• No se han encontrado resultados

L’estructura social al període feudal i colonial

4. L’ESTRUCTURA SOCIAL HINDÚ

4.2. EL SISTEMA SOCIAL A LA ÍNDIA: EVOLUCIÓ I TRANSFORMACIÓ

4.2.1. L’estructura social al període feudal i colonial

Adamowicz, E. (1998) “Surrealist Collage in Text and Image”, Cambridge Press

Allen P. 2008, “Framing the Body in Augmented Public Space”, In Alessandro and Fiorella De Cindio, ed. Augmented Urban Spaces Ashgate

Adorno and Horkeimer, (first published in German 1947, This version 1997) “Dialectic of Enlightenment” Verso Classics

Ascott (1983) “La Plissure du Texte”

Ascott, R. (1990) “Is There Love in the Telematic Embrace?” Art Journal 49 p3, Fall

Ascott, R. (ed) (1999) “Consciousness Reframed” Intellect, Exeter, UK

Badham, J. (1974) “Saturday Night Fever”

Bartes, R (1977) “Death of the Author” in Image-Music-Text: essays selected and Translated by Stephen Heath, New York, Hill and Wang

Bailey, J. (2013) “Master/ Slave Invigilator System”

Baudrillard, J. (1981 originally published), (2004) “Simulcra and Simulation”, Michigan Press

BBC Big Screens Websitehttp://www.bbc.co.uk/bigscreens Last accessed 1/1/14

(BBC Big Screens Facebook web page) https://www.facebook.com/BBCBigScreens accessed 11/1/15)

Benjamin, W. (1936, this edition 2008) “The Work of Art in the Age of Mechanical Reproduction” Penguin Books, England

Benjamin, W. (1973, this edition 1997) Charles Baudelaire, Verso, London, New York

Benjamin, W. (1978), “The Author as Producer” in P. Demetz (ed.) (trans E. Jephcott) Reflections: Essays, Aphorisms, Autobiographical writings, New York, Harcourt Brace Jovanovich

Behrens M. and Valkanova N. (2014) “Smart Citizen Sentiment Dashboard”

Blanco, C. and Mora, (2013) J. “Puppet Master”

B-boys and Tobo 2013, “Jump”

Brave, S. Nass C. (2003) “Emotion in computer interaction” in “Computer Interaction Handbook: Fundamentals, Evolving Technologies and Emerging Applications” Lawrence Erlbaum, Mahwah

Brecht, B, (1932) in Hanhardt, J. (1986) Video Culture a Critical Investigation” Visual Studies Workshop, Rochester

Broeckmann A. 2009, Intimate Publics: Memory, Performance and Spectacle in Urban Environments in in McQuire, S. Martin M. and Niederer, S. ed Urban Screens Reader Media Lab Amsterdam p109-120

Browning, D. (1964) Act and Agent: An Essay in Philosophical Anthropology, Miami University Press, cited in Lovejoy M. Paul, C. Vesna, V. (2011) Context Providers Conditions of Meaning in Media Arts, Intellect ltd p36

Bull H. (1993) “Notes Toward a History of Telecommunications Art” Unpublished in Shanken E. (2009) “Art and Electronic Media” Phiadon Press (p33)

Burmester, M. Hassenzahl M. and Koller F. (2002) “Usability ist nicht alles-wege zu attrack- tiven Production”

Buytendijk, F. J. J. (1932) The Game of Man and Beast as Manifestation of Life Instincts, Amsterdam: Publisher’s Society “Cosmos”

Cage, J. (1953) “4’33”

Caillois, R. (first published 1958, this version 2001) Man, Play and Games, Illinois, USA.

Candy, L. & Edmonds E. (Eds) (2011), Interacting, Art and the creative Practitioner, Libri Publishing

Cassells, J. (1998) “Story Telling as a Nexus of change in the relationship between gender and technology: A feminist approach to software design” in Cassell J. and Jenkins H. (Eds), From Barbie to Mortal Kombat: Gender and Computer Games, Cambridge: MIT Press

Certeau, M. De (1984 English translation first published in 1980 in French) “The Practice of Everyday Life” University of California Press Ltd, London, England

Cohen A. P. (1985), “The Symbolic Construction of Community” London, Tavistock Publications

Connecting Cities website http://www.ccnriga.com/about/params/post/187747/connecting- cities-vision

Cork, R. (1978), “Art for Whom?” Serpentine Gallery and Arts Council England London,

Costello, B. (2011) in Candy, L. & Edmonds E. (Eds) (2011), Interacting, Art and the creative Practitioner, Libri Publishing

Crary J. (1999) Suspension of Perception, MIT Press Cambridge Massachusetts, London England

