Castillo de Olvera

a User Voice.

n In the Voice Play mode and Voice Edit mode, you can set the parameters for each Voice. The parameters for all the Voices such as Master EQ and Master Effect can be set from the [UTILITY] → [F3] VOICE display in the Utility mode.

n The parameters that have the same name in the Voice Play mode and in the Voice Edit mode have the same functions and settings.

Voice Play mode

[VOICE] ➞ Voice selection

[F1] PLAY

TCH (Transmit Channel) Indicates the Keyboard MIDI transmit channel. You can change the Keyboard MIDI transmit channel by

pressing the [TRACK SELECT] button so that its indicator lights and pressing any of the Number [1] – [16] buttons. The Keyboard MIDI transmit channel can be changed also with the following operation: [UTILITY] → [F5] MIDI → [SF1] CH → KBDTransCh.

OCT (Octave) Indicates the Keyboard Octave setting. This can be changed with the following operation: [UTILITY] → [F1]

GENERAL → [SF2] KBD → Octave.

ASA (ASSIGN A), ASB (ASSIGN B)

Indicates the functions assigned to the respective Knobs (printed “ASSIGN A” and “ASSIGN B”) when the lamps of both the [PAN/SEND] and [TONE] buttons are turned on. The functions are assigned with the following operation: [UTILITY] → [F4] CTL ASN → [SF2] ASSIGN.

n TCH (Transmit Channel), OCT (Octave), ASA (ASSIGN A), and ASB (ASSIGN B) settings do not belong to each Voice. Because of this, these are not stored as an individual Voice in the Voice Store mode (page 168).

AS1 (ASSIGN 1), AS2 (ASSIGN 2)

Indicates the functions assigned to the respective Knobs (printed “ASSIGN 1” and “ASSIGN 2”) when the lamps of both the [PAN/SEND] and [TONE] buttons are turned on. The functions are assigned by setting the Voice Edit common parameters with the following operation: [VOICE] → [EDIT] → [COMMON] → [F4] CTL SET.

[SF1] ARP1 (Arpeggio 1) – [SF5] ARP5 (Arpeggio 5)

You can register the desired Arpeggio types to these buttons and call them up any time during your keyboard performance. For details, see page 48.

[F3] EFFECT

Pressing the [F3] EFFECT button in the Voice Play mode calls up the same EFFECT display in the Voice Edit mode ([VOICE] → [EDIT] → [COMMON] → [F6] EFFECT). From this display, you can set the effect related parameters for the current Voice. For details, see page 158.

[F4] PORTA (Portamento)

From this display you can select monophonic or polyphonic playback and set the Portamento parameters. Portamento is used to create a smooth transition in pitch from the first note played on the keyboard to the next.

Mono/Poly Determines whether the Voice is played back monophonically (single notes only) or polyphonically (multiple

simultaneous notes).

Settings: mono, poly

n When pressing the second note while holding the first note with the PortaSw set to on and the Mono/Poly set to on, the second note sound starts succeeding the transition of the first note, or the second note starts not from the EG (AEG/ PEG/FEG) start point but from the EG (AEG/PEG/FEG) point the first note reaches. This realizes the legato performance. This legato degree can be set with the following operation: [VOICE] → [EDIT] → [COMMON] → [F1] GENERAL → [SF4] PORTA → LegatoSlope (page 153).

PortaSw (Portamento Switch) Determines whether Portamento is applied to the current Voice or not.

Settings: off, on

PortaTime (Portamento Time) Determines the pitch transition time. Higher values result in longer transition times.

Settings: 0 – 127

PortaMode (Portamento Mode) Determines the Portamento mode. The behavior of the Portamento varies depending on whether Mono/Poly is

set to “mono” or “poly.”

Settings: fingered, fulltime

fingered ... Portamento is only applied when you play legato (playing the next note before releasing the previous one). fulltime ... Portamento is always applied.

V oice mode P erf ormance mode Song mode Utility mode File mode Master mode P attern mode Mixing V oice mode

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Voice Play mode

[F5] EG (Envelope Generator)

This display contains the basic EG settings, both volume and filter, for the Voice, as well as the filter’s cutoff frequency and resonance settings. The settings made here are applied as offsets to the AEG and FEG settings in the Voice Edit mode.

The full names of the available parameters are shown in the chart below, as they appear in the display.

Settings: -64 – 0 – +63 (except --- above) [F6] ARP (Arpeggio)

This display contains the basic settings for Arpeggio playback, including Type and Tempo. About the [SF1] – [SF5] buttons, see the explanation of the [F1] PLAY display.

Bank,

Ctgr (Category), Type

These three parameters determine the Arpeggio Type. The three-letter prefix number before the Type name indicates the number within the selected Category.

Settings: Refer to the separate Data List.

Tempo Determines the Arpeggio Tempo. When MIDI Sync ([UTILITY] → [F5] MIDI → [SF3] SYNC → MIDI Sync) is set

to “MIDI,” “MIDI” is displayed here and cannot be set.

Settings: 1 – 300

VelLimit (Velocity Limit) Determines the lowest and highest velocity which can trigger the Arpeggio playback. The Arpeggio plays

when you play notes at velocities within in this range.

Settings: 1 – 127

n Keys played outside the set limit sound normally without any Arpeggio.

Switch Determines whether Arpeggio playback is on or off. You can also turn this on or off from the front panel with the

[ARPEGGIO ON/OFF] button.

Settings: off, on

Hold Determines whether the Arpeggio playback is “held” or not. When this is set to “on,” the Arpeggio cycles automatically, even if you release your fingers from the keys, and it continues to cycle until the next key is pressed.

Settings: sync-off (see below), off, on

sync-off ...When set to “sync-off,” the Arpeggio playback continues to run silently, even when you release the keys. Pressing any key turns the Arpeggio playback on again. In other words, you can use the key to “un-mute” or “mute” (not start or stop) the Arpeggio playback by, respectively, holding it down or releasing it.

ATK DCY SUS REL DEPTH CUTOFF RESO

AEG

Attack time Decay time Sustain level Release time --- --- ---

V oice mode P erf ormance mode Song mode Utility mode File mode P attern mode Mixing V oice mode

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