ETAPAS DE LA NEGOCIACIÓN

01 Lhasa, Tibet Museum (opened in 1999). - Photo: Michael Henss, 1999.

02 Dragpa Gyaltsen (1147-1216). Gilt copper repoussé; height: 100 cm. Newari artist in Tibet, first half of 16^th century. Mindröl Ling monastery. Catalogue (Tibet Monasteries Open Their Treasure Rooms, 2006), no.9. Photo: exhibition.

03 Mahasiddha Damarupa. Gilt copper repoussé; height: 105 cm. Newari artist in Tibet, first half of 16^th century. Mindröl Ling monastery. Catalogue no.4. - Photo: Michael Henss, 1990.

04 Buddha Shakyamuni. Brass; height: 94 cm. Kashmir, ca.625/635, with Tibetan inscription dating between 998 and 1016. Lhasa, Potala Palace. - Catalogue no.13. - Photo: after exhibition catalogue: Tibet. Monasteries Open Their Treasure Rooms, 2006; henceforth “exhibition catalogue”), p.165.

05 Buddha Shakyamuni, Brass(?); height: 61 cm. Kashmir style in western Tibet, ca.11^th century. Lhasa, Tibet Museum. Catalogue no.14. - Photo: exhibition

06 Crowned Shakyamuni. Brass; height: 87 cm. Kashmir style in western Tibet, ca.11^th century. Lhasa, Ramoche temple. - Photo: Michael Henss, 2005.

07 Bodhisattva Maitreya. Brass with inlaid copper, silver and precious stones; height: 180 cm (without base 130 cm). Indian Pala-Sena style, 12^th century. Lhasa, Potala Palace.

Catalogue no.32. - Photo: exhibition

08 Detail of plate 7. - Photo: after exhibition catalogue p.251.

09 Bodhisattva Maitreya (same as plate 7). Lhasa, Potala Palace, Li ma lha khang. - Photo:

Michael Henss, 1991.

10 Bodhisattva Maitreya. Gilt copper; height: 136 cm (statue). Work of an Indian artist in Tibet, 12^th century. Nyethang monastery. - Photo: Michael Henss, 1994

11 Torso of a female statue from Nalanda. Stone; height: 105 cm. Indian Pala style, 11^th/12^th century. Delhi, National Museum, inv. no.49153. - Photo: after Goddess.

Divine Energy, ed.by J.Menzies. Sidney 2006, plate 1.

12 King Songtsen Gampo. Gilt copper; height: 46,5 cm. Central Tibet, 14^th century.

Lhasa, Potala Palace. Catalogue no.81. - Photo: after exhibition catalogue p.431.

13 King Songtsen Gampo and his wives. Painted clay, 14^th century. Lhasa, Tsuglagkhang (no more extant). Photo: after Sis/Vanis 1958, pl.133.

14 Tibetan dharma-râja (religious king). Gilt copper; height: 52,7 cm. Central Tibet, 14^th century. Lhasa, Potala Palace. Catalogue no.80. - Photo: after exhibition catalogue p.428.

15 Yidam Kalacakra. Gilt copper inlaid with precious stones; height: 60 cm. Newari artist inTibet, ca. mid-14^th century. Shalu monastery. Catalogue no.54. - Photo: Michael Henss, 1999.

16 The Five Tathâgatas. Brass with inlaid turquoise stones and corals; height: ca.36-43 cm.

Tibet, ca.1300. Shalu monastery. Catalogue no.19a-e. - Photo: Michael Henss, 1989.

17 The crowned Diamond Seat Buddha with scenes from his life. Scroll painting; 70x59 cm. Newari artist in Tibet, 14^th century. Lhasa, Tibet Museum. Catalogue no.16. - Photo: exhibition.

18 Model of the Mahâbodhi temple at Bodhgaya. Sandalwood; height: 49 cm. India, 11^th century. Lhasa, Potala Palace. Catalogue no.22. - Photo: exhibition.

19 Aíåasah^âhasrikâ Prajñâpâramitâ Sanskrit palm-leaf manuscript, with illuminations on four (of total 139) leaves and painted wooden covers; 58x7 cm. India, probably Nalanda monastery, late 11^th century. Tsethang, Yarlung Museum. Catalogue no.26. - Photo: after exhibition catalogue p.221.

