

7 7 9 9 7

9 7

9 9 19 9 9

7 7 9 9

7 9 8

9 7

            

   

 

  

 

     

   

 

9

0 0 2 2

3 0

0 2 2 2

3 0 0

0 2 2 2

3

                  

        



     



   

0

7 9

7 9

8 9

10 10 8

9 7

10 10 8

9

 

  

    

 



    



            

7

10 10 8

9 7

10 10 8

9 7 2 7 9 7 9 7 9 9

2 2 0

2 2 0

2 0 2 0

Sorgdal 0











5. Well I wish I was a cat - fish

 

(Feedback)



swim -ming in the deep blue sea.

   

  

1/4



All you pret ty- wo -mens swim min’- af ter- me,

 

full 1/4

full



swim - min’ af - ter me.

 

3

1/2 full

              

 

 

             







0 7

X X

9 9

7 9 X 7

9 7

9

                





         



      

  



   

9 9

7 7 9 9

9 8

9 7 9 9

0

7 9

7 9 0

                

     







  

     

   

0

7 10

12

10 8

0

15 15 12

14

      

      

   

     

15 15 0 19

17 19 17

18

Sorgdal

Free time

Freely







  

mf

3 3 3

full full 1/4

 

w/pick + fingers



1/2

 

Outro





full full 1 1/2

 

(Feedback)

full full



I wish I was your cat - fish.

 

f

 

              

    

      

    

 

17 19 17 19 19 17 18

17 19 19 17 18

17 19 19 19 19 19 17 18

17 9

7 9 4 7 9

7

0 2 2

0 3

     

 

 

 

 

 

 

 

   

         

 

0 3 0 3 2

0 0

3 X

0 2 2

3 2 2

0 2 2

3 2 2

0 2 2

0 3 2 2

0 3

0

3 2 2 2 0

                                  



7 9 7 9 7 9 7

9

7 9 7 9 7 9

7 9 7 9 7 9

9

7 9 9 7

9 7



 



                  





9

12

11

9 11 9

11 9

11 12 11 9 11 12

9 7 9

          

      

 

  

 



 

     

X

0 7 6 7 8

7

Sorgdal

Continental Op

© Copyright 1988 Strange Music Limited.

All Rights Reserved. International Copyright Secured.

Words & Music by Rory Gallagher

q ==== 138 (qa aq =[qp ]e)



Gtr. 4 Tuning:

6 = D 3 = G 5 = G 2 = B 4 = D 1 = D

Capo 2nd Fret 2fr

A7 A6 A5 A7* D E

3fr

G5 C G/B A



Gtr. 1 (elec.) Intro

mf w/dist.

A7 A6 A5 A7 A6 A5



Gtr. 1 + Gtr. 2 (elec.) (composite part)

A7 A6 A5 A7 A6 A5

3 3 3



A7*

3 3 3

D 3

A7*







D

A7*

1. Well there’s a

 3 3 3 3





   

   

     

 

   

   

    

 

2 0 5

2 2

0 4

2

3 4

2 4 2 2

2 2

2 0 5

2 2

0 4

2

3 4

2 4

0 0

2

   

   

     

 

   

   

           

0 5

2 2

0 4

2

3 4

2 4 2 2

2 2

2 0 5

2 2

0 4

2

3 4

2 4 2 3 4

2 4 2

4 2

         

 

 

    

 

2 2 3

2 2 3

2 2 3

2 2 3

2 2 3

2 2 3

2 2 3

2 2 3

2 2 3

0 2 3 2

0 2 3 2

0 2 3 2

2 2 3

14 15

   

      

 

 

 

 

 

     



    

2 2 3

2 2 3

2 2 3

2 2 3

2 2 3

2 2 3

0 2 3 2

0 2 3 2

0 2 3 2

0 2 3 2

0 2 3 2

0 2 3 2

2 2 3

14 15

14 15

2

Sorgdal



bo Verse A5

dy

- in the bay, the cops are tak- ing it a-way. They

3

said this





case was closed, it on ly-- shows that you’ll nev er-- know.

So

3 3





who Chorus E

they gon na- get when the trou- ble’s got to stop? Here’s G5

my card, I’m the ConCon ti- - nen tal- Op.



 A7

A6 A5

A7

A6 A5

2. Jane



   Gtr. 3 (elec.)

w/dist.

