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Propuestas que combinan un enfoque lingüístico y estadístico

2. Estado de la Cuestión

2.1 Diferentes enfoques de la Extracción de Términos

2.1.3 Enfoque Híbrido

2.1.3.1 Propuestas que combinan un enfoque lingüístico y estadístico

This famous and popular song of this very film was also written by Pt. Narendra Sharma—

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About film songs, he said “Film is a powerful medium of poetic

expression, by the constructive use of which the composers of film songs should write songs of good taste for the common men.” If the professional film song writers adopt this point of view of Narendra Sharma, the level of the Hindi film songs will soon go higher. In this regard, it seems necessary to add that to establish himself as professional song writer for films, he never made compromise in matter of standard or level. That is why, he did not get much opportunity to write songs. The films, for which he was asked to write song, left an indelible mark on the spectators.

Narendra Sharma’s genius was many sided. He was the first persontobeappointedasthedirectorof

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programme.

It was Narendra Sharma, who gave a start to the entertaining programmes as Chhayageet and Chitrahar of film songs and the humorous Natika and Hawa Mahal. The script of uproar creating television serial Mahabharat was written by Narendra Sharma. He wrote its songs as well and its theme was mooted him. He did research work for the same as well.

Pt. Narendra was really a scholar of many subjects. He had good knowledge of Astronomy and Ayurveda (Indian medicine). On his sixtieth birthday the admirers of Narendra published a felicitation volume in his honour—

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His multidimensional personality and multisided genius were brought to light in the contributions published in it.

Magnificence

Pt. Narendra Sharma was the main poet of the ports Chhayawad period or of Pragatiwadi generation. He had a deep insight into poetry. He was well-versed in the use of metres and a moving store house of knowledge. He was both tactful and practical.

Narendra Sharma was unable to make compromise with his principles. He wrote for everyone for the common man. In the name of a person, he wrote only one poem on Nirala ji. In his later poems his personality as a believer and worshipper of culture has manifested. In these poems his humility has left a deep impression.

In Pt. Narendra Sharma we lost a progressive Hindi lyricist, poet and a skilled artist who imparted refinement to film songs.

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Chaturvedi

Dada Makhan Lal Chaturvedi spread over the literary sky with his two celebrated novels—‘Bhartiya Atma’ and ‘Sahitya Devata’. The way in which Makhan Chaturvedi, treading the path of sacrifice, presented through poetry, the Indian Freedom movement, is really unique and unprecedented Sahitya Devata created a sea of emotional nationalism in poetry, which is matchless upto this day. He was a source of energy to his contemporaries, and the life-force danced to his tunes in every word, whether it be his poetry, essay or speech.

Chaturvedi ji was born on 4th April, 1889, at village Babayee in district Hoshangabad, M.P. He had teacher’s training at home and school. Along with it, he became proficient in Sanskrit, Persian, Urdu. Arabic, Bangla, Marathi, Gujarati and English Languages. He entered the literary world through Sanskrit and Urdu. Later on he took to Hindi.

The earth of Bharat created a worthy son, who had the soul of Gandhiji, and was a revolutionary. By birth he was dynamic in action his literary works were Latin with living nationalism pervading the whole nation in such a musical form that emitted the incantations of revolution, and the flowers which had a deep desire to be sacrificed on motherland. This is well expressed in his poem ,d` œw`¥ d`h pkg (wish of a flower). The poetry spread the poetic beauty of a lustful woman at every step. His life was devoted to the goddess of literature. He was poet, an orator, a dramatist, an essayist, a journalist and a watch dog of revolution. Above all this, he was a teacher, such a teacher in whose pious voice was hidden steersman of the nation, among whom someone was a scientist or an great politician and an artist as well. Dr. Hazari Prasad Dwivedi has tried to fathom the sea of his heart by depicting him as a trinity of saint, orator and

rebellious tongue. An orator like him was difficult to find. His pen was a fountain of affection, dynamism and force. His pen had unique power on one side, the British government shuddered of him, while on the other hand, his speech inspired the young men to court arrest and lay down life for the sake of freedom of Bharat—India.

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Late Vrindawan Lal Verma called him Walter Scott of historical novels of Hindi, called Pt. Makhan Lal Chaturvedi a volcano of emotions, imagination and poetry—a volcano, if erupted will shake the whole world because that was the period of India’s subjugation of the British rule, and Dada shook it and moved it. His pen proved a source of terrible eruption of a volcano—

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