20 Detail of the manuscript cover fig.19. - Photo: after exhibition catalogue, p.224.

21 Aíåasahâhasrikâ Prajñâpâramitâ palm-leaf manuscript; ca.56x6 cm. India, Nalanda monastery, ca.1073. New York, The Asia Society. - Photo: after Huntington 1990, pl.58b 22 Illuminated palm-leaf manuscript. India, 11^th/12^th century. Sakya monastery. Photo:

after Xue Yu Ming Cha sa Jia Si 2006, p.138.

23 Eight Thousand Verses Prajñâpâramitâ. Illuminated palm-leaf manuscript; size: 56x6 cm. India, late 11^th or early 12^th century. Lhasa, Tibet Museum. - Photo: after Precious Deposits 2000, I, no.73.

24 Detail of fig. 23.

25 Illuminated palm-leaf manuscript; size: 47x6,8 cm. India, first half of 12^th century.

Lhasa, Tibet Museum. Photo: after Jinse Baozang 2001, p.220, 224, 226.

26 Detail of fig. 25 27 Detail of fig. 25

28 Bodhisattva Manjushri, Scroll painting from ‘On Ke ru Lha khang; 77,5x23,5 cm.

Tibet, 11^th century. Tsethang, Yarlung Museum. Catalogue no.31. - Photo: after exhibi-tion catalogue p.244.

29 Acala. Slit tapestry (kesi); 160x76 m, 87x57 cm without brocade borders. China, around 1300 (after an earlier painted model). Lhasa, Tibet Museum. Catalogue no.49. - Photo:

after exhibition catalogue p. 309.

30 Avalokiteshvara thangka. Silk embroidery with pearls; 60x45,5 cm. Ca. mid-14^th century. Lhasa, Tibet Museum. - Photo: after Precious Deposits 2000, III, no.22 31 Vajrabhairava. Silk brocade thangka; size unknown. China, Yongle period (1403-1424),

with reign mark. Lhasa, Potala Palace. - Photo: after The Potala. Holy Palace in the Snow Land, Beijing 1996, p.151.

32 Guhyasamâja-Akíobhyavajra. Silk embroidery; 75x61 cm (image). China, Yongle period between 1416-1419. Lhasa, Potala Palace. Catalogue no.55. - Photo: exhibition.

33 Vajrabhairava. Embroidered silk brocade thangka; 324x200 cm. China, Yongle reign mark and period (1403-1424). Lhasa, Tsuglagkhang. - Photo: Michael Henss, 1994.

34 Cakrasamvara. Embroidered silk brocade thangka; 340x202 cm. China, Yongle reign mark and period (1403-1424). Lhasa, Tsuglagkhang. - Photo: Michael Henss, 1994.

35 Raktayamâri. Embroidered silk brocade thangka; 335x213 cm. China, Yongle reign mark and period (1403-1424). Private collection. Detail of the upper register (Ami-tâbha). - Photo: after Christie’s New York, 2.6.1994, no.225.

36 Vajradhara. Gilt copper; height: 16,5 cm. China, dated by inscription to 1436. Beijing, Capital Museum. Photo: after Selected Works on Ancient Buddhist Statues. Beijing 2005, fig. 58.

37 Pensive Avalokiteshvara in mahârâjalilâ posture. Gilt copper; height: 21,5 cm. China, Yongle period (1403-1424), with reign mark. Lhasa, Potala Palace. Catalogue no.37. - Photo: after exhibition catalogue p. 268.

38 Pensive Avalokiteshvara in mahârâjalilâ posture. Gilt copper; height: 21,5 cm. China, Yongle period (1403-1424), with reign mark. Beijing, National Museum of China. - Photo: after Zhongguo zangchuan fojiao jintong zaoxiang yishu (The Art of Tibetan Buddhist Gilt Metal Statues in China), Beijing 2001, vol.II, no.150.

39 Pensive Avalokiteshvara in mahârâjalilâ posture. Gilt copper; height: 21,5 cm. China, Yongle period (14031424), with reign mark. Tuyet Nguyet Collection, Hongkong. -Photo: after Arts of Asia, September/October 1994, cover illustration.

40 Pensive Avalokiteshvara in mahârâjalilâ posture. Gilt copper; height: 30,2 cm. Tibeto-Chinese style, with Yongle reign mark (1403-1424), authentic? - Photo: after Nagel auction, Stuttgart, 21.5.2004, no.747 (catalogue).