                  

   

   

   

   

   

   

   

 

 

0 0 2

2 2

0 0 2

2 2

0 0 2

2 2

0 0 2

2 2

0 0 2

2 2

0 0 2

2 2

0 0 2

2 2

0 0 2 2

0 2

                  

   

   

   

   

   

   

   

 

0 0

2

2 2

0 0 2

2 2

0 0 2

2 2

0 0 2

2 2

0 0 2

2 2

0 0 2

2 2

0 0 2

2 2

0 0 2 2

0

                      













 

    

0 2 2 1

0 2 2 1

0 3

5

5 2

 

   

   

     

 

   

   

    



 

0 5

2 2

0 4

2

3 4

2 4 2 2

2 2

2 0 5

2 2

0 4

2

3 4

2 4

0 0

2

2 2

  

 



5 5

4 4

3

3 3 2

2

Sorgdal

$



me Verse

() A5

-Doe nace

in on

the the

bay, streets

now that’s off

Ex

’ring

-hi in - - bit

- fants

‘A’.

sweets, 3



  (1º)







don’t

Blood give

- stains this

on man

the a

dress ride,

of lock your

the car



 (1º)



(1º)







            



  



  



  

 

 



  



  

0 0

2

2 2

0 0

2

2 2

0 0

2 2

2 2

2

2 2

0 0

2

2 2

0 0

2

2 2

 

  

5 5

5 7

7 5 5

         



  

 

 



  



  



  

 

 

0 0

2 2

2 2

2

2 2

0 0

2

2 2

0 0

2

2 2

0 0

2 2

2 2

2 4

2

 

  



  

5 5

5 7

7 5 5

5 5

5 7

7 5 5

3

Sorgdal



mil - lion from

air the

- ess.

in

-side.

-But He’s

I saw

sus

you pect

-leav num

-ing ber

town, one,



  (1º)



 



I’m but I

gon guess na

- have to his

track race

you is

down.

run,

You’ve He left

slipped a

through set

the of

web prints, 3





2º Gtr. 4 (elec.)

Tuned D G D G B D, Capo 2nd Fret

w/slide + crunch dist.

3

3

             



  



  



  

 

 



  



  

0 0

2

2 2

0 0

2

2 2

0 0

2 2

2

2 5

2

2

0 0

2

2 2

0 0

2

2 2

 

   

5 5

5 7

7 5 5

5 5

                   



  

 

 



  







  

 

 



  





0 0 2 2

2 2

2

2 2

0 0 2

2 2

0 0 2 2 2

0 0 2 2

2 2

2 2

0 2

0 0

2

2 2

0 0 2 2 2

    

    

2 3 2 3 2 3 2 3 0

3 3 3 5

Sorgdal

To Coda Ø



and he’s

you not

might as smart

have dodged as

the he

Feds.

thinks.

But who Who







 



full full





Chorus

E

they they

gon gon

na na

-get get

when when

you’ve you’ve

out out

-foxed foxed

the the

cops?

cops?

Here’s Here’s G5

my my

num card,

ber,

- I’m

I’m the the

Con Con

ti ti

-- nent nent

al al -- Op.

Op.

Yeah.





 

  

          



  

 

 



  



  



  

 

 

0 0

2 2

2 2

2

2 2

0 0

2

2 2

0 0

2

2 2

0 0

2 2

2 2

0 2 2

0 2

 

    

 

8

7 7

       

5

3 0

                       







   

 



  

0 2 2 1

0 2 2 1

0 0 1 3

5 5

X X

X 2

     

7 7 7

10 10

10 10

0 0

5

Sorgdal



A7

A6 A5

A7

I’m the Con ti- - nent al -A6

Op.

3

A5

Yeah.

3 3

 3

   Gtr. 3



Gtr. Solo Gtrs. 1+2 A5

Gtr. 3

 3 3

 



cont. ad lib. sim.

 



3

3

1/2

full full1/2

        

   

   

     

 

   

   

        

0 5

2 2

0 4

2

3 4

2 4 2 2

2 2

2 0 5

2

2 0 4

2

3 4

2 4

0 0

2

2 2

  

 



5 5

4 4

3

3 3 2

2



 

 





 



 

 



   

0 2

2

0 0

2

2 2

0 2

2 2

0 0

2 2

2

2 2



 













      

0 5 5

0 5 5

0 5 5

0 5 5

0 5 5

0 5 5

0 5 5

7 5 5



  



  



  



  

0 0 2

2 2

0 0

2

2 2

0 0 2

2 2

0 0

2

2 2

 

                     

 

7 7

8

7 5

7

7 5 7 5

7 5 3 0 5 3 3

5 3 0 3

Sorgdal



P.H.

3

3 3 3 3

3 3 3 3 3 3

 3

1/2 1 1/2





P.H.

3 3

3



full

full 1/4 1/4



P.H.

3 3 3 3

P.H.

