Detecci´ on de colisiones en mallas de simplejos

a test for revealing the underlying personality structure of an individual by the use of a standard series of 10 inkblot designs to which the subject responds by telling what image or emotion each design evokes.

If you are a fan of Clint Eastwood, you probably remember the western classic movie The Outlaw Josey Wales, where Clint Eastwood portraying a farmer spits his succulent tobacco juice on obnoxious salesman, dying bad dudes, pesky critters, surly dogs, and stinging scorpions with an attitude of supreme arrogance, insolence, contempt, fearlessness, annoyance... His famous saying in the picture is, "Are you going to pull those pistols or whistle Dixie?" If you want to see Clint Eastwood spitting Tobacco Juice click the link:

The union of Siva and Sakti from such offering is liberation. Bliss is Brahman; it is present in the body, waiting to be expressed by wine; thus, Yogis imbibe it. Vira, the embodiment of Tantric virtue, untouched by polar opposites like pain and pleasure, possessed of Kula and Vaidik knowledge, imbibes wine which gives him Bliss and liberation. Mother Kali is the goddess of the Tantrics and Saktas.

Drinking of Soma is prescribed for Brahmanas, as wine is prescribed to Viras. Permitted user of wine, meat, fish, and sex should have thorough knowledge of Kula Sastra, before he uses them. The Sakti of Vira is alive and well, while that of Pasu is at sleep.

The fifth principle or Tattva is Mithuna (union). One's own wife or Sakti is the fifth Tattva, completely free from any defect. One's own wife, the wife of another, or any women can serve as the Sakti. When it comes to intercourse, only his own wife serves the purpose of Mithuna.

Sandhya Worship

Mantras are chanted at Sandhya (morning, noon, and evening) invoking the deities, Brahmani, Vaisnavi and Mahesvari, the controlling deities of Rajas, Sattva, and Tamas and the creator, maintainer, and destroyer. Sadaka meditates on them in the solar orb at Sandhyas. These time slots correspond to creation by Brahmani in the morning,

maintenance by Vaishnavi at noon and destruction by Mahesvari in the evening. During sleep, it is a case of dissolution or Pralaya for Jiva, because in deep sleep nothing exists for Jiva or embodied soul. Morning Sandhya worship celebrates creation by Brahmani. The Jivas, mobiles and immobiles start drinking and soaking up the sun until sundown at the west end of the Solar Orb. Between morning and evening Sandhyas, beings, plants, trees, shrubs and bushes have imbibed sun's rays to a point of satiation. Noon Sandhya celebrates that life-sustaining Sakti, Vaishnavi, the maintainer. Evening Sandhya

celebrates dissolution by Mahesvari because beings dissolve into the night of deep sleep and get much needed rest, dissolution, and bliss.

Brahmamayi, the Creator, is Mantrasakti, power of Mantra. Devata of Mantrasakti has two aspects: Vasaka Sakti and Vakya Sakti. Vasaka Sakti is like the fruit and Vakya Sakti is like the seed; one cannot get the seed unless one goes through the fruit. Vasaka Sakti is Sabdabrahman and Vakya Sakti is Parabrahman. Vasaka Sakti of a Mantra is the sound stage before the Sadhaka can reach the silent stage of Vakya Sakti of Parabrahman. One has to recite Mantras, before Sadaka advances to the stage of Muni, the silent one. AUM is Vasaka Sakti of Sound or Sabda-Brahman and the silence that follows AUM is the Vakya Sakti of Para Brahman. Brahmamayi has many other names: Kulakundalin and Sarasvati are two of them. She wears a rosary of fifty beads made of seeds and inscribed with Sanskrit letters from A to Ksa . These fifty letters form the basis for 90 million Mantras (9 crores), as 26 letters of the English alphabet form the basis for its entire literature. A seed grows from sprout to root, trunk, primary, secondary and tertiary branches, twig, leaf, flower, and fruit. In similar manner Seed Mantra (Bija Mantra) has trunk, branches, twigs, leaves, flowers and fruits.

OM is the Supreme Mantra like the Supreme Brahman. Various Deities with gunas are various aspects of One Nirguna Brahman. Bija or seed Mantras are the various aspects of the Supreme Mantra, OM. OM is the Supreme Sound.

As all leaves are attached to a stalk, so are all words attached to OM (Brahman).-- Upanishads. A sentence is a sound in itself on which other sounds called words are strung. --Robert Frost, Selected Letters.

Bija Mantras are seed letters (of Sanskrit language) which are the visual forms of Primeval Sound. If pen (written word) is mightier than a sword, Primal Sound is mightier than visual sound (Pasyanti) and written word. Go to <<<Sabda is sound>>>. Bija mantra is a single-character Mantra; there are exceptions like Hreem, a compound. Primeval Sounds apparently have no meaning, so is the case with Bija mantra sounds; they possess mystic meaning. Since Sound (Nada) is the source of the universe, the Maha-Bhutas (gross elements) have Bijas.

The Great Elements, Bija Mantras, Chakras and Specific Deities.