41 Pensive Avalokiteshvara (Guanyin) in mahârâjalilâ posture. Limestone; height: ca.100 cm. China 10^th/11^th century. Paris, Musée Guimet. Photo: after O.Sirén, Chinese Sculpture from the Fifth to the Fourteenth Century. London 1925 (reprint Bangkok 1998), vol. II, plate 568.

42 Buddha Shakyamuni. Gilt copper; height: 19,5 cm. China, Yongle reign mark and period (1403-1424). - Photo: after Christie’s New York, 21.3.2001, no.85.

43 Bhaiíajyaguru Buddha. Gilt copper; height: 18,5 cm. China, Yongle reign mark and period (1403-1424). - Photo: after Council auction (catalogue), Beijing, 3.12.2007, no. 1752.

44 Bhaiíajyaguru Buddha. Gilt copper; height: 18,5 cm. China, Yongle reign mark and period (1403-1424), which according to the catalogue text is (unusually) incised on the lower(!) border of the lotus pedestal. - Photo: after Council auction (catalogue), Beijing, 3.12.2007, no.1793.

45 Vajradhara Buddha. Gilt copper; height: 30 cm. Nepalo-Tibetan style, with Tibeto-Chinese elements, with Yongle reign mark (1403-1424), incised sometime later on. - Photo: after Christie’s Hongkong, 1.5.2000, no.753.

46 Vajradhara Buddha. Lacquered and gilt copper; height: 37,5 cm. Nepalese style in China, dated according to the catalogue text by inscription at the bottom of the image to the fifth year of the Hongwu period (1372). - Photo: after Nagel auction (catalogue), Stuttgart, 12.11.2007, no.784.

47 Buddha Shakyamuni. Gilt copper; height: 16 cm. Nepalo-Tibetan style, with Xuande reign mark (1425-1435) incised sometime later on, dated 1426. Beijing, Palace Mu-seum. - Photo: after Iconography and Styles. 2002. vol.I, no.70, p.192.

48 Shakyamuni. Gilt copper; height: 18,5 cm. Nepalo-Tibetan style. With later Xuande reign (1425-1435) mark. Art trade, Zürich. - Photo: Michael Henss, 2002.

49 Avalokiteshvara Padmapani. Gilt copper; height: 29 cm. China, Zhengtong reign period (1436-1449)? With a six-character reign mark Da Ming Yong le nian zhi incised later on at the lower rim of the lotus base (“Produced in the Yongle era of the great Ming”).- Photo: after Iconography and Styles 2002, II, no.99.

50 Avalokiteshvara. Gilt copper; height: 20,5 cm. China, dated by inscription (on the bottom plate) to 1436. Zürich, Rietberg Museum. - Photo: after catalogue Galerie Koller, Zürich, 8.11.1980, no.71, pl.14.

51 Bhaiíajyaguru Buddha. Gilt metal; height: 85 cm. China, dated by inscription to 1450.

Beijing, Capital Museum. - Photo: after Han Yong/Huang Chunhe 2001, pl.115.

52 Bhaiíajyaguru Buddha. Lacquered and gilt metal; height: 37 cm. China, dated by inscription to the ninth year of the Zhenghua reign (1473). - Photo: after Hanhai auc-tion, Beijing, 22.11.2004, no.2507.

53 Buddha Shakyamuni in dhyânamudrâ. Gilt copper; height: 37 cm. China, dated by inscription to the third year of the Zhenghua reign (1467). - Photo: after Christie’s London, 7.11.2006, no.126.

54 Akíobhya. Gilt copper; height: 25,5 cm. China, Zhengtong reign period (1436-1449)?

Taipei, Chang Foundation. - Photo: after Chang Foundation 1993, no.3.

55 Crowned Buddha in sambhogakâya aspect. Gilt copper; height: 47 cm. China, Zheng-tong (1436-1449) or Jingtai reign (1450-1457). Newark/USA, The Newark Museum.

Photo: after Buddha. Radiant Awakening, ed.by J.Menzies. Sidney 2001, no.47.

56 Avalokiteshvara. Copper; height: 31 cm. China, Zhenghua period (1465-1487), with Zhenghua six-character reign mark. Beijing, Poly Auction, 1.12.2007, no.979. - Photo:

after Poly Auction catalogue.

57 Amoghasiddhi. “Bronze” with silver inlays and traces of original gilding at the lotus base; height: 67 cm. China, probably Zhenghua period (1465-1487). Galerie Jacques Barrère, Paris (2007). Photo: after exhibition advertisment J.Barrère.

