La Costumbre en algunas Ramas del Derecho

You are creative, whoever you are. Respect your own creativity and respect the creativity and creative space of other people. -Wynton Marsalis, “Moving to Higher Ground: How Jazz Can Change Your Life”

My second opportunity was at a concert held at the Flynn Theater the fall of 2017 I attended with my wife and younger son. Jazz at The Lincoln Center Orchestra was performing. The interesting thing here is this group is led by Wynton Marsalis. As one of the premiere Jazz trumpet players of our time, known worldwide having won nine Grammy awards, authored seven books on Jazz and music, released over eighty albums as a leader, performed with and released other recordings with the likes of Dizzy

Gillespie, Herbie Hancock and more. I am not a Jazz aficionado, but I do know who he is. Even with his credentials and stature, his name did not appear on the Flynn marquis nor is the show overtly promoted using his name. I had the opportunity along with my family, to see him perform several years earlier at the Flynn with a small ensemble. This time, along with the fantastic music, I was looking deeper into the bands interplay and organization. The band consisted of about sixteen gentlemen. One Latino, nine African

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Americans, and the remainder white. I spoke about visual determinations earlier, so I made my estimations based on visuals of the players as well as their names as they appeard in the program. They all dressed the same, black suit, white shirt, black ties. They sat in three rows on risers with the trumpets at the top, trombones in the middle and reed instruments in the first row. The drummer, stand up bass and piano were off to the left. Wynton sat with his band in the top row with the trumpets. He did not lead from the front, did not overtly conduct and generally, except for introducing each song with a small story, kept to himself. While some of the songs played were from the likes of Miles Davis, Dizzy Gillespie, and Duke Ellington, there were also four or five written by individual band members. Wynton was sure to explain and provide credit for these pieces. If there were any obvious conductor at all, I noticed one of the sax players, sitting on the end of the front row, occasionally giving small hand signals or audible queues.

This was a great example in my mind, of the “We versus I self-identity” Norman-Major speaks to in that the band was one unit.9 All contributed. All were equally cherished and recognized for their contributions. No single person was

highlighted during the evening. There were solos within songs which are part and parcel for jazz music yet, they were all an integral part to the total performance. It was also a tremendous illustration of people from diverse environments working together for a common purpose.

Having painted this picture of a jazz concert performance, you may be asking yourself, so what? Indeed, a bunch of guys, with tremendous talent and common purpose

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got together to share with a large group of people. They will continue to do this at many cities and halls across the country for several months, what’s the big deal? My

observations can only be based on my experience of this one performance, but these gentlemen had that single common objective and single common meaning. To perform and honor great music. For all the audience knew, they hate each other behind the scenes, have separate dressing rooms and travel in different buses, I really don’t know. Let’s however, say it’s not true and they generally do enjoy each other’s company. Each person has an individual story, comes to it from a different perspective, struggles,

sorrows and joys. Whatever the differences, visibly or not, they put them aside for the common musical objective.

Again, maybe still asking, so what? They get paid to do it and love what they do. Ah ha, isn’t that it, finally, meaning, a common meaning to their current lives to share with each other and others. Telling a musical story, this may possibly be their version of “Harvesting.” The “So what?” question to me is exactly this.

What specifically is “Harvesting” your life? Rabbi Schacter-Shalomi in his book, Age-ing to Sage-ing: A Profound New Vision of Growing Older, he is clear that to allow our life experiences and journeys to go untold, not shared, hidden and abandoned, is to devalue our own life.10 _{What a shame it would be to feel your own life, however} grand or simple, is not worth the time to see the light of day with others. Sharing your life stories with others is the harvesting of those stories so that others may appreciate and learn from them.

10 _{Zalmanand Schachter-Shalomi and Ronald S. Miller, From Age-Ing To Sage-Ing: A Profound New} Vision Of Growing Older (New York: Warner Books, 1995)

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Finding a meaning, irrespective of or because of difference and similarities has a strong magnetism in groups, much like a glob of mercury. You know the old experiment where you drop a bunch of mercury on a flat surface; it breaks apart into various shapes, sizes and forms, but ultimately comes together by some unseen attraction to form one large symmetrical glob. We can all be our own little glob, but from time to time, to come together and form a larger glob with common purpose would be wonderful. Maybe that’s part of the bigger issue since mercury is no longer looked at as something to play with these days like when I was little.

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CHAPTER 2: POLITICAL STORIES