Ether Air Fire Water Earth

HAM YAM RAM VAM LAM

Visuddha Anahata Manipura Svadhisthana Muladhara

Every Deity, who is guna version of Nirguna Brahman, has its specific Bija (Seed) syllable. Bija Mantras are not for general use because they have such a force packed in them (as a seed packs a tree in it) that only perfected Yogis engage in Japa on Bija Mantras with attendant rituals.

Chakras and Bija Mantras Muladhara

chakra Svadhisthana Manipura Anahata Visuddha Ajna

LAM VAM RAM YAM HAM OM

Bija Mantras:

OM is the progenitor sound of all Bija Mantras. Nada and Bindu are two saktis (power). Naada (Nada) is sound and Bindu is dot, or point. Nada and Bindu are the progenitors of Tattvas, the building blocks of the universe. Nada is Sakti and Bindu is Siva (Siva-Sakti); Nada is action and Bindu is static; Nada is white and Bindu is red. Nada (Chandrabindu/ Nadabindu) over the Omkara is the couch, on which Paramasiva in his Bindu form is reclining. Chandrabindu is Nada and Bindu, Sakti and Siva in one unit.

The crescent moon with the dot is Chandrabindu (Nadabindu) or the couch of

Tripurasundari in union with Paramasiva. The icon presents five components: A, U, M, Nada (the Crescent), and Bindu (the dot). Just imagine the crescent moon being the couch! Nada is Sound, Bindu is the derivative of Nada and the source of the universe. Nada is called Visvamata or Mother of the Universe; Bindu is Duhkha Hara, Pain Killer or remover of pain. All Bija Mantras have three, four or five components: one, two or three syllables, Nada and Bindu. Nada is generally Mother Goddess and Bindu is Siva, remover of pain.

Bija Mantra has no meaning; it is neither a language, nor a word, nor a character; it is Dhvani (unlettered vocalized sound); it is Deva. Though they lack meaning, certain attributes are appended to them.

HAUM: HA is Siva, Au is Sadasiva, and M is harbinger of silence that follows intonation of Bija Mantra. HAUM is for Siva Worship.

DUM: Da is Durga, U is protection.

KREEM: This Mantra is meant for worship of Kalika (Kali). Ka is Kali, Ra is Brahman, and EE is Mayamaya.

HREEM: This mantra is for worship of Bhuvanesvari, Mother Goddess. HA is Siva, RA is Prakrti, and EE is Mahamaya.

SHREEM: This Mantra is for worship of Mahalakshmi. SHA is Mahalakshmi, RA is wealth, and EE is Mahamaya.

AIM: This Mantra is for worship of Sarasvati. AI is Sarasvati.

KLEEM: This is for the worship of bringer of love (Kamabija -Love Mantra). KA is Kamadeva and Krishna, LA is Indra, the Lord of heavens and senses, and EE is satisfaction.

HOOM or Hūm: This is for worship of Siva-Bhairava. HA is Siva, and U is Bhairava. This threefold Seed Mantra is preservative and protective.

GAM: This is for Ganesa worship. GA is Ganesa.

GLAUM: This is for worship of Ganesa also. GA is Ganesa, LA is Pervader, and AU is effulgence.

KSHRAUM: This is for the worship of Man-Lion, Narasimha (Nara = Man + Simha = Lion), an avatar of Vishnu. KSHA is Narasimha, RA is Brahma, AU is his upturned teeth.

AIM: The evolution of Bija Mantra AIM. The Mantras of Rig Veda and Sama Veda start with A; Yajur Veda starts with I; this combination gives rise to the sound AI to which Bindu is added resulting in Bija Mantra AIM, which is Sarasvati's Bija Mantra. Sarasvati is part of Tripurasundari as Lakshmi and Kali.

As you see, Mother Goddess, Siva, Ganesa, Vishnu, Brahma, Mahalakshmi, and Sarasvati are worshipped with the use of Bija Mantras. They represent creation,

maintenance, destruction, wealth, arts and sciences, removal of obstacles and conferment of Grace.

One should not utter Bija Mantras in meditation without the guidance of a Guru. Deity- specific Mantras uttered in meditation over a long period of time (in months and years) is Purascharana. One should follow dietary and other prescriptive injunctions. Anusthana is performance of meditation and other practices to obtain an object or attain a goal,

spiritual being the highest goal. This is demanding on the body and mind. Deity-specific Japa Anusthana is performed with the object of reaching a goal or removing an obstacle. This is prayer to a deity other than the personal deity, such as doing Japa to Sarasvati to compose music and Ganesa to remove obstacles. The nature of the object should be spiritual rather than material.

Woodroffe mentions the Seed Mantras grow into Sandhya, Gayatri, Nyasa, Puja, and Upacara Mantras; they are all its stems, trunk, branches, and twigs. Hymns of praise and homage are its leaves and flowers -- page161 Principles of Tantra, Book Two.