58 Bhaiíajyaguru Buddha. Brass with traces of original painting (face); height: 33 cm.

China, Zhenghua period (?1465-1487). Galerie Koller, Zürich, 22.9.2007, no.104. - Photo: after catalogue Galerie Koller.

59 Vajrabhairava lotus mandala. Gilt copper; height: 58 cm (when open, 81,5 cm when closed). China, with Yongle reign (1403-1424) mark. Lhasa, Tibet Museum (formerly) Potala Palace. Catalogue no.75. - Photo: after exhibition catalogue, p.405.

60 Detail of fig. 59. - Photo: after exhibition catalogue, p.406.

61 Vajrabhairava, detail. Gilt copper; total height of the image: 20 cm. China, with Yongle reign (1403-1424) mark. Ex-Speelman collection, London. Photo: after Sotheby’s Vi-sions of Enlightenment 2006, no.812, p.90.

62 Hevajra lotus mandala. Gilt copper; height: 82 cm. China, with Yongle reign (1403-1424) mark. Lhasa, Potala Palace. - Photo: after Potala Palace, ed.by Shen Baichang.

Beijing 1988, plate 69.

63 Two lotus mandalas. Gilt copper; height: 82 cm. China, Yongle reign period (and mark?

1403-1424). Lhasa, Potala Palace, Li ma lha khang. - Photo: Michael Henss, 1992.

64 Herukavajra(?) lotus mandala (or Sixteen-armed Nine-deity Heruka mandala). Gilt copper; size unknown. China, probably with Yongle reign mark (1403-1424). Formerly Ngor monastery, southern Tibet (no more extant). See also Tucci 1949, p.206, with de-tail of the closed lotus bud. - Photo: Guiseppe Tucci expedition 1939 (Tucci photo-graphic archives, Museo Nazionale d’Arte Orientale, Rome, inv.no.6105/24.

65 Hevajra lotus mandala. Brass; height: 30,8 cm. Eastern India, 11^th or 12^th century.

Photo: after Sotheby’s New York, 2.6.1992, no.21

66 Three Kadampa stupas. Brass; height: between ca.100-200 cm. Central Tibet, ca. first half of 14^th century. Mindröl Ling monastery. Compare catalogue no.24. - Photo:

Michael Henss, 1989.

67 Kadampa stupa, crown with engravings of a Buddha and the bodhisattvas Manjushri and Padmapani. Brass; total height of the stupa ca.100 cm. Tibet, 14^th century. Mindröl Ling monastery. Photo: Michael Henss, 1991.

68 Four-armed goddess. Gilt copper; height: 29 cm. Densa Thil, first half of 15^th century.

Lhasa, Tibet Museum. - Photo: after exhibition catalogue, p.176.

69 Eight-armed goddess. Gilt copper; height: 32 cm. Densa Thil, first half of 15^th century.

Private collection. - Photo: after Oriental Art, 3/1975, p.215.

70 Four-armed goddess. Gilt copper: height: 28,5 cm. Densa Thil, second half of 14^th century. Lhasa, Potala Palace. - Photo: after Precious Deposits, III, no.24.

71 Mahâpratisarâ. Gilt copper; height: 30 cm. Densa Thil, second half of 14^th century.

Private collection. - Photo: after Spink, The Mirror of Mind. London 1995, no.17.

72 Prajñâpâramitâ. Gilt copper; height: 35 cm. Densa Thil, around 1400. Private collec-tion. - Photo: after Christie’s New York, 19.9.2001, no.115,

73 Bodhisattva. Gilt copper; height; 26 cm. Densa Thil, around 1400. Private Collection.

Photo; after Orientations, March 1993 (advertisment Eleanor Abraham).

74 Mañjuvajra. Gilt copper; height: ca.30 cm. From Densa Thil, around 1400. Private Collection, Italy. - Photo: Michael Henss

75 Amoghasiddhi. Gilt copper; height: 31,5 cm. Densa Thil style, around 1400. Zürich, Rietberg Museum. - Photo: after Uhlig 1995, no.31

76 Vairocana. Gilt copper; height: 29,5 cm. Probably from Densa Thil, around 1400. Yury Khokhlov Collection, Moscow. - Photo: after Christie’s, Paris 13.6.2007

77 Lokapâla Virûpâkía. Gilt copper; height: ca.65 cm. From Densa Thil, first half of 15^th century. Beijing, Capital Museum. - Photo: www.himalayanart.org.59835.