Crowe N. “Service 2000”

Anthropologist” p45-58

Curtiz, M. (1942) “Casablanca”

Daniel, S. (2011) in Lovejoy M. Paul, C. Vesna, V. (2011) Context Providers Conditions of Meaning in Media Arts, Intellect ltd

Davies, C. (1998) “Osmose” and “Ephemere”

Davis, D. (1971) “Electronic Hokkadim”

Davis D. 1968) “Art and Technology Conversations” Art in America, 56:1, January- February

Debord, G. (1995) (first published in 1967) “Society of the Spectacle” Zone Books, New York Translated by Nicholson-Smith

Dewey, J. (1934, this edition 1980) “Art as Experience” Perigee Book, New York

Dovey, J. Kennedy, K. (2006) “Game Cultures Computer games as New Media” Open University Press, England

Dinkla, S. (1996) From Participation to interaction toward the origin of interactive art, in Lynn Hershmann Leeson ed. 1996, Clicking In, Hot links to a Digital Culture, Bay Press Seattle

Dixon, A. G. 2008 web article

http://www.andrewgrahamdixon.com/archive/readArticle/547 last accessed 23/11/14

Dodsworth, C. (1998) “Digital Illusion: Entertaining the Future with High Technology” ACM Press

Dulac, N. and Gaudreault A. (2006) “Circularity and Repetition at the Heart of the

Attraction: Optical Toys and the Emergence of a New Cultural Series,” in the “Cinema of the Attractions Reloaded” Ed Strauven, W. (2006) Amsterdam University Press

Eco, U. (1962, in English published 1989, translation Anna Cangogni) “The Open Work”, Harvard University Press

Eilbeck, A (2011) “Me You and Us”

Eisentein, S. (1925) “Battleship Potempkin”

Fierro A. (2003) The Glass State: The Technology of the Spectacle, 1981-1998, Cambridge, MA, MIT Press

Fineman J. (1991) The History of the Anecdote: Fiction and Friction” in the subjectivity Effect in Western Literary Tradition: Essays towards the release of Shakespeare’s Will, Cambridge MIT Press

Fujihata M. (1995) “Beyond Pages”

Galloway K & Rabinowitz S. (1980) “Hole in Space”

Gilloch, G. (1997) Myth and Metropolis, Walter Benjamin and the City, Polity Press

Graham, B (1997) “A Study of Audience Relationships with Interactive Computer Based Visual Art Works in Gallery Settings, through Observation, Art Practice and Curation” PhD University of Sunderland

Groos, K. 1901, “The Theory of Play” Appleton, New York

Gunalan, N. (2008) ISEA2008 Conference Proceedings. ISEA2008 Pte Ltd

Hannah, B. (1977) “Jung his life and Work” Michael Joseph, London.

Hemmer R.L. (2001-2003) “Body Movies: Relational Architecture”

Hoberman P. (1994) Bar Code Hotel

Hughes, R. (1980) The Shock of the New, McGraw-Hill Edition published by arrangement with Random House, USA

Huhtamo E. & Jussi Parikka (Eds) (2011) Archaeology of Media, University of California Press, Berkeley, Los Angeles, London

Huhtamo E. (2013) “Illusions in Motion” University of California Press, Berkeley, Los Angeles, London

Huizinga, J. (First published 1938, 1971) “Homo Ludens”, Beacon Press.

Jacobs, J. (1962) The Death and Life of American Cities, Jonathan Cape, London

Juul, J. (2003) “The Game Player, the World: Looking for a Heart of Gameness” Keynote at the Level Up Conference, Utrecht, November 2003

http://www.jesperjuul.net/text/gameplayerworld/ last accessed 24/1/15

O’Shea, C. “Hand from Above” (2009) Liverpool Big Screen

http://theridiculant.metro.co.uk/2009/10/chris-osheas-augmented-reality-giant-hand-of- taunting.html

Kepes G. 1960 The Visual Arts Today, Wesleyan Middletown, Connecticut

Kelly, J. (1997) Steven Willats: Art ethnography and social change http://www.variant.org.uk/4texts/Jane_Kelly.html

Kester G. (2004) Conversation Pieces Community and Communication in Modern Art, University of California Press

Kruger, M. (from 1969) “Video Place”

Kruger, M. (1988) Museum of Natural History http://www.youtube.com/watch?v=dmmxVA5xhuo\

Lefevre Henri (1991) “The Production of Space”, Blackwell Publishers, Oxford, Massachusetts

Lippard L. R. (1997) Six Years:Dematerialization of the Art Object from 1966 to 1972, University of California Press

Lovejoy M. Paul, C. Vesna, V. (2011) Context Providers Conditions of Meaning in Media Arts, Intellect ltd