Mother Goddess in her universal form contains innumerable universes in motion in her body. Each universe has its own Brahma, Vishnu, and Siva with its own Kalpas and Yugas. She is the repository of all sastras, Agamas, and Nigamas. Agamas form the Soul of the Mother; Vedas are the jivatmas; the philosophies (Dharasanas) form the senses; the Puranas are her body; the Smrtis are her limbs; All other sacred texts make her hair. What is Jivatma to Parmatma ( individual to God) is Veda to Tantra. She is the aggregate of all Chakras. She is the source of sound, words, speech and comprehension. Varnas

(Characters) are written on the petals of the lotus of Chakras, forming the basis for Chandas, Vyakarna, Siksa, Kalpa, Jyotisha, and Nirukta, collectively called Vedangas, the Veda limbs.

Vedanga = Veda + anga = Veda Limb. Chandas, Meter

Vyakarana, Grammar

Siksa, Science of articulation and pronunciation Kalpa, Competence

Jyotisha, Astronomy and Astrology

Nirukta, Explanation, Etymological interpretation of a word

She is the origin of all knowledge. A Sadhaka's body is a microcosm of the body of Mother Goddess. Worshipping of Gurus by Sadaka is like worshipping the Mother herself.

Guru initiates an aspirant into Mantra Tattva. Mantra is the root and sound-body of Devata. Mantra = (Man = is to think or meditate + Tra = is to protect.) Yantra = instrument, engine, apparatus, amulet with mystical diagram endowed with protective occult powers. Mantras are not devised by sages or gods and were revealed by gods, who were not the formulators of Mantras. Guru, Mantra and Devata form a sacred triangle,

which is important to an aspirant. Tantra Sastras are of the view that the Supreme Guru comes as man in earthly Guru to whom an aspirant owes respect because the earthly Guru is the surrogate of Supreme Guru.

Devotee's consciousness awakens Sakti (divine power) in the image or idol which comes to life; this is Prana Prathistha (dwelling of life in an idol or image.) Idol is an instrument (Yantra) or an engine, which needs power (devotee's Consciousness) to work; in like manner, Guru is an engine; what electric power is to an engine is devotee's

consciousness to a Guru. This says that Mother Goddess exists in all things and it takes a devotee to awaken the spirit in the object. Once an aspirant (Sadhaka) achieves Siddhi (perfection), he becomes one with the Guru and Goddess. This is Advaitam, oneness. Siva-Sakti assumes the form and body of Guru and protects Sisya (devotee). Sadasiva protects Sadhus (saints or seers) by assuming the form of egoless Samsaric

(householder), who is Siva himself without three eyes, Vishnu without four hands and Brahma without four heads. Guru takes the Sadhaka from the life of a pasu to the life of Siddha who merges with Parabrahman. By initiation into Kulatantra, Isvara in the form Guru takes Pasu (animal, individual soul) hounded by Maya to liberation. Mantra, Isvara (Devata) and Guru are of one Padartha (substance). Devotion to Isvara without devotion to Guru guarantees rebirth as swine. Guru is no other than Isvara

because He (Isvara) lives in Kaliasa, he lives in Cintamani graham, the trees in his house are Kalpa trees, the creepers are Kalpa creepers, the male servants are Bhairavas, female servants are Bharaivis and the water in his house is Ganga. Cinta+Mani = Wish Gem; Graham = house (something remotely connected to Billy Graham!); Kailasa = Siva's snow-clad Himalayan abode; Kalpa tree = Wish Tree; Bhairava = Manifestation of Siva; Bhairavi = Durga = Personified aggregate of Tejas (splendor) of all Gods, particularly of Siva, Vishnu, and Brahma = Warrior Goddess. Bhairavam =

Terribleness. In this context, Bhairavis and Bhairavas are inducted Tantric sect members, and Viras (heroes) are on their way of becoming Divyas (divine men). Guru is the virtual earthly representative of Trinity, Brahma, Vishnu and Siva. Guru is the object of

meditation in the Sahasrara and Anahata Chakras.

Cintamani is a gem that yields all desired objects. The house is in the Isle of Gems and is the origin of all Mantras, that confer all desired objects. Devi lives in the house and sits on a lotus seat on the jeweled altar.

Bhairavas: manifestations of Siva; eight such Bhairavas, AsitAgma, Canda, KapAli, Krodha, BhIsana, Unmatta, Ruru, SamhAri (One with black body, the Fierce One, the Wearer of skulls, the Angry One, The Terrific One, the Mad One, Ruru, and the Destroyer. Some texts place Bhayamkara (Inducer of fear) for Unmatta.

Billy Graham carries a Sanskrit last name; He doesn't even know it.

Graham = Gṛha = house or home. Graha is Sanskrit and Graham is Tamil with M terminator.

pronounce as follows. GRAdation + hum as in humming a tune. As you see and pronounce, Sanskrit Graham is not graham flour but yes, Martha Graham, Thomas Graham and Billy Graham are named after the Sanskrit word Graha meaning house. English Dictionary: It also means a male given name, "Gray Home." In a surprising manner, there is a concordant meaning between Sanskrit Graha (house) and English Graham meaning "gray home." I postulate English Graham is derived from Sanskrit Graham because Sanskrit Graham built the HOUSE before the English built their GRAY HOME.

Gṛha: (Sanskrit) has several meanings. One among them is house

graha (Monier Williams dictionary gráha

• (Grha) a house R. vii, 40, 30 (cf. a-, khara-, -druma and -pati)