78a Lokapâla Vaiæravana. Gilt copper; height: ca.65 cm. From DensaThil, first half of 15^th century (see Mele photo, fig.78b). Lhasa, Ramoche temple, former gZim chung of the Dalai Lama. - Photo: Michael Henss, 2005.

78b Densa Thil monastery. Lower section of an unidentifiable tashigomang stupa with four lokapâlas in front of the lotus base. Ca. early 15^th century. The second figure from left is now in the Capital Museum, Beijing, and the second from right in the Ramoche at Lhasa. - Photo: F.Mele 1939 (Völkerkundemuseum der Universität Zürich).

79 Eleven-headed Avalokiteshvara. Gilt copper with turqoise inlays; height: 78 cm. Tibet, 18^th century. Lhasa, Norbulingka Palace. Catalogue no.34. - Photo: exhibition 80 Medical thangka. Original set, between 1687-1703. Lhasa, Mentsikhang (sMan rtsis

khang, Tibetan Hospital). - Photo: Michael Henss, 1981)

81 Medical thangka. Original set, between 1687-1703. Lhasa, Mentsikhang (sMan rtsis khang). Photo: Michael Henss, 1981)

82a Khaåvâïga. Gilt iron and silverwork; total height: 77,3 cm. China, early 15^th century (probably Yongle reign period, 1403-1424). Lhasa, Potala Palace. Catalogue no.117. - Photo: after exhibition catalogue, p.520.

82b Upper part of the Khaåvâïga fig.82. - Photo: after exhibition catalogue, p.506.

83 A pair of ritual fire ladles. Metal with gold and silver inlays; height: 38,5 cm. With Yongle reign mark. - Photo: after Hanhai Autumn Auction, Beijing, 18.12.2006, p.56-63.

84 Silver cup with gilding. Height and diameter: 10,2 cm. Tibet, 7^th//8^th century. Cleve-land Museum of Art, 1988.68. - Photo: CleveCleve-land Museum of Art.

85 Silver bowl with gilding. Diameter: 15,2 cm. Tibet, 7^th/8^th century. - Photo: after Christie’s New York, 19.9.2001, no.130.

86 Mahâkâla (Gur gyi mGon po). Polychromed limestone; height: 47 cm. Southern Tibet (Sakya?), dated by inscription to 1292 (or 1293?). Paris, Musée Guimet, Donation Lio-nel Fournier. Photo: after Béguin 1990, p.55.

87 Six-armed Mahâkâla. Fine-grained blackish stone; height: 19,7 cm. Southern Tibet (Sakya?), second half of 13^th century. - Photo: after Rochell 2003, no.7.

88 Sanskrit manuscript with tantric Buddhist texts in Æâradâ script on birch bark. Size:

15,6x15,3 cm. Dated 1059. Lhasa, Tibet Museum. - Photo: after Precious Deposits 2000, I, no.74.

89 Iconometric drawing of a thousand-armed Avalokiteshvara. Thangka, 59,5x43,5 cm.

Tibet, 20^th century. Lhasa, Tibet Museum. - Photo: after Tibet Museum 2001, p.58.

90 Removed.

91 Avalokiteshvara(?) seated on a cow. Silver alloy with later cold-gilding; height: 20 cm.

Tibet, 7^th/8^th century. Lhasa, Potala Palace. - Photo:after BST, 180 D.

92 Sarasvati. Silver alloy with later cold gilding; height: 17,8 cm. Tibet, 7^th/8^th century.

Lhasa, Potala Palace. Photo: after BST, 179 D

93 Sarasvati. Copper with later cold gilding; height: 13 cm. Tibet, 7^th/8^th century. Mindröl Ling monastery (sMin grol gling). - Photo: after BST, 178 A-C

94 Buddha Shakyamuni. Copper with ancient gilding and later cold gilded face; height: 42 cm. Tibet, ca.9^th century? Lhasa, Potala Palace. - Photo: after BST, 182 C.

95 “Wine Jar of King Songtsen Gampo”. Silver; height: 78 cm. Tibet, ca.8^th century.

Lhasa, Jokhang. Photo: after BST, 190 A

96 Jowo Shakyamuni. Lhasa, Jokhang. Copper with cold gilding; height: ca.170 cm (with crown). Probably Nepalese work in Tibet of the 11^th through 13^th century, considerably reworked in later centuries. Upper section of the copper prabha-mandala (nimbus) at-tributed to Aniko, 1262. Lhasa, Jokhang. Photo: Michael Henss, 1999.