Newmeyer, F.C. Taylor, S. (1923) “Safety Last”

Maciunas G. (1994,1996) George Maciunas to Tomas Schmit, January 1964 in Stiles K. and Selz P. H. Eds 1996 Theories and Documents of Contemporary Art: A Source book of Artists Writings, Berkeley: The University of California Press

Manovich, L. (2005) PDF “Post-media Aesthetics”

http://www.alice.id.tue.nl/references/manovich-2005.pdf (accessed on 7/1/15)

Marinetti, F. T. 1913 in Warren, S. 2013, “Mikhail Larionov and the Cultural Politics of Late Imperial Russia” Ashgate, Surrey, Burlington USA

McCoy, J. & K. “How I Learned” (2002)

McCoy, J. & K. Soft Rains (2003)

McQuire S. (2009) Mobility, Cosmopolitanism and Public Space in The Media City in McQuire, S. Martin M. and Niederer, S. Ed Urban Screens Reader Media Lab Amsterdam p45-64

McQuire S. (2008) The Media City, Media, Architecture and Urban Space, Sage publications (published in association with Theory, Culture and Society)

McCarthy, J. Wright, P. (2004) “Technology as Experience” MIT Press, Cambridge, MA McLuhan, M. (Orginally1964, 1994) “Understanding Media: The extensions of Man” MIT Press

Miessner, S. (2014) “Urban Alphabet”

Mignonneau, L. and Sommerer, C. (1993) Interactive Plant Growing

New York Surveillance Camera Players (1996)

http://www.nytimes.com/2010/07/25/magazine/25privacy-t2.html?pagewanted=all article on the digital trail left by social networking last accessed 17/1/15

Oettermann S. (1997) The Panorama: History of a Mass Medium Zone Books

Olesksijczuk D.B. (2011) The first Panoramas: Visions of British Imperialism, University of Minnesota Press

Oliver B. (2009) “Star Catcher”

O’Shea C. (2009) “Hand from Above”

Paik N.J. (1963) “Exposition of Music-Electronic Television”

Paik N.J. 1984 “Good Morning Mr Orwell”, New York, Paris, San Francisco, to the US France Canada, Germany and Korea.

Paik N.J. (1984) in Taylor L. “We made Home TV” Art Com 23, 6, 3, 1984, quoted by Foti L. Cited in Lovejoy M. (1997) Post Modern Currents Art and Artists in the Age of Electronic Media 2nd Edition Prentice Hall, Upper Saddle River New Jersey, (p220-1)

Piesberger, M. connecting conference page http://connectingcities.net/news/connecting- cities-event-european-capitals-culture-conference last accessed 17/1/15

Plattenbauten, Clamartpark. GrapengieBer, (2009), Street Luneburg

McQuire, Scott. The politics of public space in the media city. First Monday, [S.l.], Feb. 2006. ISSN 13960466. Available at:

<http://uncommonculture.org/ojs/index.php/fm/article/view/1544/1459>. Date accessed: 11 Jan. 2015. doi:10.5210/fm.v0i0.1544.

Pias, C. (2011) The game Player’s Duty, in Media Archaeology, Eds Huhtamo, E. Parker, J. University of California Press

Powell H. and Gethin Lewis, J. (2009) “Hungry Hungry Eat Head”

Putman R. (2001) “Bowling Alone” revised edition Simon and Schuster, New York

Rancière, J. (2000) “The Politics of Aesthetics, trans. Gabriel Rockhill, London and New York: Continuum

Rist, P. (2005) “Your Space Capsule”

Rist, P. (2006) “Gravity be my Friend"

Rokeby D. (2001) “n-Chant”

Rokeby, D. (1998) in Dodsworth, Jr. C. "Digital Illusion: Entertaining the Future with High

Technology," ACM Press, Addison-Wesley Publishing Company

Rossa, D. 2009, “555 Kubic”

Rousseau, J.J. The Social Contract and Discourses 1923 (translated with an Introduction

by G.D. H. Cole) (London and Toronto: J.M. Dent and Sons

Rousseau J.J Émile, (1762) or On Education translated Alan Bloom, (1979) Basic Books USA

Rousseau, J. (1757, 2009) “Discourse on the Origin of Inequality” Oxford World Classics

Russell, K. 2010, “Monitor” BBC Documentary

Sakane, I. (1989) "Introduction to Interactive Art," in Catalogue: Wonderland of Science- Art (Kanagawa, Japan: Committee for Kanagawa International Art & Science Exhibition, 1989), p3, quoted in Rokeby, D.1995, “Transforming Mirrors: Subjectivity and Control in Interactive Media,” in Simon Penny, ed. “Critical Issues in Electronic Media”, State University of New York

Sassen, S. (2009) “Reading the city in a global digital age” in McQuire, S. Martin, M. & Niederer, S. (Eds.), Urban Screens Reader (pp. 29–44). Amsterdam, The Netherlands: Institute of Network Cultures.