3

3

full 1/4



P.H.



3 3

P.H.



3 3 3



full



1/4

                         

 

  

 

  

 

5 3 5 3

5

3 5 3 5 5 7 5 7

5 7

5 7 5 7 7 9

8 8 8 9

8 8

9

8 8

9

8 8

9

8 8

      



 

   

8 10 2 10 15 13

14

13

0 8

5 7 7

     

      

 

       

5 7 5 8

7

5

7 5

7 7 7

5 5 7

5 5

7 5

5

7 5



          



 

 

 

 

 

 



 

 

   

5 7 7 5

7

7 5

7 5 7

5 5 5 5 5 5 5 5 5

7 5 3

           



 

   

 

 

 

 

 

5

5 7 5

5 7 5

5 7

5 7

5

7

5 7 5

7 7 5

7 7

7

Sorgdal

D.S. al Coda

ØCoda



Call Bridge D

the a - gen cy,- we nev - er close,

C G/B C

first D

con sul -3

- ta- tion’s free.

C G/B C

Check



Gtr. 3 tacet

 D

my re pu- -ta-tion, check my C

pose,

G/B C

but E

first you ought to check my fee.

G5

There’s a



3.



Gtrs. 1+2

A7

A6 A5

A7

A6 A5

Yeah,



   Gtr. 3

  Gtr. 4

                 

   

   

 

      

 

 



    

0 2 3 2

2 3 2

0 2 3 2

2 3 2

2 3 2

3 0

2 0

3 0

2 3 2

2 3 2

0 2 3 2

0

3 2

0 0 0

3

                  



 

 

 



    









 

  

0 2 3 2

2 3 2

2 3 2

0 2 3 2

0

3 2

0 0 0

3 0 2 2 1 0 0

0 2 2 1 0 0

3 5 5

2

  

   

   

     

 

   

   

   



0 5

2 2

0 4

2

3 4

2 4 2 2

2 2

2 0 5

2 2

0 4

2

3 4

2 4 0

  

 



5 5

4 4

3

3 3 2

2

  

  

2 3 3

Sorgdal



who E

they gon na- get when you’ve out-3

foxed the cops? Here’s

G5

my badge, I’m the Con ti- -nen tal- Op.





 

  



A7

A6 A5

Yeah.

A7

A6

Ow!

A5



 

(Gtr. 3 ad lib. fill)





                      











 

 

  

0 2 2 1

0 2 2 1

0 2 2

0 2 2

0 2 2

3 5

5 2

   

7 7 7

10 10 10

   

   

     

 

   

   

    

0 5

2 2

0 4

2

3 4

2 4 2 2

2 2

2 0 5

2 2

0 4

2

3 4

2 4

0 0

2

2 2

 



6 8 6 8

5 7

9

Sorgdal



Gtr. Solo

A5

1/4

 3 3 3

 A



3

 

 A5

cont. ad lib. sim. to fade

 





3 3 3





 





     

   

         

 

   

0 2

0 2 2

2 4 2

2 4 2

2 4 2

0 2 2

0 2 2

0 2 2

2 2

2 4 2 2

2 2

3

           

 

 

 

0

2 3 0 2 3 0 2 3 0 3 0

X X

X X

X X

X X

 





   





  

0 0

2 2 2

2 2

0 2 2

0 2 2 2

2

      

1 3

3

5 3 4 4 0

19 19



  



  



  



  

0 0

2

2 2

0 0 2

2 2

0 0 2

2 2

0 0 2

2 2

              

15 17 15 17 17 15 12

14 13 10 12

12 10 10

Sorgdal



 

3 3

3

 

 3

3 3 3

3









3 3 3

3 3 3 3 3 3





3 Start fade

  

3 3 3 3 3 3

   

 3 3

 

3 3 Fade out





 

    

 

     

        

10 12 10 12 12

17 17 15 12

13 11 12

12 10 10

2 3

3 3 3 5 5 5

6 5

  

  

         

  

          

5 3 5 7 9

2 3 3

3 2 0 1

3 4 0

0 3 5 3 5

3 5 7

6 8 8 8 8 8

                             

8 8 8 8 8 8 8 8 8 8 3 15

15 15

15 15

15 15

15 15

15 15

15 15

15 15

15 15

15 17 0

                              

15 15

15 15

15 15

15 15

15 15

15 15

15 15

14 14

13 13

11 11

12 12

11 10 12 10

12 12

11 10 12 10

             



      

9 12 9 7 9 10 12 12

12

12 0

10 12

12 0

15 15

15 15

15 15

15 15

15 15

15 15

15 15

11

Sorgdal

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