97 Bracket section of the upper canopy architecture surmounting the Jowo Shakyamuni in the Lhasa Jokhang (backside), attributed to Aniko (1262). Below is the first part of the inscription from 1673. Photo: Michael Henss, 1981.

98 Green Tara. Copper with metal and turquoise stone inlays; height: 23 cm. Pala-Nepalese style (Aniko style?) in Tibet or Dadu (Beijing), second half of 13^th century.

Lhasa, Potala Palace. - Photo: After Xizang Budala Gong 1996, pl.298

99 Avalokiteshvara Padmapani. Copper with inlays; height: 15,3 cm. Nepalo-Tibetan style, second half of 13^th century. Lhasa, Tibet Museum. - Photo: after Precious Deposits 2000, III, no.23

100 Avalokiteshvara Padmapani. Copper with silver and gold inlays; height: 17 cm. Newari artist in Tibet (Aniko style?), ca.1261/62 (?). The Newark Museum, Newark/USA, no.79442. - Photo: The Newark Museum

101 Yemar (gYe dmar lha khang), Amitayus sanctuary (Tshe dpag med lha khang):

bodhisattvas and guardian, 2^nd quarter of 11^th century. - Photo: Stone Routes, 1985 102 Head of a bodhisattva from Yemar. Clay with traces of old painting; height: ca.40 cm.

Lhasa, Tibet Museum. Photo: Michael Henss, 2001

103 Vairocana. Brass(?); height: 41 cm. Southern Tibet, “Yemar style”, 11^th century.

Chicago, private collection. Photo: Ian Alsop, 2000.

104 Avalokiteshvara Padmapani. Brass(?); height: 27,3cm. “Zhangzhung Kingdom of Western Tibet, ca. 8^th century” (BST). Lhasa, Potala Palace. - Photo: after BST, 187 C 105 Sarasvati(?). Copper with later cold gilding; height: 22 cm. “Zhangzhung Kingdom of

Western Tibet, ca. 8^th century” (BST). Lhasa, Potala Palace. - Photo: after BST, 188 C 106 Amitâbha. Brass; height: 45 cm. Tibet, Central Regions (dbUs gTsang), ca. late 13^th

century. Zürich, private collection (“tathagata type”). - Photo: Michael Henss 107 King Songtsen Gampo. Painted clay; height: 15 cm. Ca.17^th century or later. Lhasa,

present location unknown. Compare with the famous statue in the Potala Palace (Dharma King Meditation Cave). - Photo: after Zhongguo Zangchuan Fojiao Diasu Quanji, vol.1, Beijing 2001, plate 92.

108 Goddess. Copper alloy with cold gilded face; height: 15,5 cm. Tibet, 7^th/8^th century.

Paro, National Museum of Bhutan. - Photo: after Bartholomew/Johnston 2008, p.146.

109 Group of three Shakyamuni Buddhas and of bodhisattva Maitreya (left) and Avalo-kiteshvara (right). Brass with later cold gilding; height: 26,5 cm. Kashmir, ca.8^th/9^th century. Beijing, Palace Museum. Photo: after Iconographiy and Styles 2002, vol.I, no.79, p.208 (see also Wang Jiapeng 2003, no.22).

110 Group of three Shakyamuni Buddhas and of bodhisattva Maitreya (left) and Avalo-kiteshvara (right). Copper with cold gilding; height: 27 cm. China, Qianlong period, third quarter of 18^th century. Copy of an 8^th/9^th century Kashmir style work (fig.109).

Beijing, Palace Museum. - Photo: after Iconographiy and Styles 2002, vol.I, no.79, p.210.

111 Buddha Shakyamuni. Brass with later gilding; height: 62 cm (image). Kashmir, 7^th/8^th century (image and figural base). Tibetan inscription on the lower rim of the figural base, wooden lower base and prabhâ (with inscriptions on the back in Mandschu, Mongolian, Tibetan and Chinese) of 18^th century. Presented in 1745 by Pho lha nas,

“King of Tibet”, and the Seventh Dalai Lama to the Yonghegong temple. Beijing, Yonghegong temple. - Photo: after Priceless Treasures 1999, no.26.