Scheuerl H. 1965 Das Spiel: Untersuchungen uber sein Wesen, seine padagogischen Moglichkeiten und Grenzen” 1954, 5, ed. Weinhiem et al, Betlz, referenced by Katja Karastek “Opus Ludens- Towards an Aesthetic of Interactivity in “Interface Cultures” eds Christa Sommerer, Laurent Migonneau and Dorothee King

Schiller, F. 1962, Uber die asthetische Erziehung des Menschen, in einer Reine von Briefen (On the Aesthetic Education of Man, in a Series of Letters ), in Samtliche Werke, vol 5 (Munich:Hanser) p607, in Claus Pits The game Player’s Duty Media Archaeology, 2011, eds Erkki Huhtamo and Jussi Parker, University of California Press

Schiller, F. 1962 “On the Aesthetic Education of Man in a series of letters”, in “Samtliche Werke” Vol 5 Munich: Hanser

Scott J. (1995) Frontiers of Utopia

Sennett, R. (1986) (1st published in the USA 1977) “The Fall of Public Man” Faber and Faber London and Boston

Sennett, R. (2013) (1st published 2012 Allen Lane) “Together” Penguin Books, London

Sermon P. (1992) Telematic Dreaming

Shanken E. (2009) “Art and Electronic Media” Phiadon Press

Shanken, E. Stiles, K. (2011) in Lovejoy M. Paul, C. Vesna, V. (2011) Context Providers Conditions of Meaning in Media Arts, Intellect ltd

Shaw, J. (1994) “Golden Calf”

Silverstone R. (1999) “Why Study the Media” Sage Publications Ltd.

Simmel G. (1903) pdf

http://archive.taylorzanke.com/2014/academic/parsons/spring2014/design_at_the_edge/rea dings/Simmel_Metropolis%20and%20Mental%20Life.pdf last accessed 15/1/15

Snell R. 1954, translation letters in Friedrich Schiller “On the Aesthetic Education of Man” (rep. Mineloa, NY Dover Publications

Statista -http://www.statista.com/statistics/273018/number-of-internet-users-worldwide- the world’s largest statistics portal. Providing you with access to relevant data from over 18,000 sources, last accessed 11/1/15

http://www.statista.com/statistics/237187/global-video-games-revenue Data on gaming statistics last accessed 17/1/15

Stelarc, (1996) “Ping Pong Body”

Strauven W. (2011) “The Observers Dilemma to Touch or Not to Touch” in Huhtamo E. & Jussi Parikka (Eds) (2011) University of California Press, Berkeley, Los Angeles, London

Struppek, M. (2006) “Urban screens - The urbane potential of public screens for interaction” Intelligent Agent, volume 6, no2, Papers presented at ISEA 2006, August 2006

Teran M. (From 2009) Surveillance Camera Tours

Toulmin, V (2006) “Electric Edwardians”, the British Film Institute

Turkle S. (1995) “Life on the Screen”, Simon and Schuster

Virilio P. (1994) “The Vision Machine” Indian University Press, BFI Publishing, Bloomington and Indianapolis

Virilio P. (1997) “The Third Interval” in Stephen Graham, ed. Cybercities Reader Routledge

Vostell, W. “Television De-collage” (1963)

Watson, P. (2000) A terrible Beauty Weidenfield & Nicolson, London.

Weibel, P (1973) “Observation of Uncertainty”

Weiner, R. (1920) Cabinet of Dr. Caligari”

Williams R. (1989) “Base and superstructure in Marxist Cultural Theory” in R. Con Davis and R. Schleifer (eds.), Contemporary Literary Criticism: Literary and Cultural Studies, 2nd ed. New York: Longman, (1994)

Winnicot, D.W. (1971) “Playing and Reality” Tavistock Publications

Wodiczko, K. 2012 “Abraham Lincoln: War Veteran Projection”

Wodiczko, K. (1990) “Perspecta 26”

X, R.A. (1981) “World in 24 hours”

Yue A. (2009) “Urban Screens, Spatial Regeneration and Cultural Citizenship”, in

McQuire, S. Martin M. and Niederer, S. Ed Urban Screens Reader Media Lab Amsterdam p261-275

Zimmerman, E. Salem, K. (2006) “The Game Design Reader” Massachusetts Institute of Technology USA

Zizek S. (1991) “Looking Awry: An introduction to Jacques Lacan through Popular Culture” Cambridge MIT Press