112 Buddha Shakyamuni. Copper with gilding; height: 62 cm. Copy made in 1936 (inscrip-tion on the backside) of a 7^th/8^th century Kashmir style image (fig.111). With a twelve character inscription: Zhang jiao zhuan lun jie yin shi jia mu ni fo xiang, “the image of Buddha Shakyamuni, master of Buddhism, in the gesture of teaching mudra. Beijing, Yonghegong temple. For reference see also Yonghegong Zangchuan Fojiao Zaoxiang Yishu, Beijing 2006, p.122. - Photo; after Palace of Harmony. Beijing 1995, p.63 113 Buddha Shakyamuni. Brass; height: 42 cm. Kashmir or Gilgit area, 7^th or early 8^th

century. With Sanskrit inscription in Æâradâ script: deyadharmmo yaõ spalapati (íâlakâ) bharya ra + oyamavati sardha mâtâ padmamukhâ puttra ++ muçusiõgha punyasiõgha khukhathâla puttra ++ mudusiõgha punyasiõgha khukhathâla paramakalyânamihara endrattrâta yad puôyaõ tad bhavatu sarvasatvânâm vimuktattrâta.

“This is the religious donation of the wife of the army commander Íâlakâ (?), Ra + oyâmâvati together with the mother Padmamukhâ, her sons Muçusiõgha and Pu ô-yasiõgha Khukhathâla and of the best beneficial friend Endratrâta. The religious merit may be with all sentient beings. Vimuktatrâta” (reading and translation into German by Oskar von Hinüber). - Khotan, Museum (Xinjiang Autonomous Region, China). Exca-vated at Damagou (Qira). - Photo: after The Ancient Art in Xinjiang, China. Beijing 1994, fig.117.

114 Image gallery (li ma lha khang) at Tashi Lhünpo monastery. South wing of the Great Courtyard, second floor. Nepal style copies can be recognized on three registers, sur-rounding authentic early images from Nepal and Kashmir. - Photo: Michael Henss, 1982.

115 The “Three Silver Brothers”: Manjushri – Avalokiteshvara – Vajrapani (from left to right). Brass with copper, silver and gilding; height: 71,4 cm. Western Tibet, Puhrang

area, early 13^th century. Pritzker Collection, Chicago. - Photo: after Newsletter illustra-tion of the Chicago Art Institute (2003).

116 Buddha Shakyamuni. Painted clay; height: 44 cm. Western Tibet (Gu ge), second half of 15^th century. Photo: after Rossi and Rossi; Beyond Lhasa. Sculpture and Painting from East and West Tibet. London 2002, no.7.

117 Sarvavid Vairocana. Painted clay; height: approximately life-size. Tsaparang (Gu ge), White Temple (Lha khang dkar po), early 16^th century. - Photo: Sun Zhijiang, 1976.

118 Crowned Akshobhya. Brass with inlaid semi-precious stones; height: 19 cm. India, 11^th/12^th century. Beijing, Palace Museum. - Photo: after Zhongguo Zangchuan Fojiao Diasu Quanji, vol.2, Beijing 2001, plate 28.

119 Vairocana. Brass; height: ca. 20 cm. India, 11^th/12^th century. Beijing, Palace Museum. -Photo: after Zhongguo Zangchuan Fojiao Diasu Quanji, vol.2, Beijing 2001, plate 26.

120 Buddha’s Enlightenment and scenes of his life. Pyrophyllite stone (Burmese: andagu);

height: 20,2 cm. Pagan, late 11^th or 12^th century. Private collection, Myanmar. - Photo:

Claudine Bautze-Picron.

121 Tara (Khadiravaôi-Acacia Forest Tara, or Aíåamahâbhaya-Eight Fears Tara, or Green Tara), known as “Ford-Tara”. Painted cloth, 122x80 cm. Central Tibet, second half of 12^th century. John and Berthe Ford Collection, currently on loan in the Walters Art Gallery, Baltimore. Photo: after Kossak/Casey Singer 1998, no.3.

121 Tara (Khadiravaôi-Acacia Forest Tara, or Aíåamahâbhaya-Eight Fears Tara, or Green Tara), known as “Ford-Tara”. Painted cloth, 122x80 cm. Central Tibet, second half of 12^th century. John and Berthe Ford Collection, currently on loan in the Walters Art Gallery, Baltimore. Photo: after Kossak/Casey Singer 1998, no.3.

In document La negociación en MAC'MA (página 113-118)